(Hank) Moorehouse 1934 – 2011 - The Society of American Magicians
(Hank) Moorehouse 1934 – 2011 - The Society of American Magicians
(Hank) Moorehouse 1934 – 2011 - The Society of American Magicians
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Louie Foxx<br />
Earlier this year, I was looking<br />
around on the Internet for a bullwhip<br />
that I needed for a western routine I was<br />
working on. I came across bullwhips.org;<br />
not only did the whips look nice, but the<br />
maker <strong>of</strong> these whips seemed interesting<br />
as well. I sent an email describing what I<br />
wanted and then gave a call to the whip<br />
maker, Louie Foxx.<br />
To my surprise, one <strong>of</strong> the first things<br />
Louie said to me was, “Are you the same<br />
Steve Marshall who writes for the M-U-M<br />
magazine?” This delighted me; I was<br />
happy to find out that he is a magician,<br />
he’s a member <strong>of</strong> the S.A.M., and he reads<br />
this column!<br />
I have to say that after talking more<br />
with Louie the term “magician” is a<br />
little constricting for him, since he is<br />
really a variety artist in the true sense<br />
<strong>of</strong> the word; he uses not only magic, but<br />
also juggling, shadowgraphy, silhouette<br />
cutting, whip cracking, comedy and, well,<br />
just about whatever it takes to entertain<br />
his audiences.<br />
He was born Isaac Louie, and still uses<br />
this name when publishing his material,<br />
such as his September 2008 and April<br />
<strong>2011</strong> Linking Ring parades. He grew up<br />
in Seattle, Washington, and by the time<br />
he was fourteen years old he was street<br />
performing at Seattle’s famous Pike Place<br />
Market, where he worked on a homemade<br />
38 M-U-M Magazine<br />
i LeFt my<br />
cards at<br />
hOme<br />
magic table that he had found the plans<br />
for in the Mark Wilson Course in Magic.<br />
While street performing, Louie<br />
caught the eyes <strong>of</strong> Sheila Lyon and Darryl<br />
Beckmann, the owners <strong>of</strong> the Market<br />
Magic Shop at Pike Place Market; they<br />
<strong>of</strong>fered Louie a job working as a demonstrator<br />
in the shop. “Over the years<br />
working behind the counter at Market<br />
Magic I learned so many pointers and<br />
tips from Sheila and Darryl; I owe a ton<br />
to them.” Another great thing that Sheila<br />
and Darryl did was to sponsor Louie to<br />
go to the first Bob Fitch workshop up in<br />
Canada when he was nineteen. Louie<br />
got to spend nine days with Bob Fitch<br />
studying not only magic but also theatrical<br />
techniques to make his performances<br />
stronger. Or as Louie puts it, “This was<br />
one <strong>of</strong> the things that changed my life.”<br />
Another life changing experience<br />
for Louie happened a few years earlier<br />
when he was seventeen and he snuck into<br />
a casino to see the juggling troupe <strong>The</strong><br />
Raspini Brothers perform. He credits<br />
them for changing the way he looked at<br />
show business. “Up until that point all <strong>of</strong><br />
the magicians and variety artists I had<br />
seen were 1980s-style performers who<br />
used the same lines and did the same bits.<br />
<strong>The</strong> Raspini Brothers were cool and hip<br />
and had original material and lines. It<br />
opened my eyes to writing my own stuff<br />
and making it funny. So a lot <strong>of</strong> my style<br />
came out <strong>of</strong> them as well.”<br />
Louie has gone on to become quite<br />
successful in the magic and variety arts<br />
fields. Today he can be found traveling and<br />
doing everything from school shows and<br />
summer camps for kids to comedy club<br />
shows and casinos for adult audiences.<br />
He builds a lot <strong>of</strong> his own props and<br />
describes his character and his show as<br />
“a bunch <strong>of</strong> stuff I learned to do as a kid.”<br />
This theme forced Louie to build a lot <strong>of</strong><br />
his own props. As he puts it, “If I have<br />
a nice, slick-looking magic prop onstage<br />
it looks out <strong>of</strong> place with my character.<br />
With that thought in mind, nobody makes<br />
props that look like junk, so I had to start<br />
building them myself.”<br />
When asked about his thoughts on<br />
creativity he said, “Sometimes you have<br />
to have a lot <strong>of</strong> bad ideas before you have<br />
a good one. <strong>The</strong> important thing is to<br />
keep trying stuff; don’t listen to anyone<br />
else if they tell you not to do something.<br />
A lot <strong>of</strong> people told me I shouldn’t do<br />
shadowgraphy in a comedy club, but I<br />
tried it anyway; today it’s my closer.”<br />
Some <strong>of</strong> Louie’s recent accomplishments<br />
are breaking the Guinness book<br />
world record by bouncing a soap bubble<br />
on his hand eighty-eight times, writing a<br />
book on the Svengali deck that has sold<br />
over 2,500 copies to date, getting his<br />
stand-up comedian robot “ROBO” on<br />
the TV show America’s Got Talent, and<br />
becoming a “rock star dad.”<br />
Actually, when I caught up with Louie<br />
to do this interview he was on the road<br />
for three days doing summer library<br />
programs; he had his seven-year-old<br />
daughter Ella with him performing. “Ella<br />
has probably done more shows at this<br />
point than most adult amateur magicians.<br />
She loves performing with me and is<br />
constantly coming up with new and<br />
funny bits for the show.”<br />
As a matter <strong>of</strong> fact, we had to<br />
finish our conversation because it<br />
was time for Ella’s bedtime story.<br />
A fringe benefit <strong>of</strong> working for Dad!<br />
Facebook<br />
Prediction<br />
By Louie Foxx<br />
by steve<br />
marshaLL<br />
effect: You have eight objects on<br />
the table and a prediction on the back <strong>of</strong><br />
your business card. With the help from<br />
someone in the audience you narrow<br />
down the eight items to one (for this<br />
example, let’s say it’s a watch). You turn<br />
over your business card to show a barcode<br />
and you do the classic gag invented<br />
by Fumio Inagaki <strong>of</strong> Japan as you say,<br />
“That’s the barcode for a watch.”<br />
<strong>The</strong> barcode is then scanned by<br />
someone in the audience with a Smartphone<br />
and it takes him to your Facebook<br />
fan page where your most recent update<br />
is: “You will pick the watch.” Of course,