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Sophie Delepierre and Marina Schneider<br />
societies together’. Establishing actions to safeguard these items is thus essential.<br />
Within the framework of the debates conducted under the auspices of ICOM’s<br />
International Observatory on Illicit Traffic in Cultural Goods, the present article seeks<br />
to present an overview of the main international agreements relating to such trafficking,<br />
namely the UNESCO Convention on the Means of Prohibiting and Preventing the<br />
Illicit Import, Export and Transfer of Ownership of Cultural Property (hereafter ‘the<br />
1970 Convention’) and the UNIDROIT Convention on Stolen or Illegally Exported<br />
Cultural Objects (hereafter ‘the 1995 Convention’), which together are considered<br />
to be the fundamental point of reference on the subject. This approach has certain<br />
limitations for various reasons. Firstly, concerning the instruments predating the<br />
1970 Convention, which will not be addressed in this article. These include, notably,<br />
UNESCO’s recommendations on the protection of cultural property, which indubitably<br />
constitute a body of legal principles that States belonging to the Organization must take<br />
into account 2 . Secondly, restrictions related to other international agreements, whether<br />
established before or after the Conventions of 1970 and 1995, which broach the subject<br />
on the trafficking of cultural property indirectly, and certainly deserve to be studied in<br />
their own right 3 .<br />
The first international instrument for the protection of cultural heritage during<br />
peacetime: The UNESCO 1970 Convention<br />
True to its name, this international convention sets out measures for preventing and<br />
prohibiting the illegal import, export or transfer of ownership of cultural property.<br />
While the final text of the treaty is a compromise as a result of protracted negotiations,<br />
it has the merit of expounding a number of strong principles regarding prohibitions<br />
on the import and export of stolen or illicitly exported cultural property. The challenge<br />
for the international community – and for UNESCO, which oversees the initiative – is<br />
ensuring its implementation. By ratifying the Convention, States undertake to develop<br />
national legislation based on these principles, and specifically, to establish the legal and<br />
technical means necessary for the protection of cultural heritage. In other words, the<br />
burden lies with each State Party to the Convention of 1970 as regards the regulation of<br />
transactions involving cultural property within its territory and the definition of licit and<br />
illicit activities.<br />
The substance of the Convention focuses on three areas commonly referred to as<br />
its ‘three pillars’. The first of these concerns measures at the national level to effectively<br />
combat illicit trafficking in cultural property; the second addresses the issue of restitution;<br />
while the third pillar deals with cooperation among States 4 .<br />
Preventive measures at the national level<br />
To achieve the goals set out by the Convention’s principles, States must undertake a<br />
certain number of preventive measures, which include creating a national system for<br />
taking inventory and compile a list of cultural property to be protected, requiring and<br />
issuing export certificates for all protected cultural property, regulating archaeological<br />
excavations, enforcing accurate transaction registers among antique dealers, recruiting<br />
and training not only heritage professionals but also the police force and custom officers,<br />
in addition to promoting the development of curatorial institutions such as museums,<br />
libraries and archives, to name only a few.<br />
While the Convention strongly urges States to enact these measures, the latter may, in<br />
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