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BeatRoute Magazine B.C. print e-edition - June 2016

BeatRoute Magazine is a monthly arts and entertainment paper based in Western Canada with a predominant focus on music – local, independent or otherwise.

BeatRoute Magazine is a monthly arts and entertainment paper based in Western Canada with a predominant focus on music – local, independent or otherwise.

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BLACKALICIOUS<br />

contributing to the continuum with tongue twisting antics<br />

After more than two decades of rock<br />

solid beats and legendary rhymes,<br />

there’s still a lot of momentum behind<br />

Blackalicous and the hip-hop group’s two<br />

members, Gift of Gab and Chief Xcel. This<br />

year marks the 17th anniversary of their<br />

EP, A2G, which hosts tracks like the insane<br />

lyrical head-spinner “Alphabet Aerobics”<br />

(“Detonate a dime of dank daily doing dough/<br />

Demonstrations, Don Dada on the down low”<br />

– and that’s just for the letter D.) They’re<br />

Over 20 years into their career and Blackalicious are still changing the game.<br />

also continuing to tour and receive praise for<br />

their latest studio album, last year’s release,<br />

Imani Vol. 1.<br />

Xcel says there’s a tie-in between touring<br />

and creating new music. In fact, the Blackalicious<br />

DJ explains that collecting records<br />

from around the world has contributed to the<br />

foundation of their sound. “Those things that<br />

we discovered, those are things we constantly<br />

learn from,” he says. “You get to the point<br />

where you revisit things you may not have<br />

listened to for 10 to 15 years and learn something<br />

new from it. There’s also the piece of it in<br />

terms of just the craft, and that is being able to<br />

learn from those things by examining them and<br />

then going in and musically taking it to another<br />

level of going in a new direction.”<br />

If you speak to anyone who’s familiar with<br />

Blackalicious, they would likely describe the<br />

duo as ‘classic.’ Classic because of their dope,<br />

playful beats, but also because of the journey<br />

Gift of Gab’s tongue-twisting lyricism takes you<br />

on. Xcel believes lyricism is something that’s<br />

never really gone away from rap. “We’re at<br />

the point now where certain artists can push<br />

popular culture, and push the pendulum. So the<br />

pendulum shifts back in the direction of great<br />

lyricists,” he says. “Each generation has to<br />

have its own vanguard. It takes a generation of<br />

having its own vanguard to push the intention<br />

of the art form or certain aspects of the art<br />

form back into whether you want to call it the<br />

mainstream, or the limelight or back into the<br />

forefront of people’s consciousness. I think the<br />

current generation of people like Kendrick Lamar,<br />

Ab-Soul and Jay Rock - who are all very<br />

lyrical - they help do that. Because you have to<br />

realize it’s all a continuum, and each generations’<br />

goal is to contribute to the continuum.”<br />

As for their own continuum, Xcel says<br />

ELECTRONICS DEPT.<br />

there’s a lot to look out for, including their next<br />

album, Imani Vol. 2, and a world tour with<br />

stops in the UK and eventually Africa. Being<br />

able to tour and perform for audiences around<br />

the world is something Xcel takes pride in. He<br />

says there’s an everlasting importance of being<br />

able to knock out a live show.<br />

“I think that’s a vital part. That’s the second<br />

dimension of what we do, being able to make<br />

the music literally come alive. It comes alive<br />

from interaction, and it’s an interactive experience.<br />

Once you’re able to perform and execute<br />

live what we executed in the studio, then its’ all<br />

full circle at that point.”<br />

The duo has most certainly come full circle,<br />

and throughout the course of this journey<br />

amassed twenty-plus years of hip hop fans,<br />

including rad dads.<br />

“We had a show in San Francisco and in the<br />

front row, there was a nine and ten-year-old.<br />

They were there with their father, who was<br />

probably mid-thirties. So we literally see every<br />

age demographic. I mean, you’ll see from the<br />

youngest of the young to seniors; we’ll see<br />

people in their sixties. It’s really a cool thing,”<br />

Xcel says.<br />

Blackalicious perform at Fortune<br />

Sound Club on <strong>June</strong> 11.<br />

by Katharine Sawchuk<br />

case/lang/veirs is a one-of-a-kind event from three phenomenal, self-driven artists:<br />

avant-rock icon Neko Case, legendary musical nomad k.d. lang,<br />

and indie folk star Laura Veirs.<br />

OWN IT 06.17<br />

Bruce Cockburn • Oysterband • Oh Pep! • Lord Huron<br />

The new pornographers • The Wainwright Sisters<br />

M. Ward • Mexican Institute of Sound • San Fermin<br />

Little Scream • Jolie Holland and Samantha Parton<br />

Shane Koyczan and the Short story long • Yemen Blues<br />

Birds of Chicago • Jojo Abot • Land of Talk • Lucy Ward<br />

Martin and Eliza Carthy • Élage Diouf • Lisa O’Neill<br />

Nahko and Medicine for the People • The Americans<br />

The weather Station • Hubby Jenkins • Cian Nugent<br />

CW Stoneking • Sarah Jane Scouten • Chris Pureka<br />

Terra Lightfoot • Mandolin Orange • Mike edel<br />

Faris Amine<br />

Ten Strings and a Goat Skin + MORE<br />

thefestival.bc.ca<br />

60+ ARTISTS FROM 18 COUNTRIES ON 7 BEACHFRONT STAGES!<br />

<strong>June</strong> <strong>2016</strong> ELECTRONICS DEPT.<br />

21

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