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Mississippi<br />
Buffalo Music Hall of Fame, and<br />
each brings over 40 years of performance<br />
experience to the Mem-<br />
G-n-H Blues<br />
Rick Rushing and<br />
142 H SOLO/DUO The Blues Foundation • blues.org<br />
Vicksburg Blues Society phis stage. They have recorded<br />
Chris Gill and Johnny Hubbard an album of fresh originals titled<br />
form this consummate duo. Singer Taste of the Blues Life specifically<br />
and writer Gill, on slide, cigarbox,<br />
for this competition, and are<br />
and acoustic guitars, delivers<br />
anxious to bring their unique full<br />
an earthy finger style that and funky sound to the world.<br />
springs from years of rolling along<br />
the back roads of Mississippi<br />
and playing on front porches with Ramblin’ Dan Stevens<br />
blues guitar masters. Add Piedmont<br />
and Clayton Allen<br />
blues and Chicago influ-<br />
Connecticut Blues Society<br />
ences, and you get the versatility<br />
In a melding of diverse blues<br />
and scope that defines this act.<br />
styles, Ramblin’ Dan Stevens<br />
Hubbard—jazz, gospel, and blues<br />
and Clayton Allen have forged<br />
musician, adjunct professor, and<br />
a unique sound representing a<br />
Willie Dixon look-alike—is the tall,<br />
wide variety of traditionally based<br />
dark, and handsome component<br />
fingerpicking peppered with a<br />
of the pair. He plays the double<br />
tinge of primitive blues and early<br />
bass with feeling and flair, infusing<br />
rich, sensual tones into each<br />
blues rock and roll. Allen’s raw<br />
energy and emotional delivery<br />
arrangement. Their music conjures<br />
classic roots of the blues.<br />
contrast with Stevens’ soulful approach,<br />
creating a dynamic mix.<br />
A dose of diddley bow and cigarbox<br />
guitar, backed with a driving<br />
Nick Wade<br />
rhythm and gospel-influenced vocals,<br />
helps to convey an undeni-<br />
Sedalia Blues Society<br />
Nick Wade specializes in the country<br />
blues traditions of old. He<br />
able rock-bottom authenticity.<br />
seeks to write music in the way the<br />
old masters did, which is a difficult<br />
Randall Dubis and<br />
thing to do nowadays, in an-<br />
Dan Treanor<br />
other time and generation. His<br />
Colorado Blues Society<br />
music emphasizes both a bass<br />
and a treble/melody line, to be Randall Dubis and Dan Treanor<br />
played at the same time. On top have been active blues musicians<br />
in Colorado for over 30<br />
of that he sings, sometimes in<br />
a different time signature than years. They have performed together<br />
many times, including two<br />
what he is playing. This all gives a<br />
“band in a box” feel to his music. tours of the Netherlands. Dubis is<br />
a strong vocalist and uses a combined<br />
North Delta Duo rhythm/lead guitar style,<br />
while Treanor’s harmonica stylings<br />
Blues Society of<br />
range from Sonny Boy No.<br />
Western New York 2 to Little Walter and James Cotton.<br />
Treanor’s Afrosippi Band<br />
Based in Buffalo, New York, the<br />
North Delta Duo is a keyboard-anddrums<br />
unit that blends the soul IBC. He was honored to receive<br />
placed third overall at the 2013<br />
sound of the ’60s with rootsy Delta the 2012 KBA for Education.<br />
Rodney Polk and<br />
blues and zydeco. Keyboardist Ron Both Dubis and Treanor perform<br />
Davis, aka LeeRon Zydeco, plays the blues with passion and style.<br />
a swampy style of organ/bass, They are honored to be sponsored<br />
piano, and accordion, with vocals by the Colorado Blues Society.<br />
to match. Drummer Pete Holguin<br />
lays down a powerful groove and<br />
adds his soulful singing to the mix.<br />
Both men are inductees of the<br />
Dakari Kelly of the<br />
Blues Strangers<br />
Smoky Mountain<br />
Blues Society<br />
Bluesman Rick Rushing has combined<br />
with classically trained double<br />
bassist Dakari Kelly to create<br />
a duo that convincingly screams<br />
the blues. Rushing returns to the<br />
2016 IBC ready to showcase his<br />
acoustic blues guitar playing along<br />
with Kelly, who demonstrates his<br />
skill on the double bass. Rushing,<br />
who is kin to famous Count Basie<br />
big band shouter Jimmy Rushing,<br />
has tapped into the genes of the<br />
past vocally to deliver original new<br />
blues for audiences. What you will<br />
hear when listening to this duo<br />
is the blues, then excellent musicianship<br />
and phrasing and soulful<br />
emotions. Get ready to hear some<br />
moving blues music from the duo<br />
of Rick Rushing and Dakari Kelly.<br />
Robert Sampson<br />
Illinois Central Blues Club<br />
Robert “Lefty Preacher” Sampson<br />
is one blues act you don’t want<br />
to miss. Combining real-deal oldschool<br />
blues, gospel, and soul, he<br />
brings a unique brand of blues to<br />
the table. Through his rough childhood,<br />
Sampson found that the<br />
blues spoke to him in a very special<br />
way. Being in foster care and<br />
constantly moving as a child, he<br />
had plenty of experiences from<br />
which to draw the emotions that<br />
fuel his brand of blues. Sampson<br />
always says that without his past<br />
and hard times, his love for blues<br />
wouldn’t be near as strong. “I was<br />
born with the blues,” he says, “and<br />
they are in my heart and soul.”<br />
Johnny Riley<br />
Memphis Blues Society<br />
Rodney Polk (drums) from Memphis,<br />
Tennessee, and Johnny<br />
Riley (guitar and harmonica) from<br />
Groveton, Texas, merge their extensive<br />
backgrounds of performing<br />
professionally, from the back<br />
roads of Texas to the bright lights<br />
of Beale Street, with some Delta<br />
crossroads juke joints thrown<br />
into the mix. They come from a<br />
background of blues, country,<br />
rock, gospel, outlaw blues, and<br />
more. They perform a high-energy<br />
show, drawing from a catalogue<br />
of highly acclaimed original<br />
music and numerous cover songs.<br />
The sound they create is a blend<br />
influenced by Mississippi, Tennessee,<br />
and Texas music history,<br />
with their own contemporary<br />
edge. This adds up to dynamite!<br />
The Rogue Rage Duo<br />
Cascade Blues Association<br />
The Rogue Rage Duo plays in the<br />
traditional Delta blues style, with<br />
Dan Tiller singing and playing slide<br />
guitar on his Dobro in open tuning.<br />
Harpo De Roma sings and<br />
plays the harmonica. They feature<br />
a vast repertoire of classic folk<br />
blues as well as original music.<br />
They are as much fun to watch as<br />
they are to listen to. The Rogue<br />
Rage Duo are two veteran musicians<br />
who have enjoyed increasing<br />
popularity in the southern Oregon<br />
area, and beyond, in the year since<br />
they chose to team up together.<br />
Root2 Music<br />
River City Blues<br />
Society (Virginia)<br />
Root2 Music is the musical intersection<br />
of Deep South country<br />
blues and Celtic/Appalachian fiddle.<br />
David Frank (guitar, harmonica,<br />
vocals) and Nancy Reid (fiddle,<br />
vocals) perform traditional and<br />
original blues with a distinctive<br />
Appalachian flavor. When Frank<br />
moved up to the Blue Ridge Mountains<br />
of Virginia, where the sounds<br />
of Reid’s fiddle had echoed for<br />
years, this duo formed a musical<br />
partnership that blends downhome<br />
slide and traditional fiddle.<br />
Frank and Reid hear the commonalities<br />
in the two roots of their<br />
music. They deliver haunting, lively,<br />
original blues in Root2 Music.<br />
32nd International Blues Challenge<br />
SOLO/DUO H 143