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Sled Island 2016 Official Program Guide - Published by BeatRoute Magazine

The official program guide for the 10th annual Sled Island Music & Arts Festival in Calgary, Alberta, Canada, which takes place June 22-26, 2016 at numerous venues throughout the downtown core and inner city. Published by BeatRoute Magazine.

The official program guide for the 10th annual Sled Island Music & Arts Festival in Calgary, Alberta, Canada, which takes place June 22-26, 2016 at numerous venues throughout the downtown core and inner city. Published by BeatRoute Magazine.

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24<br />

MUSIC<br />

Feel Alright has survived its years in Calgary’s<br />

music scene on an effortless ability to please and<br />

Craig Fahner’s melodic intuition. It’s a pleasure to<br />

see them again.<br />

FENSTER<br />

BERLIN, DE<br />

Tue 9:15 - The Hifi Club (Live Score)<br />

Wed 10:00pm - Palomino (Downstairs)<br />

Fenster are four musicians from four different countries<br />

who make breezy and at times eerie psychedelic<br />

pop music. Appearing at <strong>Sled</strong> <strong>Island</strong> to perform a<br />

live score for their sci-fi mockumentary EMOCEAN,<br />

as well as for a separate stand-alone concert, we<br />

expect the groovy weirdness to be plentiful.<br />

FEVERFEW<br />

EDMONTON, AB<br />

Fri 2:00pm - Palomino (Upstairs)<br />

Fri 10:00pm - Wine-Ohs<br />

When the solo project of classically-trained harpist<br />

Mary Wood joined forces with a drummer, bassist<br />

and electronic beatmaker, freak-classical unit<br />

Feverfew was born. With this quartet comes enchanting<br />

soprano vocals layered with the delicate<br />

twinkle of harp and ritualistic beats that sound like<br />

a singing jewellery box from another dimension.<br />

THE FLATLINERS<br />

TORONTO, ON<br />

Fri 12:30am - Ship & Anchor<br />

With Fat Wreck Chords’ stamp of approval, over ten<br />

years releasing albums and legions of heart-onsleeve<br />

punk fans across the country, it comes as<br />

a bit of a surprise to have The Flatliners at <strong>Sled</strong><br />

<strong>Island</strong> for the first time. Let’s use <strong>2016</strong> to make up<br />

for lost time, eh?<br />

FOAM<br />

LONDON, ON<br />

Wed 9pm - Dickens<br />

Thu 8:30pm - Tub<strong>by</strong> Dog<br />

Foam acts on murky, well-timed sludge. Their angsty,<br />

dirty guitars and heavy drumming stimulate moshing<br />

wherever they go. With one foot in the gutter and the<br />

other in the pit, their repetitive riffs and shrieks drown<br />

out everything else with pleasing squalls of sludge.<br />

FORM<br />

CALGARY, AB<br />

Thu 9:00pm - Dickens<br />

Recurring festival picks Whitney Ota (Yankee Yankee,<br />

Burro) and Evangelos Lambrinouis II (Sanctums,<br />

Corinthian) have teamed up for a patient and rewarding<br />

new project. Rooted in techno but incorporating<br />

danker elements of ambient and noise music, this duo<br />

will have you convinced you’re raving inside of a cave.<br />

FOUNTAIN<br />

VICTORIA, BC<br />

Wed 10:00pm - Commonwealth (Downstairs)<br />

Fri 6:45pm - Commonwealth (Upstairs)<br />

Sat 4:00pm - Tub<strong>by</strong> Dog<br />

Fountain just plain rip. Their riffs are spastic,<br />

immediate nuggets of joyful resistance that spiral<br />

around your head at a breakneck pace that leaves<br />

you woozy. These tunes hearken back to several beloved<br />

punk and post-punk touchstones, but remain<br />

viscerally, inimitably new and compelling.<br />

FRIESEN/WATERS DUO<br />

CALGARY, AB<br />

Wed 10:00pm - Wine-Ohs<br />

The Friesen/Water duo exists where precision and<br />

chaos come together, using intuition and raw<br />

feeling to flesh out their conscious and unhinged<br />

manipulations of sound. Devin Friesen’s expansive<br />

walls of guitar distortion coat Nate Waters’<br />

improvised saxophone, creating an unpredictably<br />

calming experience of drone and free jazz.<br />

FRIGS<br />

TORONTO, ON<br />

Thu 6:00pm - Broken City (Patio)<br />

A bit less dirty but definitely still FRIGS, the lovably<br />

filthy Toronto quartet has cleaned up nothing<br />

but their name. Still dank, still sweaty, still making<br />

rock ‘n’ roll best heard in the dark after midnight,<br />

FRIGS are a band that take grunge and psych<br />

through the sludge of urban living.<br />

GAWKER<br />

CALGARY. AB<br />

Wed 9:20pm - Bamboo<br />

Fri 5:00pm - Local 510<br />

Gawker is a punk band with a bit of a sick sense of<br />

humour. Their rough riffs and self-described bratty<br />

vocals have plenty of sneer, with just enough<br />

goofiness to keep things light and loose.<br />

GENDERS<br />

PORTLAND, OR<br />

Sat 3:30pm - Local 510 (Parking Lot)<br />

Sun 5:00pm - Palomino (Upstairs)<br />

Dream-gothing surf-rockers Genders are the perfect<br />

pastiche of old and new sounds with song structures<br />

that will always keep you guessing. Plus, their<br />

live shows are tops, so add them to your musical<br />

grocery list.<br />

GLAD RAGS<br />

VANCOUVER, BC<br />

Wed 8:30pm - Broken City (Patio)<br />

Thu 8:00pm - Local 510 (Parking Lot)<br />

Don’t try to keep these lipstick-smeared pottymouth<br />

punks down. Like the riot grrrls before<br />

them, Glad Rags’ confrontational cuts about<br />

everything from sexual harassment to anorexia are<br />

rallying cries that hit like a punch in the gut. This<br />

is the next wave of femme firebrands giving patriarchal<br />

society the middle finger one screaming<br />

guitar riff at a time.<br />

HANSMOLE<br />

VICTORIA, BC<br />

Wed 7:30pm - Local 510<br />

Unlike a lot of lo-fi pop, Hansmole’s vocals come<br />

through clearly. It’s a welcome anchor among<br />

unpredictable electronic drums, lazily wading<br />

grooves and walls of synthesizer. Join her on a<br />

journey through art pop that confronts and soothes<br />

the senses.<br />

DEAFHEAVEN<br />

SAN FRANCISCO, CA<br />

Sat 1:00am - #1 Legion (Downstairs)<br />

To say Deafheaven are one of the best bands in metal is a disservice to a band that<br />

seems intent on destroying genre. Deafheaven are one of the best bands working in<br />

music, period—merging black metal, shoegaze and a variety of other disparate genres<br />

into an electrifying take on metal that is equal parts emotion and evisceration.<br />

The five-piece rose to prominence and critical acclaim with the release of their sophomore<br />

album, 2013’s Sunbather. Their latest album, New Bermuda, finds the band<br />

expanding conventional ideas of metal even further, incorporating influences like<br />

Red House Painters, Wilco and Low.<br />

Deafheaven’s live show is punishing sonically as well as physically. Drummer Daniel<br />

Tracy anchors the band with pummeling blast beats and a technicality that is even more<br />

impressive in person than it is recorded. Frontman George Clarke haunts the stage,<br />

his near-indecipherable vocals like a priest delivering a sermon. Topping it all off is<br />

lead guitarist Kerry McCoy’s incorporation of old-school thrash riffs that sound as good<br />

now as they did when Anthrax used them. But Deafheaven are at their best are when<br />

they finally relent. A rare moment of bliss forms just long enough for you to catch your<br />

breath—before it all falls apart and the band picks up again.<br />

<strong>Sled</strong> <strong>Island</strong> <strong>2016</strong>

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