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(Hank) Moorehouse 1934 – 2011 - The Society of American Magicians

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INFORMED OPINION<br />

unspeakable acTs book<br />

by Jim magus wiTh Terry nosek and neil Tobin<br />

Available from Jim Magus through PayPal to<br />

jimmagus@comcast.net<br />

Price $75.00 plus $8.00 shipping in the USA<br />

revieW by Joshua Kane<br />

Unspeakable Acts is this year’s<br />

guilty pleasure read. It is a witty and<br />

salacious roller coaster ride through<br />

the life <strong>of</strong> one <strong>of</strong> magic’s most complicated<br />

and creative individuals; a man<br />

whose legacy has left three distinct<br />

identities for historians and friends<br />

alike to contend with, be confused by,<br />

and miss seeing at the bar or hospitality<br />

suite. <strong>The</strong> man, the myth, and the<br />

magic are inseparable in the tripartite<br />

subject <strong>of</strong> this volume. Three <strong>of</strong> the<br />

most creative and impactful performers,<br />

whose work I frequently bought<br />

from Magic, Inc. in my teens, were<br />

Tom Palmer, Tony Andruzzi, and Masklyn Ye Mage. Imagine<br />

my surprise later in life when I learned that all three people were<br />

actually one person, whom I came to hold in high regard and<br />

knew from late night phone conversations.<br />

Over the years, it has become clear to me that almost everyone<br />

I have met in magic either knew Tony Andruzzi or had a story<br />

about him. Tony was one <strong>of</strong> those performers whose name you<br />

could have used for a round <strong>of</strong> “six degrees <strong>of</strong> Kevin Bacon,” if<br />

the Bacon game had been played with magicians. His fingerprints<br />

are all over contemporary magic history.<br />

Andruzzi was the undisputed godfather and public representative<br />

<strong>of</strong> bizarre magick. Despite Tony Raven being the actual<br />

creator <strong>of</strong> Invocation magazine, it is Andruzzi who is most<br />

<strong>of</strong>ten identified with the monthly journal that united shamanistic<br />

performers and Lovecraftian writers. Prior to this, as Tom Palmer,<br />

he was involved in the early days <strong>of</strong> televised magic and worked<br />

with such luminaries as Mark Wilson. As Masklyn Ye Mage, he<br />

was an early member <strong>of</strong> the Psychic Entertainers Association and<br />

was just as famous for effects that did not work as he was for<br />

ones that did. He was happily infamous for his ability to terrorize<br />

hotel staff with his portable Satanic altars and rituals. His Invocational<br />

conventions were famous in their time; being able to claim<br />

attendance at them is still a status symbol equal to being able to<br />

claim that one saw the original NYC production <strong>of</strong> Harold Pinter’s<br />

<strong>The</strong> Birthday Party. And like that event, which would still be<br />

running today if as many people had actually seen it as claimed to<br />

have, Madison Square Garden would have been required to seat<br />

all those who claim to have played with Tony and his gang.<br />

If there ever was a performer whose life was stranger than<br />

fiction and suited for a mad bio-pic, it was Tony. If it were not for<br />

the careful documentation <strong>of</strong> newspaper articles and references<br />

Latest Product Reviews<br />

Compiled and Edited by W. S. Duncan<br />

to primary sources included in the volume, no one would believe<br />

even half <strong>of</strong> the tales that have been collected and published. Tony<br />

even knew Jack Ruby, the nightclub owner who shot Lee Harvey<br />

Oswald after President Kennedy’s assassination. Tony’s testimony<br />

to the Warren Commission is included in the detailed appendix.<br />

Jim Magus, Terry Nosek, and Neil Tobin (the star <strong>of</strong> Chicago<br />

Supernatural) are to be commended and thanked for compiling<br />

and editing so much material into a volume whose momentum<br />

and page-turning energy never flags. <strong>The</strong> book is hardbound, 533<br />

pages, and is lavishly illustrated with line drawings, photographs,<br />

and reproductions <strong>of</strong> articles, ads, and ephemera. I thoroughly<br />

enjoyed the read and know that I will return to it <strong>of</strong>ten.<br />

Because no effects are taught in the book, and because the<br />

community who most passionately remembers and reveres Tony<br />

is a self-selecting one, I feel that the publisher could sell ten times<br />

as many copies as a $35 paperback. At that price it would be a<br />

no-brainer. At the hardbound price, some folks may be scared <strong>of</strong>f.<br />

I recommend that every collector, magic club, and assembly order<br />

at least one copy for their library.<br />

danger in paradise/malay woman book<br />

by sid Fleischman<br />

Available from Stark House Press<br />

Price $20.00<br />

revieW by Jim Kleefeld<br />

Just when you get ready to waste some<br />

free time and think there’s nothing in<br />

escapist literature around, along comes<br />

a pair <strong>of</strong> saucy stories about adventure<br />

in exotic lands. Stark House Press has<br />

gained some renown by republishing<br />

pulp fiction <strong>of</strong> the ‘40s and ‘50s. About<br />

five years ago I picked up a book with<br />

two stories by Fleischman, Look Behind<br />

You, Lady and <strong>The</strong> Venetian Blonde.<br />

Both were about magicians caught up in<br />

crime and turmoil. I thoroughly enjoyed<br />

both stories for what they were <strong>–</strong> light<br />

reading with a bit <strong>of</strong> nostalgia thrown in.<br />

This new Stark republication contains another pair by the<br />

same author. Two short stories, Danger in Paradise and Malay<br />

Woman are combined in one 276-page book. Written in the early<br />

1950s, they both contain great gobs <strong>of</strong> post-war pulp escapism.<br />

Hard-boiled mugs duke it out with foreign bums and miscreants,<br />

while dames with great gams and ulterior motives entice them<br />

with feminine wiles. It’s all very Dashielle Hammet and Ellery<br />

Queen, with a touch <strong>of</strong> Fu Manchu.<br />

Fleischman spent the war years in Indonesia and the Far East,<br />

so he learned the ins and outs <strong>of</strong> tropical settings. He uses his<br />

travels (and a great deal <strong>of</strong> research) to make Malay, Bali, Kuala<br />

Lumpur, and Singapore come to life in these stories. Steamships,<br />

ports, seedy bars, and rubber plantations provide the backdrop for<br />

AUGUST <strong>2011</strong> 61

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