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(Hank) Moorehouse 1934 – 2011 - The Society of American Magicians

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Lucille Pierce<br />

and the Sorcerer’s<br />

Apprentices<br />

52 M-U-M Magazine<br />

By Tom Ewing<br />

Digital Photo Restoration by Gene Voshell<br />

A<br />

s all fraternal magic organizations know,<br />

a promising future depends on the ability<br />

to attract and retain young people to the<br />

hobby. Currently, the S.A.M.’s <strong>Society</strong><br />

<strong>of</strong> Young <strong>Magicians</strong> (S.Y.M.) is a shining<br />

example.<br />

Over the years, there have been many efforts aimed at helping<br />

young people develop in the art; several have arisen from magic<br />

shop owners. Take for example the personalized approach <strong>of</strong><br />

Baltimore magic shop owner Phil Thomas, who <strong>of</strong>fered personalized<br />

tips, suggestions, thoughts, and guidance in lengthy correspondence<br />

he conducted with budding magicians.<br />

In the Midwest in the early 1930s there was Vernon Lux,<br />

first president and founder <strong>of</strong> the International <strong>Society</strong> <strong>of</strong> Junior<br />

<strong>Magicians</strong>. Some <strong>of</strong> the young magicians he helped develop<br />

and who later became famous in the magic world include Harry<br />

Riser, Jimmy Grippo, and Neil Foster. Later clubs included the<br />

<strong>American</strong> Magical <strong>Society</strong>, Lads <strong>of</strong> Legerdemain, Magic Youths<br />

International, Young <strong>Magicians</strong> <strong>of</strong> America, and others.<br />

In the 1940s in Philadelphia, the person who shepherd-<br />

ed young magicians was Lucille Saxon. She was a talented<br />

magician, puppeteer, and manager <strong>of</strong> the Philadelphia branch <strong>of</strong><br />

Holden’s Magic Company. <strong>The</strong> group she formed and supported<br />

was appropriately named, “<strong>The</strong> Sorcerer’s Apprentices.”<br />

Saxon was born Lucille Pierce in Boston, and graduated from<br />

Briar Cliff College and Columbia University with a major in<br />

chemistry. After graduation, she gave up scientific pursuits and<br />

in 1928 joined up as an assistant for Harry Blackstone Sr. She<br />

was married to another Blackstone cast member, Frank Luckner,<br />

who served as prop master and onstage assistant for the show.<br />

During their time with the show, Lucille and Frank had three<br />

children, Todd, Pamela, and Judy; they divorced in 1935.<br />

Frank continued on with Blackstone until 1939, when he married<br />

another cast member, Bernadotta “Bunny” Smith, who was the<br />

levitated “Princess Karnac,” and left to pursue his own magic<br />

career. Lucille had already struck out on her own. <strong>The</strong>ir children<br />

eventually went to<br />

live with Luckner’s<br />

parents in Corning,<br />

New York. In 1943,<br />

Lucille landed the job<br />

managing Holden’s<br />

Magic Shop in Philadelphia,<br />

a position she<br />

held until just after<br />

World War II.<br />

Perhaps it was<br />

the fresh supply <strong>of</strong><br />

youngsters hanging<br />

around the Holden’s<br />

shop at 117 South<br />

Broad Street, or<br />

maybe she missed<br />

her children, but<br />

regardless, she<br />

soon founded the<br />

Sorcerer’s Apprentices.<br />

<strong>The</strong> club was<br />

created for aspiring<br />

young magicians<br />

fourteen to eighteen,<br />

ages at which they<br />

Holden’s Catalog<br />

were too young to join the local S.A.M. or I.B.M. clubs. Of<br />

course, there were also exclusive adult groups in the city<br />

like <strong>The</strong> Houdini Club and <strong>The</strong> Yogi Club, but again, not for<br />

youngsters.<br />

Not surprisingly, members <strong>of</strong> her club benefited greatly from<br />

her operation <strong>of</strong> Holden’s and her connections in magic. <strong>The</strong><br />

group initially met at the Y.M.C.A. at Broad and Arch Streets in<br />

downtown Philadelphia, and later at the Sylvania Hotel, across<br />

the street from her shop. In its later years it met in an <strong>of</strong>fice<br />

building on Arch Street. <strong>The</strong> club was open to all interested<br />

youngsters, but the first demand she made <strong>of</strong> her students was<br />

commitment. Members could miss a meeting for personal or<br />

emergency reasons, but miss two in a row and they were out.<br />

While other clubs for young magicians focused on learning<br />

and swapping tricks, Saxon also <strong>of</strong>fered her members wellgrounded<br />

instruction on such things as making a nice appearance,<br />

interacting with and managing your audience, getting<br />

applause, and the art <strong>of</strong> stage presentation. Magic tricks were<br />

certainly taught and learned, but Saxon believed performing<br />

magic required the development <strong>of</strong> well-rounded entertainers.<br />

She was also connected with the stars <strong>of</strong> magic and personal<br />

friends with Dell O’Dell, Jack Gwynne, Tommy Windsor, Al

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