OMO VALLEY - THE VANISHING TRIBES OF ETHIOPIA
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INTRODUCTION<br />
Surma woman with lip plate.<br />
At a young age, they remove<br />
their bottom teeth and they<br />
pierce their bottom lip, which<br />
is stressed to allow insertion<br />
of a clay lip plate.<br />
Surma men spend most of<br />
their time looking after their<br />
precious cattle. They guard<br />
them with AK-47 Kalashnikov<br />
machine-guns.<br />
Cattle, goats and sheep are<br />
vital to most tribes’ livelihood<br />
providing them with blood,<br />
milk and meat. They are<br />
highly valued and used to buy<br />
brides.<br />
Omo is a major river in southern Ethiopia. Its<br />
course is entirely contained within the boundaries<br />
of the country and empties into Lake Turkana, on the<br />
border with Kenya. However, its final destination was a<br />
source of controversy: Did it end in the Indian Ocean,<br />
the Nile River, or Lake Turkana? In 1896 the famous<br />
Italian explorer Vittorio Bottego, under the auspices<br />
of the Italian Geographical Society, put an end to this<br />
controversy. His expedition explored the lands known<br />
as the Lower Omo Valley, confirming that its waters<br />
were in fact the great source which fed Lake Turkana.<br />
Towards the end of the 19th century the Omo region<br />
became part of Ethiopia, but remained isolated from<br />
the historic events which shaped the rest of the<br />
country. Bordering with Kenya and Sudan, far from<br />
any city, it is a lost world, a region traversed only by a<br />
few bad quality roads, passable only in the dry season.<br />
In its 500 mile course the river curls through gorges of<br />
volcanic rock and channels of ancient mud. Near the<br />
Kenyan border, the Omo carves serpentine oxbows as<br />
the countryside flattens, and ribbons of forest appear<br />
along its banks. Riverine creatures, including crocodiles<br />
and hippos, become more abundant.<br />
In the 1970s and ‘80s, international anthropologists<br />
and linguists found it quite disconcerting that a territory,<br />
which was not excessively large, could be home<br />
to so many different ethnic and cultural groups. For<br />
generations the tribes of the Omo were shielded from<br />
the outside world by mountains, savanna, and by Ethiopia’s<br />
unique status, as the only African nation never<br />
to have been colonized by the Europeans. In 1980,<br />
UNESCO declared the Lower Omo Valley a World Heritage<br />
Site, in recognition of its uniqueness, and from<br />
then on few tourists begun travelling in the region.<br />
Here live some 15 semi-nomadic tribes, the largest<br />
comprising by some 70,000 people and the smallest<br />
no more than 1,000, a total of about 200,000. Amazingly,<br />
these small groups are interrelated in such a<br />
way that over time, they underwent their own evolution<br />
marked by a process of displacement, changes in<br />
survival means, symbiotic relationships, conflicts and<br />
acculturation under the influence of the dominant<br />
groups. Their evolution, in one of the most isolated<br />
regions of Africa, puzzles specialists. Undoubtedly,<br />
the most striking difference lays in their languages<br />
– despite the efforts of the Ethiopian government<br />
to introduce Amharic, the official one. Neighboring<br />
tribes may have languages of completely different<br />
origins, some harking back to Nilotic cultures and<br />
others rooted to the mountainous regions of Ethiopia.<br />
To this day, the Omo Valley remains rich in traditional<br />
culture and human history, and is considered<br />
to be the cradle of mankind. It’s been said: “If Africa<br />
was the mother of all humanity, the Omo River acted as<br />
a main artery”. Remains of early humans dating back<br />
to nearly four million years have been found here –<br />
evidence of an almost continuous human presence.<br />
DNA analysis suggests that every living person is<br />
related to a single woman from the Omo Valley – the<br />
famous “Lucy” skeleton, that was discovered during<br />
excavations in southern Ethiopia in 1974.<br />
Geographically, the tribes live along the banks<br />
of the River Omo, whose silt-laden waters run into<br />
Lake Turkana, in the Kenyan border, and whose<br />
levels are changing greatly between the rainy and<br />
dry seasons, enduring hardships caused either by<br />
the cycles of nature, or the hand of man. Long dry<br />
seasons, extreme temperatures and difficult terrains<br />
make survival a monumental challenge. Young people<br />
learn that endurance is an essential virtue and part<br />
of the inheritance handed down from their ancestors.<br />
The challenge of survival has forged the strength and<br />
indomitable spirit of the tribes.<br />
The nomadic ways of herdsmen do not allow for<br />
the development of any material culture, either for<br />
aesthetic or spiritual purposes. Continuous movement<br />
requires few and easily portable possessions,<br />
primarily those necessary to facilitate minimal daily<br />
functions. Their small huts provide shelter from the<br />
sun and the rain and are sparsely furnished. Simple<br />
fires with a crude earthenware pot sit beside gourds of<br />
different shapes and sizes, goat and cow skins and few<br />
baskets and rudimentary utensils. The most exquisite<br />
functional artisan work is the wooden neck support,<br />
which also preserves their elaborately decorated<br />
hairstyles. Their size, light weight and wide use make<br />
them essential – objects that men carry all the time,<br />
using them for sitting as well. Lack of material culture<br />
is compensated by the exceptional ornamental and<br />
symbolic wealth of their decorated bodies.<br />
One of the most astonishing things about these<br />
people is their beauty. Both boys and girls have<br />
magnificent physiques, slender and unusually supple.<br />
They adorn themselves to express status and tribal<br />
identity, not only to enhance their physical appearance<br />
but also to demonstrate messages and signals<br />
through scarification, paintings and hair styles.<br />
Cattle are an integral part of tribal life. Almost<br />
everything depends on cows. Along with milk and<br />
meat, the blood – which the tribesmen regularly take<br />
from a vein in the neck of each animal – is a staple<br />
food. Cows also act as local currency; everything is<br />
calculated in terms of cattle heads. But they represent<br />
a lot more than food and currency. They are the<br />
cultural heritage that stands at the very heart of the<br />
tribe and its survival.<br />
Fighting the enemy is also an inherent part of<br />
their culture and tradition. The intertribal conflicts go<br />
on from generation to generation. They are fighting<br />
over the diminishing resources they need to run their<br />
herds: water, and land. The only piece of modern<br />
technology widespread among the tribes is the automatic<br />
weapon.<br />
The ongoing conflict in Sudan and Somalia, have<br />
created trade in Russian Kalashnikovs and European<br />
G-3 rifles. These weapons have been entering from<br />
neighboring Sudan for about 15 years and are sold<br />
according to a well established price list: an old model<br />
is worth eight cows, which is relatively affordable,<br />
whereas the latest Kalashnikov costs between 30 and<br />
50 cows – exactly the same price as a beautiful girl.<br />
Africa is a continent of rituals; a land where the<br />
process of “becoming” is celebrated at every stage<br />
of life as an essential part of the journey of the individual<br />
and their cultural identity. The place of every<br />
man, woman and child is defined within the framework<br />
of the extended family, age grade, ethnic group,<br />
and nation. These roles in turn give individuals a sense<br />
of belonging and purpose, and the sure knowledge<br />
that they are valued. From childhood to manhood,<br />
the different phases are marked by initiations,<br />
Decorating their bodies with<br />
paint, is a great source of fun<br />
for small Surma children. In<br />
this way they are learning<br />
to decorate themselves for<br />
courtship rituals later in life.<br />
Mixing chalk with water to<br />
form a thick paste, Surma<br />
men, draw linear, intricate<br />
designs on their bodies, using<br />
their fingertips.<br />
Surma women, perform scarification<br />
by slicing their skin<br />
with a razor blade after lifting<br />
it with a thorn. The sliced skin<br />
is left open to eventually scar.<br />
They are proud of their scars.