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Augustin Lazăr<br />

it includes its artistic quality, rare nature and cultural importance. To mitigate this risk,<br />

the traders’ modus operandi consisted of several technical sale procedures such as taking<br />

the cultural good for sale under consignment subject to the payment of a commission<br />

representing a percentage from the sale price or lending the good to a museum in order<br />

to be exhibited for a period of time. The object is then considered as ‘laundered’, for the<br />

reason that no claims were raised during its public exhibition time (Deppert-Lippitz: 12).<br />

In our analysis of the issue related to antique laundering that purposes to create an<br />

appearance of legality, we find similarities with the judicial practice in the field of fighting<br />

money laundering. Thus, the specialized literature in the field of money laundering<br />

revealed that any crime-related activity may be described by means of three specific<br />

elements (Lazăr 2004: 21):<br />

• iter criminis. The itinerary followed by the perpetrator from the criminal<br />

resolution to the stage related to preparation acts, the execution stage,<br />

completed through the perpetration of a crime;<br />

• modus operandi. The operation method involving a set of activities, habits<br />

and procedures used, which characterize a criminal’s activity before, during<br />

and after the perpetration of a crime;<br />

• punctum saliens. The characteristic point, and details of the perpetration that<br />

may be noted through the observation of the criminal itinerary.<br />

With respect to the traffic in antiquities, these elements may appear upon careful<br />

examination of the circuit of acts, merchandise and payment methods, of the sequence<br />

and logic of the operations performed by traffickers, of the authenticity of documents,<br />

securities, etc.<br />

The judicial experience with regard to combating money laundering and the ability<br />

to identify the nature of dirty money calls for an adaptation of the Latin proverb ‘Pecunia<br />

non olet’ (Money does not smell) , with the phrase ‘Pecunia olet’ (Money does smell).<br />

It leaves verifiable tracks. Similarly, stolen cultural goods are traceable, starting with<br />

archaeological diggings Internet messages and images of the respective goods being<br />

offered for sale, the detectors and documents that indicate the poachers’ concerns, other<br />

treasure pieces left behind (or, ‘orphans’), the amounts transferred into the accounts of<br />

the individuals involved in the traffic, the procurement of valuable goods (luxury motor<br />

vehicles, houses, detection equipment, etc. A modus operandi similar to that used by the<br />

launderers of dirty money was the purchase by traffickers of a ‘car wash’ that allows them<br />

to maintain an appearance of legality after illegally capitalizing on the trafficked objects.<br />

3. The development of e-trade provided an evolved modus operandi to the networks<br />

of traffickers, which trade in cultural goods without a known legal origin. Internet sites<br />

allow them to perform operations without giving any details to their customers on the<br />

origin of the traded goods, with a very low degree of control by site administrators, thus<br />

ensuring an increased chance of preserving their anonymity.<br />

Web investigations highlighted the fact that a large number of heritage goods is sold on<br />

eBay, e.g. genuine art objects, archaeological artifacts and their reproductions. The most<br />

frequent sale method is the auction, whereby the seller can conceal the eBay identity of<br />

the auctioneer who, under the circumstances, does not know who their trading partners<br />

are. Another common sale method is when the seller sets a fixed price for an artifact, a<br />

method known on eBay as ‘buy it now for this price’/‘buy it now’. Payments are made<br />

112

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