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A small group of individuals has, for years, contributed essential time and energy to Processing. Dan Shiffman is our partner in the Processing Foundation, the 501(c)(3) organization that supports the Processing software. Much of the core code for Processing 2.0 and 3.0 has come from the sharp minds of Andres Colubri and Manindra Moharana. Scott Murray, Jamie Kosoy, and Jon Gacnik have built a wonderful web infrastructure for the project. James Grady is rocking the 3.0 user interface. We thank Florian Jenett for his years of diverse work on the project including the forums, website, and design. Elie Zananiri and Andreas Schlegel have created the infrastructure for building and documenting contributed libraries and have spent countless hours curating the lists. Many others have contributed significantly to the project; the precise data is available at https://github.com/ processing. The Processing 1.0 release was supported by Miami University and Oblong Industries. The Armstrong Institute for Interactive Media Studies at Miami University funded the Oxford Project, a series of Processing development workshops. These workshops were made possible through the hard work of Ira Greenberg. These four-day meetings in Oxford, Ohio, and Pittsburgh, Pennsylvania, enabled the November 2008 launch of Processing 1.0. Oblong Industries funded Ben Fry to develop Processing during summer 2008; this was essential to the release. The Processing 2.0 release was facilitated by a development workshop sponsored by New York University’s Interactive Telecommunication Program. The work on Processing 3.0 was generously sponsored by the Emergent Digital Practices program at the University of Denver. We thank Christopher Colemen and Laleh Mehran for the essential support. This book grew out of teaching with Processing at UCLA. Chandler McWilliams has been instrumental in defining these classes. Casey thanks the undergraduate students in the Department of Design Media Arts at UCLA for their energy and enthusiasm. His teaching assistants have been great collaborators in defining how Processing is taught. Hats off to Tatsuya Saito, John Houck, Tyler Adams, Aaron Siegel, Casey Alt, Andres Colubri, Michael Kontopoulos, David Elliot, Christo Allegra, Pete Hawkes, and Lauren McCarthy. Preface xvii
Through founding the Aesthetics and Computation Group (1996–2002) at the MIT Media Lab, John Maeda made all of this possible. xviii Preface <strong>www</strong>.<strong>ebook777.com</strong>
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Figure 8-2. A sine wave is created
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Figure 10-2. Code can be split into
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program has many bugs, you’ll nee
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Style Processing is flexible about
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There are more data types than thos
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drawing, 9 circular motion, 113-116
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lowercase/uppercase letters in code
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Text Editor, 8 textSize ( ) functio
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