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Sophie Delepierre and Marina Schneider<br />

societies together’. Establishing actions to safeguard these items is thus essential.<br />

Within the framework of the debates conducted under the auspices of ICOM’s<br />

International Observatory on Illicit Traffic in Cultural Goods, the present article seeks<br />

to present an overview of the main international agreements relating to such trafficking,<br />

namely the UNESCO Convention on the Means of Prohibiting and Preventing the<br />

Illicit Import, Export and Transfer of Ownership of Cultural Property (hereafter ‘the<br />

1970 Convention’) and the UNIDROIT Convention on Stolen or Illegally Exported<br />

Cultural Objects (hereafter ‘the 1995 Convention’), which together are considered<br />

to be the fundamental point of reference on the subject. This approach has certain<br />

limitations for various reasons. Firstly, concerning the instruments predating the<br />

1970 Convention, which will not be addressed in this article. These include, notably,<br />

UNESCO’s recommendations on the protection of cultural property, which indubitably<br />

constitute a body of legal principles that States belonging to the Organization must take<br />

into account 2 . Secondly, restrictions related to other international agreements, whether<br />

established before or after the Conventions of 1970 and 1995, which broach the subject<br />

on the trafficking of cultural property indirectly, and certainly deserve to be studied in<br />

their own right 3 .<br />

The first international instrument for the protection of cultural heritage during<br />

peacetime: The UNESCO 1970 Convention<br />

True to its name, this international convention sets out measures for preventing and<br />

prohibiting the illegal import, export or transfer of ownership of cultural property.<br />

While the final text of the treaty is a compromise as a result of protracted negotiations,<br />

it has the merit of expounding a number of strong principles regarding prohibitions<br />

on the import and export of stolen or illicitly exported cultural property. The challenge<br />

for the international community – and for UNESCO, which oversees the initiative – is<br />

ensuring its implementation. By ratifying the Convention, States undertake to develop<br />

national legislation based on these principles, and specifically, to establish the legal and<br />

technical means necessary for the protection of cultural heritage. In other words, the<br />

burden lies with each State Party to the Convention of 1970 as regards the regulation of<br />

transactions involving cultural property within its territory and the definition of licit and<br />

illicit activities.<br />

The substance of the Convention focuses on three areas commonly referred to as<br />

its ‘three pillars’. The first of these concerns measures at the national level to effectively<br />

combat illicit trafficking in cultural property; the second addresses the issue of restitution;<br />

while the third pillar deals with cooperation among States 4 .<br />

Preventive measures at the national level<br />

To achieve the goals set out by the Convention’s principles, States must undertake a<br />

certain number of preventive measures, which include creating a national system for<br />

taking inventory and compile a list of cultural property to be protected, requiring and<br />

issuing export certificates for all protected cultural property, regulating archaeological<br />

excavations, enforcing accurate transaction registers among antique dealers, recruiting<br />

and training not only heritage professionals but also the police force and custom officers,<br />

in addition to promoting the development of curatorial institutions such as museums,<br />

libraries and archives, to name only a few.<br />

While the Convention strongly urges States to enact these measures, the latter may, in<br />

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