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est local musicians and allow new players<br />
to be heard. Because of the mix of young<br />
musicians and older, established groups,<br />
the club attracts people of all ages. Thanks<br />
to the determination and dedication of one<br />
young couple, their friends and staff, and a<br />
lot of people who love Darwin’s, the place<br />
looks set to continue keeping the blues<br />
alive in Metro Atlanta for many years to<br />
come! H<br />
Alan Govenar<br />
Alan Govenar is an<br />
award-winning writer,<br />
folklorist, photographer,<br />
and filmmaker.<br />
He is a Guggenheim<br />
Fellow and is president<br />
of Documentary<br />
Arts, a nonprofit organization<br />
he founded<br />
in 1985 to present<br />
new perspectives on historical issues<br />
and diverse cultures. Govenar received<br />
a B.A. from Ohio State University, an M.A.<br />
from the University of Texas at Austin, and<br />
a Ph.D. from the University of Texas at<br />
Dallas. He is the author of twenty-seven<br />
books, including Texas Blues: The Rise of<br />
a Contemporary Sound (ARSC Award for<br />
Excellence in Historical Recorded Sound<br />
Research), Deep Ellum: The Other Side of<br />
Dallas (co-authored with Jay Brakefield),<br />
Stompin’ at the Savoy, The Early Years<br />
of Rhythm and Blues, Lightnin’ Hopkins:<br />
His Life and Blues (ARSC Award for Best<br />
History in Music), and Osceola: Memories<br />
of a Sharecropper’s Daughter (First Place,<br />
New York Book Festival for Children’s Non-<br />
Fiction). Govenar’s feature-length documentaries,<br />
The Beat Hotel, Master Qi and the<br />
Monkey King, and You Don’t Need Feet to<br />
Dance, are distributed by First Run Features.<br />
The off-Broadway premiere of Govenar’s<br />
new musical Texas in Paris garnered rave<br />
reviews in the New York Times and the<br />
Huffington Post, and was nominated for a<br />
Lortel award and four Audelco awards. H<br />
KEEPING THE BLUES ALIVE 89