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Rendezvous and<br />
the Hookups<br />
Lowcountry Blues Club<br />
116 H BANDS<br />
2007, and is intentionally spelled<br />
without the O to represent that little<br />
part of music that’s been missing.<br />
All songs are originals inspired<br />
together last summer<br />
by the Almighty. Steeped in gospel<br />
and blues, X Factr attempts to<br />
sultry one-night stand<br />
Charleston, South Carolina. keep the music simple. Reminders<br />
of history, love, marriage, and<br />
original all-star engagement<br />
for one night, but because<br />
heartbreak flash back to the special<br />
moments in life that make you<br />
musical connection<br />
powerful, and the crowd say “That’s my song!” Professional<br />
was so positive, that musicians Dan Haynes, Bob Tiger,<br />
united. Their music Carleton Pike, and Jim DeSchamp<br />
from heartbreak to jubilation,<br />
play with true emotion, backing<br />
classics and originals Peoples’ smooth and powerful<br />
from belly-rubbing slow vocals, getting audiences up on<br />
tried-and-true shuffles their feet and shouting for more—<br />
foot-stomping dance tunes. that’s Rex Peoples and X Factr.<br />
moonlight and hotter than<br />
influence of soul colors<br />
The vocal palette extends<br />
Roharpo the<br />
buttery to weathered. Bluesman and the<br />
of sax and organ top Real Blues Band<br />
unique sound, and the<br />
The Golden Gate<br />
award-winning rhythm section truly<br />
Blues Society<br />
apart from the rest.<br />
Roosevelt Lands, also known as<br />
Roharpo the Bluesman, is a selftaught<br />
harmonica player and<br />
Rent Party<br />
singer with big-time stage appeal<br />
Blues Band<br />
and presence. Born in New Orleans<br />
and raised in Baton Rouge<br />
Santa Barbara<br />
Blues Society<br />
by a family of gospel and blues<br />
Party Blues Band was musicians and singers, Lands<br />
November of 2014 in learned how the down-home<br />
Barbara, California. The blues feel and how the sound<br />
idea behind the band gets you deep in your soul, bringing<br />
people together to feel good.<br />
perform lesser-known<br />
songs that came out of He has created his own unique<br />
and Memphis during style of soulful singing, high-energy<br />
harmonica playing, and inspir-<br />
and ’60s, as a way<br />
the current generation’ing<br />
showmanship. He has been<br />
perspective on the blues. pleasing audiences wherever he<br />
chose its name as a performs. He is a celebration of<br />
evoke the ”let loose and music and life, and he will make<br />
spirit of a house party, you feel inspired and move you<br />
or juke joint. Still in its with the energy of the groove.<br />
performances, the<br />
Blues Band is building<br />
from its influences and The Romeo Kings<br />
upon them to create<br />
Smoky Mountain<br />
that is refreshing while<br />
Blues Society<br />
true blues music. The Romeo Kings drag Texas blues<br />
through the hills of East Tennessee<br />
and distill it in a shot of Memphis<br />
tradition to flash-bang a<br />
Rex Peoples<br />
and X Factr progressive blues sound careening<br />
Colorado Blues Society around a different edge. Originals<br />
created by singer,<br />
and tributes smack off the drums<br />
and Blues in the<br />
of Kenny Rehder and boom from<br />
educator Rex Peoples in<br />
the bass of Brian “Little Jesus” Jol-<br />
The Blues Foundation • blues.org ley. Roger Hay adds the smoky-bacon-greased<br />
guitar lead, and the<br />
mangled rasp of lead singer William<br />
Butler chemically catalyzes<br />
the sound into a rattlesnake bite<br />
that will leave a mark. The Romeo<br />
Kings are the naughty preacher’s<br />
kids who broke the rules to get<br />
it right. Come appreciate American<br />
blues with a Southern groove<br />
from four friends from Knoxville<br />
who play their hearts out for you.<br />
Rooster Davis Group<br />
Edmonton Blues Society<br />
The Rooster Davis Group achieve a<br />
full-band sound using only piano,<br />
drums, trombone, and vocals to<br />
create a unique sound and an exciting<br />
blues experience each time<br />
they perform. Steeped in the tradition<br />
of the New Orleans piano<br />
greats, the group is based around<br />
bandleader Rooster Davis’ driving,<br />
rhythmic piano style. Audrey<br />
Ochoa, one of Canada’s finest<br />
trombonists, and drummer<br />
Peter Hendrickson, with his intricate<br />
second-line snare grooves,<br />
add to this heavy-hitting band.<br />
Completing the group is wellknown<br />
Canadian singer/songwriter<br />
Ann Vriend, whose soulful<br />
vocals contrast beautifully with<br />
Rooster’s gruff vocal style. Together<br />
they deliver their version<br />
of New Orleans-style blues.<br />
Sister Mercy<br />
Cascade Blues Association<br />
Sister Mercy possesses a highenergy,<br />
blues-driven sound. Lead<br />
singer April Brown is mesmerizing<br />
with her powerful, beautiful<br />
presence, full-range vocals, and<br />
complete joy in performance. Her<br />
sister Kelsey Brown gives strong<br />
vocal background support, Steven<br />
Savoie creates memorable<br />
licks on guitar, and Roger Espinor<br />
(drums), Ron Camacho (bass), and<br />
Debby Espinor (keyboards) hold<br />
the rhythms down tight. Representing<br />
the Cascade Blues Association<br />
of Portland, Oregon, Sister<br />
Mercy presents original music that<br />
is a pleasure for the ears, and a<br />
show that is a feast for the eyes.<br />
for a<br />
the<br />
They came<br />
in<br />
The<br />
was only<br />
was so<br />
response<br />
the group<br />
with<br />
from<br />
moves<br />
that range<br />
grinds to<br />
to<br />
Sexy as<br />
fever, the<br />
every song.<br />
Splashes<br />
off their<br />
sets them<br />
The Rent<br />
formed in<br />
Santa<br />
original<br />
was to<br />
blues<br />
Chicago<br />
the 1950s<br />
to broaden<br />
The band<br />
way to<br />
get down”<br />
rent party,<br />
first year of<br />
directly Rent Party<br />
innovating<br />
a sound<br />
preserving<br />
X Factr was<br />
songwriter,<br />
Schools<br />
Smoke Wagon<br />
Blues Band<br />
Grand River Blues Society<br />
Featuring funky blues harmonica,<br />
whiskey-stained vocals, slick guitar<br />
work, soulful saxophone, ragtime<br />
piano, and a solid rhythm<br />
section, Corey Lueck and the<br />
Smoke Wagon Blues Band have<br />
been performing in clubs and<br />
on festival stages for over a decade.<br />
Formed in 1997, the Smoke<br />
Wagon Blues Band became a<br />
crowd favorite in Hamilton, Ontario’s<br />
Hess Village. Four independent<br />
releases, international<br />
radio play, and a large local fan<br />
base propelled the band to national<br />
stages across the province.<br />
Their last two albums have been<br />
international hits, reaching the<br />
top of the roots and blues charts<br />
and garnering five-star reviews in<br />
blues magazines and blogs, and<br />
the Best New Blues Artist award<br />
by the Toronto Blues Society.<br />
Smokestack Lightning<br />
Phoenix Blues Society<br />
Smokestack Lightning gets right<br />
to the point by using the wisdom<br />
of the blues and the mesmerism<br />
of rock and roll to split tuneful<br />
atoms each time they hit the<br />
stage. Since Smokestack Lightning<br />
formed in 2009, they’ve taken<br />
cues from their blues and rockand-roll<br />
forebears to create a truly<br />
American sound. The artists of<br />
this rising outfit are all members<br />
of the Gila River Indian Community<br />
in Arizona, and have spread<br />
their music far beyond the reaches<br />
of their reservation. Bassist Mark<br />
Leos and drummer Pat Antone<br />
hold up the groove like twin Atlases,<br />
while guitarist Rik Leos and<br />
harmonica player Robert Jackson<br />
pounce on audiences with<br />
their exciting lead work and fills.<br />
The SoulFixers<br />
Dayton Blues Society<br />
The big sound of a four-piece horn<br />
section playing sharp arrangements<br />
is just one of the uncommon<br />
assets of this band from Ohio,<br />
32nd International Blues Challenge<br />
BANDS H 117