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(Hank) Moorehouse 1934 – 2011 - The Society of American Magicians

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Louie Foxx<br />

Earlier this year, I was looking<br />

around on the Internet for a bullwhip<br />

that I needed for a western routine I was<br />

working on. I came across bullwhips.org;<br />

not only did the whips look nice, but the<br />

maker <strong>of</strong> these whips seemed interesting<br />

as well. I sent an email describing what I<br />

wanted and then gave a call to the whip<br />

maker, Louie Foxx.<br />

To my surprise, one <strong>of</strong> the first things<br />

Louie said to me was, “Are you the same<br />

Steve Marshall who writes for the M-U-M<br />

magazine?” This delighted me; I was<br />

happy to find out that he is a magician,<br />

he’s a member <strong>of</strong> the S.A.M., and he reads<br />

this column!<br />

I have to say that after talking more<br />

with Louie the term “magician” is a<br />

little constricting for him, since he is<br />

really a variety artist in the true sense<br />

<strong>of</strong> the word; he uses not only magic, but<br />

also juggling, shadowgraphy, silhouette<br />

cutting, whip cracking, comedy and, well,<br />

just about whatever it takes to entertain<br />

his audiences.<br />

He was born Isaac Louie, and still uses<br />

this name when publishing his material,<br />

such as his September 2008 and April<br />

<strong>2011</strong> Linking Ring parades. He grew up<br />

in Seattle, Washington, and by the time<br />

he was fourteen years old he was street<br />

performing at Seattle’s famous Pike Place<br />

Market, where he worked on a homemade<br />

38 M-U-M Magazine<br />

i LeFt my<br />

cards at<br />

hOme<br />

magic table that he had found the plans<br />

for in the Mark Wilson Course in Magic.<br />

While street performing, Louie<br />

caught the eyes <strong>of</strong> Sheila Lyon and Darryl<br />

Beckmann, the owners <strong>of</strong> the Market<br />

Magic Shop at Pike Place Market; they<br />

<strong>of</strong>fered Louie a job working as a demonstrator<br />

in the shop. “Over the years<br />

working behind the counter at Market<br />

Magic I learned so many pointers and<br />

tips from Sheila and Darryl; I owe a ton<br />

to them.” Another great thing that Sheila<br />

and Darryl did was to sponsor Louie to<br />

go to the first Bob Fitch workshop up in<br />

Canada when he was nineteen. Louie<br />

got to spend nine days with Bob Fitch<br />

studying not only magic but also theatrical<br />

techniques to make his performances<br />

stronger. Or as Louie puts it, “This was<br />

one <strong>of</strong> the things that changed my life.”<br />

Another life changing experience<br />

for Louie happened a few years earlier<br />

when he was seventeen and he snuck into<br />

a casino to see the juggling troupe <strong>The</strong><br />

Raspini Brothers perform. He credits<br />

them for changing the way he looked at<br />

show business. “Up until that point all <strong>of</strong><br />

the magicians and variety artists I had<br />

seen were 1980s-style performers who<br />

used the same lines and did the same bits.<br />

<strong>The</strong> Raspini Brothers were cool and hip<br />

and had original material and lines. It<br />

opened my eyes to writing my own stuff<br />

and making it funny. So a lot <strong>of</strong> my style<br />

came out <strong>of</strong> them as well.”<br />

Louie has gone on to become quite<br />

successful in the magic and variety arts<br />

fields. Today he can be found traveling and<br />

doing everything from school shows and<br />

summer camps for kids to comedy club<br />

shows and casinos for adult audiences.<br />

He builds a lot <strong>of</strong> his own props and<br />

describes his character and his show as<br />

“a bunch <strong>of</strong> stuff I learned to do as a kid.”<br />

This theme forced Louie to build a lot <strong>of</strong><br />

his own props. As he puts it, “If I have<br />

a nice, slick-looking magic prop onstage<br />

it looks out <strong>of</strong> place with my character.<br />

With that thought in mind, nobody makes<br />

props that look like junk, so I had to start<br />

building them myself.”<br />

When asked about his thoughts on<br />

creativity he said, “Sometimes you have<br />

to have a lot <strong>of</strong> bad ideas before you have<br />

a good one. <strong>The</strong> important thing is to<br />

keep trying stuff; don’t listen to anyone<br />

else if they tell you not to do something.<br />

A lot <strong>of</strong> people told me I shouldn’t do<br />

shadowgraphy in a comedy club, but I<br />

tried it anyway; today it’s my closer.”<br />

Some <strong>of</strong> Louie’s recent accomplishments<br />

are breaking the Guinness book<br />

world record by bouncing a soap bubble<br />

on his hand eighty-eight times, writing a<br />

book on the Svengali deck that has sold<br />

over 2,500 copies to date, getting his<br />

stand-up comedian robot “ROBO” on<br />

the TV show America’s Got Talent, and<br />

becoming a “rock star dad.”<br />

Actually, when I caught up with Louie<br />

to do this interview he was on the road<br />

for three days doing summer library<br />

programs; he had his seven-year-old<br />

daughter Ella with him performing. “Ella<br />

has probably done more shows at this<br />

point than most adult amateur magicians.<br />

She loves performing with me and is<br />

constantly coming up with new and<br />

funny bits for the show.”<br />

As a matter <strong>of</strong> fact, we had to<br />

finish our conversation because it<br />

was time for Ella’s bedtime story.<br />

A fringe benefit <strong>of</strong> working for Dad!<br />

Facebook<br />

Prediction<br />

By Louie Foxx<br />

by steve<br />

marshaLL<br />

effect: You have eight objects on<br />

the table and a prediction on the back <strong>of</strong><br />

your business card. With the help from<br />

someone in the audience you narrow<br />

down the eight items to one (for this<br />

example, let’s say it’s a watch). You turn<br />

over your business card to show a barcode<br />

and you do the classic gag invented<br />

by Fumio Inagaki <strong>of</strong> Japan as you say,<br />

“That’s the barcode for a watch.”<br />

<strong>The</strong> barcode is then scanned by<br />

someone in the audience with a Smartphone<br />

and it takes him to your Facebook<br />

fan page where your most recent update<br />

is: “You will pick the watch.” Of course,

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