BeatRoute Magazine B.C. print e-edition - June 2016
BeatRoute Magazine is a monthly arts and entertainment paper based in Western Canada with a predominant focus on music – local, independent or otherwise.
BeatRoute Magazine is a monthly arts and entertainment paper based in Western Canada with a predominant focus on music – local, independent or otherwise.
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KAYLEE JOHNSTON<br />
finding empowerment in pop music<br />
Sitting in a quaint juice shop in<br />
Vancouver’s Gastown, Kaylee<br />
Johnston exudes radiance. Her<br />
aura is buzzing and she has the energy<br />
of an artist who is about to burst into the<br />
pop music scene in a big way. She has<br />
worked hard to put herself where she is<br />
and is both poised and excited for what’s<br />
to come.<br />
On the cusp of the release of her<br />
debut EP, Johnston is ready to share<br />
her heart with the world. Her music has<br />
evolved over the years to a place where<br />
Johnston feels that audiences and fans<br />
alike will relate, using narratives that are<br />
both familiar and meaningful.<br />
“This album was totally inspired from<br />
a chapter of my life where I was going<br />
through a lot of changes, the biggest being<br />
heartbreak. What I hope people hear<br />
in the music is that it’s not just about<br />
that, it’s about everything I learned from<br />
my experience,” Johnston says. “I have<br />
been writing music for many years, and<br />
what I have noticed is that the really<br />
good musical ideas stick, they never<br />
leave. These are the ideas that I know<br />
come from some place other than my<br />
mind or my thoughts.”<br />
UNIIQU3<br />
Jersey club kween reigns supreme<br />
Johnston’s music ruminates from the<br />
soul, and this is what fuels the infectious<br />
energy of her music. Her new<br />
single, “Getting over you,” is a punchy<br />
empowerment jam that is rooted in experiencing<br />
the magic that happens when<br />
a break up turns into an opportunity.<br />
The song is a carefully written message<br />
wherein she shares her true self.<br />
“My music comes from a deep place<br />
within my soul. Writing and singing<br />
about my experiences helps me heal,<br />
and I hope that this translates for my<br />
audience,” says Johnston.<br />
Johnston will be celebrating her<br />
album release party this month at the<br />
Biltmore Cabaret. She observes the role<br />
of her fans and audience as it gets near.<br />
“I want to be vulnerable with my audience<br />
and fans. I want to give them as<br />
much as they give me,” she says.<br />
Her authenticity towards her music<br />
and her place as an artist is refreshing.<br />
It’s clear that music is where she<br />
belongs. We will be keeping a close eye<br />
on her as she flourishes.<br />
Kaylee Johnston performs at the<br />
Biltmore Cabaret on <strong>June</strong> 4.<br />
Kaylee Johnston embraces the ch-ch-ch-changes in her life.<br />
by David Cutting<br />
by Jamie Goyman<br />
really shy, but when it comes to performing, I literally just<br />
say ‘fuck it’ and go in.”<br />
“I’m<br />
One boss ass performer who has been hitting it hard with<br />
her style and stamina has to be one of New Jersey’s own, UNIIQU3.<br />
Known to family and friends as Cherise Gary, she has been on this<br />
path since the beginning. “I’ve always been creative,” Gary says.<br />
“Ever since I was a child, this is just a way for me to express myself<br />
and get some of these nonstop thoughts and ideas out my head.”<br />
Since her formative years she has continuously been honing her<br />
craft and it shows. The energy in each track she spins or remixes<br />
puts her hyped up, yet low swing touch on is lit, with a flawless ability<br />
to transcend any song into a bass driven, body writhing experience.<br />
The live sets that come out of UNIIQU3 don’t disappoint either. The<br />
ear she possesses for a beat is undeniable and easily displayed in<br />
her remix “Deep Down Low” with TR!CK$ and her take on Skepta’s<br />
“That’s Not Me.” Then there’s the heavy hitter “Yo (I’m Lit)” that came<br />
from her work with Saint, a track that possesses a beat that just can’t<br />
be ignored. That isn’t all for this one though, don’t try and pigeonhole<br />
her, she is determined now more than ever to lay vocals out consistently<br />
and keep progressing as an artist. Working with producers<br />
Flawless on “Drop It Low” and Brenmar with “Hoola Hoop” has not<br />
only shown what she’s working with, but also fanned the already<br />
growing flame for UNIIQU3 to delve further and explore what sort of<br />
platform vocals can continue to add to her future recordings, keeping<br />
things fresh as always.<br />
Catching Jersey Kween Uniiqu3’s set is a sure fire to make your<br />
body work in ways you either forgot existed or never knew about in<br />
the first place. Coming off her European tour, the energy for Vancouver<br />
will be just at the right level for her sets that are prone to putting<br />
the room in a furor.<br />
“Prepare to get wild, sweat, dance, yell, the vibes will be on point.<br />
Expect the unexpected because sometimes I don’t even know what to<br />
expect,” Gary says.<br />
A selection that’s always on one as a DJ, production that doesn’t<br />
miss, vocals that hit the good spots, plus she raps. Damn, with that<br />
kind of packed arsenal of talent UNIIQU3 is set for continued success.<br />
Cherise Gary AKA UNIIQU3 has been ripping it up in the club scene in a big way.<br />
UNIIQU3 performs <strong>June</strong> 10 Fortune Sound Club.<br />
<strong>June</strong> <strong>2016</strong> ELECTRONICS DEPT.<br />
23