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est local musicians and allow new players<br />

to be heard. Because of the mix of young<br />

musicians and older, established groups,<br />

the club attracts people of all ages. Thanks<br />

to the determination and dedication of one<br />

young couple, their friends and staff, and a<br />

lot of people who love Darwin’s, the place<br />

looks set to continue keeping the blues<br />

alive in Metro Atlanta for many years to<br />

come! H<br />

Alan Govenar<br />

Alan Govenar is an<br />

award-winning writer,<br />

folklorist, photographer,<br />

and filmmaker.<br />

He is a Guggenheim<br />

Fellow and is president<br />

of Documentary<br />

Arts, a nonprofit organization<br />

he founded<br />

in 1985 to present<br />

new perspectives on historical issues<br />

and diverse cultures. Govenar received<br />

a B.A. from Ohio State University, an M.A.<br />

from the University of Texas at Austin, and<br />

a Ph.D. from the University of Texas at<br />

Dallas. He is the author of twenty-seven<br />

books, including Texas Blues: The Rise of<br />

a Contemporary Sound (ARSC Award for<br />

Excellence in Historical Recorded Sound<br />

Research), Deep Ellum: The Other Side of<br />

Dallas (co-authored with Jay Brakefield),<br />

Stompin’ at the Savoy, The Early Years<br />

of Rhythm and Blues, Lightnin’ Hopkins:<br />

His Life and Blues (ARSC Award for Best<br />

History in Music), and Osceola: Memories<br />

of a Sharecropper’s Daughter (First Place,<br />

New York Book Festival for Children’s Non-<br />

Fiction). Govenar’s feature-length documentaries,<br />

The Beat Hotel, Master Qi and the<br />

Monkey King, and You Don’t Need Feet to<br />

Dance, are distributed by First Run Features.<br />

The off-Broadway premiere of Govenar’s<br />

new musical Texas in Paris garnered rave<br />

reviews in the New York Times and the<br />

Huffington Post, and was nominated for a<br />

Lortel award and four Audelco awards. H<br />

KEEPING THE BLUES ALIVE 89

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