(Hank) Moorehouse 1934 – 2011 - The Society of American Magicians
(Hank) Moorehouse 1934 – 2011 - The Society of American Magicians
(Hank) Moorehouse 1934 – 2011 - The Society of American Magicians
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INFORMED OPINION<br />
unspeakable acTs book<br />
by Jim magus wiTh Terry nosek and neil Tobin<br />
Available from Jim Magus through PayPal to<br />
jimmagus@comcast.net<br />
Price $75.00 plus $8.00 shipping in the USA<br />
revieW by Joshua Kane<br />
Unspeakable Acts is this year’s<br />
guilty pleasure read. It is a witty and<br />
salacious roller coaster ride through<br />
the life <strong>of</strong> one <strong>of</strong> magic’s most complicated<br />
and creative individuals; a man<br />
whose legacy has left three distinct<br />
identities for historians and friends<br />
alike to contend with, be confused by,<br />
and miss seeing at the bar or hospitality<br />
suite. <strong>The</strong> man, the myth, and the<br />
magic are inseparable in the tripartite<br />
subject <strong>of</strong> this volume. Three <strong>of</strong> the<br />
most creative and impactful performers,<br />
whose work I frequently bought<br />
from Magic, Inc. in my teens, were<br />
Tom Palmer, Tony Andruzzi, and Masklyn Ye Mage. Imagine<br />
my surprise later in life when I learned that all three people were<br />
actually one person, whom I came to hold in high regard and<br />
knew from late night phone conversations.<br />
Over the years, it has become clear to me that almost everyone<br />
I have met in magic either knew Tony Andruzzi or had a story<br />
about him. Tony was one <strong>of</strong> those performers whose name you<br />
could have used for a round <strong>of</strong> “six degrees <strong>of</strong> Kevin Bacon,” if<br />
the Bacon game had been played with magicians. His fingerprints<br />
are all over contemporary magic history.<br />
Andruzzi was the undisputed godfather and public representative<br />
<strong>of</strong> bizarre magick. Despite Tony Raven being the actual<br />
creator <strong>of</strong> Invocation magazine, it is Andruzzi who is most<br />
<strong>of</strong>ten identified with the monthly journal that united shamanistic<br />
performers and Lovecraftian writers. Prior to this, as Tom Palmer,<br />
he was involved in the early days <strong>of</strong> televised magic and worked<br />
with such luminaries as Mark Wilson. As Masklyn Ye Mage, he<br />
was an early member <strong>of</strong> the Psychic Entertainers Association and<br />
was just as famous for effects that did not work as he was for<br />
ones that did. He was happily infamous for his ability to terrorize<br />
hotel staff with his portable Satanic altars and rituals. His Invocational<br />
conventions were famous in their time; being able to claim<br />
attendance at them is still a status symbol equal to being able to<br />
claim that one saw the original NYC production <strong>of</strong> Harold Pinter’s<br />
<strong>The</strong> Birthday Party. And like that event, which would still be<br />
running today if as many people had actually seen it as claimed to<br />
have, Madison Square Garden would have been required to seat<br />
all those who claim to have played with Tony and his gang.<br />
If there ever was a performer whose life was stranger than<br />
fiction and suited for a mad bio-pic, it was Tony. If it were not for<br />
the careful documentation <strong>of</strong> newspaper articles and references<br />
Latest Product Reviews<br />
Compiled and Edited by W. S. Duncan<br />
to primary sources included in the volume, no one would believe<br />
even half <strong>of</strong> the tales that have been collected and published. Tony<br />
even knew Jack Ruby, the nightclub owner who shot Lee Harvey<br />
Oswald after President Kennedy’s assassination. Tony’s testimony<br />
to the Warren Commission is included in the detailed appendix.<br />
Jim Magus, Terry Nosek, and Neil Tobin (the star <strong>of</strong> Chicago<br />
Supernatural) are to be commended and thanked for compiling<br />
and editing so much material into a volume whose momentum<br />
and page-turning energy never flags. <strong>The</strong> book is hardbound, 533<br />
pages, and is lavishly illustrated with line drawings, photographs,<br />
and reproductions <strong>of</strong> articles, ads, and ephemera. I thoroughly<br />
enjoyed the read and know that I will return to it <strong>of</strong>ten.<br />
Because no effects are taught in the book, and because the<br />
community who most passionately remembers and reveres Tony<br />
is a self-selecting one, I feel that the publisher could sell ten times<br />
as many copies as a $35 paperback. At that price it would be a<br />
no-brainer. At the hardbound price, some folks may be scared <strong>of</strong>f.<br />
I recommend that every collector, magic club, and assembly order<br />
at least one copy for their library.<br />
danger in paradise/malay woman book<br />
by sid Fleischman<br />
Available from Stark House Press<br />
Price $20.00<br />
revieW by Jim Kleefeld<br />
Just when you get ready to waste some<br />
free time and think there’s nothing in<br />
escapist literature around, along comes<br />
a pair <strong>of</strong> saucy stories about adventure<br />
in exotic lands. Stark House Press has<br />
gained some renown by republishing<br />
pulp fiction <strong>of</strong> the ‘40s and ‘50s. About<br />
five years ago I picked up a book with<br />
two stories by Fleischman, Look Behind<br />
You, Lady and <strong>The</strong> Venetian Blonde.<br />
Both were about magicians caught up in<br />
crime and turmoil. I thoroughly enjoyed<br />
both stories for what they were <strong>–</strong> light<br />
reading with a bit <strong>of</strong> nostalgia thrown in.<br />
This new Stark republication contains another pair by the<br />
same author. Two short stories, Danger in Paradise and Malay<br />
Woman are combined in one 276-page book. Written in the early<br />
1950s, they both contain great gobs <strong>of</strong> post-war pulp escapism.<br />
Hard-boiled mugs duke it out with foreign bums and miscreants,<br />
while dames with great gams and ulterior motives entice them<br />
with feminine wiles. It’s all very Dashielle Hammet and Ellery<br />
Queen, with a touch <strong>of</strong> Fu Manchu.<br />
Fleischman spent the war years in Indonesia and the Far East,<br />
so he learned the ins and outs <strong>of</strong> tropical settings. He uses his<br />
travels (and a great deal <strong>of</strong> research) to make Malay, Bali, Kuala<br />
Lumpur, and Singapore come to life in these stories. Steamships,<br />
ports, seedy bars, and rubber plantations provide the backdrop for<br />
AUGUST <strong>2011</strong> 61