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Mark Green Band ing the lines where styles intersect<br />
and produce something new.<br />
Michael Hornbuckle<br />
East Coast Blues Society<br />
His influences range widely, and<br />
Band<br />
Mark Green was born and raised his original songs feature engaging<br />
stories, soulful vocals, and<br />
From the mountains to Mem-<br />
Mile High Blues Society<br />
on the island of Newfoundland,<br />
and ever since he was old enough infectious grooves. He is joined<br />
phis, the Michael Hornbuckle<br />
to be in high school you could find by longtime friends Greg Griffiths<br />
Band proudly represents Denver’s<br />
him playing guitar in a local blues on bass and Andrew Massey on<br />
Mile High Blues Society. The singing<br />
quartet of Denver native Mi-<br />
club. Over the next 30 years he drums. The Matt Roberts Trio are<br />
honed his incredible showmanship<br />
and unique vocals while tour-<br />
to share their music with audi-<br />
Andrews (bass), Andras Csapo<br />
thrilled to be here in Memphis<br />
chael Hornbuckle (guitar), Jeff<br />
ing throughout Canada, both doing ences and fellow musicians and<br />
(Hammond B3 and harmonica),<br />
his own gigs and playing guitar to absorb all the great music assembled<br />
here for this year’s IBC.<br />
ton (drums) delivers soulful vo-<br />
and Desmond “Motown” Washing-<br />
for some very notable Canadian<br />
blues artists. The band’s current<br />
cals and hard-edged guitar riffs<br />
lineup was formed in late 2014.<br />
in the spirit of their roots in the<br />
Backing up Green are Ron Sims Matthew Robinson<br />
blues. Hailing from Detroit, Oakland,<br />
and Hungary, these gen-<br />
on guitar, Greg Siddall on bass and the Jelly Kings<br />
and backup vocals, and Thom<br />
Austin Blues Society<br />
tlemen were pulled together by<br />
Cooke on drums. The band plays<br />
invisible strings that were spun<br />
songs that are focused on groove, With a tear-your-heart-out guitar<br />
out of Denver, where they all reside<br />
and met Michael. They “keep<br />
emotion, and big-energy performances<br />
that leave audiences no from sweet as a lover’s lips to<br />
style and a voice that can move<br />
it simple, stupid,” says Michael.<br />
choice but to get up and dance. stripping paint off a Missouri-Pacific<br />
freight at 20 paces, all coming<br />
“It’s all about the pocket and<br />
groove these days, and I’ve got<br />
out of a life that is a blues song,<br />
the crew.” From swamp to swing,<br />
Markey Blue there is no more authentic Texas<br />
funk to grit, these guys deliver<br />
Atlanta Blues Society bluesman than Matthew Robinson.<br />
Robinson is Texas to the bone. You<br />
Markey Blue is a dynamic, highenergy<br />
band that fuses classic<br />
Michael Lee Band<br />
won’t fit him into a box. Soul, jazz,<br />
gospel—it’s all in there, and yet always,<br />
with no doubt, Texas blues.<br />
blues and soul into original songs<br />
San Angelo Blues Society<br />
that really connect with the audience.<br />
Their 2014 release, Hey<br />
Matthew brings to the party some<br />
Texas has always been a breeding<br />
of the most respected of Austin<br />
ground for great bluesmen, and<br />
Hey, debuted at No. 1 on the<br />
players, the Jelly Kings: Jeff Hayes,<br />
Michael Lee is no exception. His<br />
blues debut charts and rode high<br />
Pete “The Beat” Langhans, Steve<br />
passionate vocals and expressive<br />
on both the roots music album<br />
Power, and Joe Lee King. Nobody<br />
guitar playing, paired with a commanding<br />
stage presence, make<br />
and singles charts. Markey was<br />
can work that jelly like Matthew<br />
named by the Atlanta Examiner<br />
Robinson and the Jelly Kings.<br />
the Michael Lee Band a must-see!<br />
as a Top Female Blues Artist to<br />
Lee is backed by national touring<br />
Soar, and the band was named<br />
musicians Lewis Fluellen, Chris<br />
one of the 10 emerging artists in Melissa B. Band<br />
Gipson, and “Face” Hayes, providing<br />
an explosive rhythm experi-<br />
blues to watch. They were nominated<br />
for Best Blues Debut Artist<br />
Jazz Society<br />
ence. Often compared to a ’50 s<br />
Wyoming Blues &<br />
at the 2015 Blues Blast Awards,<br />
soul singer, Lee has a voice that<br />
and Best Blues Act, Best Blues<br />
Melissa B. is a powerful singer<br />
takes you back to another place<br />
Performance for the 2015 NIMA<br />
with a confident, nuanced, and<br />
and time. His guitar playing is an<br />
Awards. After they signed a multimedia<br />
publishing deal, Mar-<br />
evocative voice. She is both classically<br />
trained and steeped in<br />
honest, simple, yet innovative approach<br />
that expresses his soul.<br />
key Blue’s music is now playing<br />
American roots music—a combination<br />
that brings a fresh feel<br />
Original songs like “Ain’t Missing<br />
You” and “Don’t Leave Me”<br />
on TV shows and in movies.<br />
to this classic form. A Wyoming<br />
native, Melissa B. has been gigging<br />
regularly across the region<br />
show the truthfulness conveyed<br />
through the most honest and passionate<br />
genre in music, the blues.<br />
Matt Roberts Trio<br />
since the late ’90s. She is backed<br />
Sydney Blues Society<br />
by blues veterans Gary Small on<br />
The Matt Roberts Trio have come guitar and Rick Davis on blues<br />
all the way from Sydney, Australia,<br />
and this is their first time pertion<br />
of Fred Serna (drums) and<br />
Soul Drivers<br />
harp. A rock-solid rhythm sec-<br />
The Mighty<br />
forming in the U.S.A. Matt is a Jobe Jennings (bass) provides<br />
Connecticut Blues Society<br />
lover of all kinds of blues and roots a killer groove. The Melissa B.<br />
music, and especially enjoys walk-<br />
The Mighty Soul Drivers bring the<br />
Band proudly plays the blues.<br />
classic soul/blues sounds of Mem-<br />
112 H BANDS The Blues Foundation • blues.org<br />
phis, Muscle Shoals, and points<br />
south to the hills of New England.<br />
The Mighty Soul Drivers take<br />
their inspiration from the giants of<br />
Southern soul and blues, and combine<br />
that with contemporary tunes<br />
written in the classic style. Years<br />
of playing all kinds of gigs, from<br />
major festival stages to corner taverns,<br />
have honed each member’s<br />
skills to a fine edge. They mine the<br />
deepest old soul/blues nuggets<br />
and breathe new life into them<br />
while finding the cream of Memphis-style<br />
contemporary tunes and<br />
creating their own soulful originals.<br />
Mojo Risin’<br />
The Music Preservation<br />
Society<br />
Based out of the Muscle Shoals<br />
area of Alabama, Mojo Risin’ was<br />
formed in 2009. The band is committed<br />
to keeping the blues and<br />
old-school R&B alive, entertaining<br />
audiences with covers by some of<br />
the greatest musicians in those<br />
genres. They have performed at<br />
Mississippi State College’s BBQ<br />
& Blues benefiting the Children’s<br />
Miracle Network, blues festivals<br />
such as Champy’s Blues Festival<br />
in Chattanooga and Muscle<br />
Shoals, and have performed annually<br />
since 2010 at events during<br />
the W.C. Handy Music Festival<br />
in Florence, Alabama. The band<br />
consists of dynamic vocalist Shirley<br />
Rowell, guitarists Zachariah<br />
Thigpen and Edward Armstead<br />
II, bassman C.J. Anderson, and<br />
drummer Skip Skipworth.<br />
Mojo Theory<br />
Northeast Ohio<br />
Blues Association<br />
Mojo Theory is a five-piece ensemble<br />
that unwittingly carved out a<br />
niche in our blues community. This<br />
unique band from Columbus, Ohio,<br />
holds true to the rich traditions of<br />
the blues, which blend perfectly<br />
with their signature sound. They<br />
write and produce their music in<br />
different styles, drawing the admiration<br />
of blues enthusiasts as well<br />
as today’s progressive listeners.<br />
With three all-original CDs to their<br />
credit, They continue to ignite and<br />
32nd International Blues Challenge<br />
BANDS H 113