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The Night Owls<br />
Massachusetts<br />
Blues Society<br />
excite their audiences with memorable<br />
modern blues into a powerful<br />
114 H BANDS The Blues Foundation • blues.org stage shows and perfor-<br />
mances. Mojo Theory is powered<br />
by Todd Mollette on drums, Brian<br />
Beatty on lead guitar, Curtis Justus<br />
Categorizing the Night Owls into<br />
on bass guitar, Jeff Morris on keys,<br />
one specific style is no easy task.<br />
and Mark Richard on vocals. A performance<br />
you don’t want to miss!<br />
Their mutual appreciation for all<br />
things blues runs too deep to be<br />
pigeonholed, and is reflected in<br />
all areas of their music. They draw<br />
Mojomatic<br />
from their collective and eclectic<br />
musical heroes and genres,<br />
Huntington Blues Society<br />
while still managing to produce<br />
Teacher Kayla Massie and her a pure and spirited product all<br />
band Mojomatic have been doing their own. The quality and attention<br />
to detail in terms of tone and<br />
some blues-based education all<br />
their own. With a youthful burn, feeling from their vocals and instruments<br />
is uncanny, and unex-<br />
the soul-powered blues band<br />
is turning new generations on pected from such a young bunch.<br />
to classic blues belters such as They may have only recently found<br />
Big Mama Thornton up through each other frequenting the same<br />
Beth Hart, and diving down into late-night Massachusetts blues<br />
their originals. Based in Huntington,<br />
West Virginia, Mojomatic sion and energy radiating from<br />
jams and venues, but the pas-<br />
testifies to a new birth of blues their unified performances is<br />
from clubs to festivals, putting sure to take them any distance.<br />
its own tattoo on tunes from rare<br />
Led Zep covers to roots-twisting<br />
1980s pop songs and back to<br />
The Norman<br />
the blues. Armed with marchingband<br />
percussion history, Mojo-<br />
Jackson Band<br />
matic has a rock-solid rhythmic<br />
Lake of the Ozarks<br />
Blues Society<br />
backbone for a new era of blues.<br />
Norman Jackson, the “Soul Machine,”<br />
Mother Ship grew up in Detroit and<br />
Chicago singing alongside many<br />
Blues Band<br />
of the fathers of soul and blues<br />
music. He has a genuine and rare<br />
The Blues Societies<br />
voice. He’s also an virtuoso guitarist.<br />
Saxophonist Rick Shortt<br />
of Iowa<br />
This aptly named quintet was born grew up watching Norman Jackson<br />
perform. He approaches the<br />
in the heart of Iowa. Jeff Banks,<br />
James Biehn, Justin Appel, Jon saxophone with aggression and<br />
Locker, and Scott Dawson have fire. Like a blazing turbine, he creates<br />
the energy of the band; you<br />
been performing together since<br />
1999, and bring it every time with never know what he’ll do next.<br />
a sound that is funky, greasy, and Jackson and his soul-soothing,<br />
high-energy. Even though they groove-inducing band will amaze<br />
have a tightness most bands only you with the most sincere and true<br />
dream of achieving, they know how blues you’ll find anywhere. True<br />
to get loose and stretch out, and it to the moniker “The Baddest Soul<br />
has become their trademark. The Band in the Land,” they strive to<br />
Mother Ship’s aim is to be true help you “get your happy on”!<br />
to the spirit of the blues, with an<br />
original voice—because in the end,<br />
the music must speak for itself. Odell Gray and the<br />
House Rules Band<br />
Houston Blues Society<br />
Hailing from Houston, Texas, Odell<br />
Gray and the House Rules Band<br />
blend a mixture of classic and<br />
sound that is unique and all their<br />
own. The band members, Odell<br />
Gray (vocals), Shawn Allen (bass<br />
guitar), Dan Carpenter (sax), Jon<br />
Cometta (guitar), Tommy Hampton<br />
(drums), and Aaron Lakey (organ<br />
and keyboards), are all seasoned<br />
musicians who learned their craft<br />
playing in bands around Texas<br />
before this inspiring collaboration<br />
paired Gray’s dynamic vocals<br />
with the band’s stellar musicianship.<br />
These guys deliver a soulful,<br />
high-energy show that grabs<br />
the audience’s attention and<br />
leaves them roaring for more!<br />
The Paul<br />
DesLauriers Band<br />
Montreal Blues Society<br />
The Paul DesLauriers Band is<br />
made up of singer/guitarist<br />
Paul DesLauriers, bassist Greg<br />
Morency, and drummer Sam Harrisson.<br />
These three pillars of<br />
the Quebec blues scene bring a<br />
unique interplay, subtlety, and intensity<br />
to the stage, blending a<br />
modern approach with tradition.<br />
Released in March 2014, their current<br />
album reached No. 1 on the<br />
iTunes Canada blues chart within<br />
a month. Collectively they have<br />
won three Maple Blues Awards,<br />
including Guitarist of the Year<br />
and Bassist of the Year, as well<br />
as 14 Quebec Lys Blues Awards.<br />
They are currently complementing<br />
their busy touring schedule<br />
with work on their newest album,<br />
set for release in April 2016.<br />
Phil Bee’s Freedom<br />
Dutch Blues Foundation<br />
At the Dutch Blues Challenge<br />
2015, the jury was unanimous,<br />
saying Phil Bee’s Freedom showed<br />
“outstanding skills, repertoire,<br />
and stage presence.” This sensational<br />
eight-piece band excites<br />
the crowds with original<br />
blues tunes, mixing jazz and soul<br />
grooves, played by the finest musicians<br />
around. Imagine 1960s-’70s<br />
Hammond and Rhodes, a tight,<br />
groovy rhythm section, two amazing<br />
lead guitarists, and sultry<br />
background singers, topped by<br />
Phil Bee’s blue–eyed-soul vocals.<br />
It’s show-stopping quality that<br />
will hit you like a freight train.<br />
RD Olson Blues Band<br />
Northern Arizona<br />
Blues Alliance<br />
RD Olson, bandleader and harp<br />
player, grew up on the farm in<br />
Zumbrota, Minnesota, and now resides<br />
in Prescott. His blues style<br />
is high-energy, gritty, and downhome.<br />
Dr. Bob Sellani, drummer,<br />
is president of the Sedona-based<br />
Northern Arizona Blues Alliance.<br />
Darryl Porras, “Big Daddy D,”<br />
from Phoenix, has been honing<br />
his blues guitar skills for 30 years<br />
and is a former 2008 IBC contestant.<br />
Phoenix bassist Jamie Waldron<br />
is an accomplished guitarist<br />
with 25 years’ experience, and<br />
now adds upright bass to his credentials.<br />
Rounding out the lineup<br />
are Flagstaff stage veteran Tom<br />
McMillian on the Hammond B3,<br />
and the “Sedona horns” featuring<br />
Andy Neilson on slide trombone<br />
and Lee Sullivan on tenor sax.<br />
Rebel Airplane<br />
Black Swamp<br />
Blues Society<br />
Rebel Airplane, a dynamic blues<br />
trio, took flight from Toledo, Ohio,<br />
in August of 2015. Scott Hafferkamp<br />
(drums) and Mike Klein<br />
(bass) unite to forge a swampy,<br />
lucid rhythm backbone while<br />
Scott Biddle (vocals/guitar) lends<br />
his snarl and color to round out<br />
the trio’s groove-laden grasp of<br />
the blues. Rebel Airplane personifies<br />
the new blues of the<br />
Midwest—a sound that is familiar,<br />
yet fresh. Nestled between<br />
a dose of Motown poise and a<br />
dash of buttery Southern charm,<br />
you can hear a testimony of what<br />
the band knows best—booze,<br />
women, and trouble. Rebellious?<br />
Perhaps, but likable enough to<br />
make your momma smile.<br />
32nd International Blues Challenge<br />
BANDS H 115