(Hank) Moorehouse 1934 – 2011 - The Society of American Magicians
(Hank) Moorehouse 1934 – 2011 - The Society of American Magicians
(Hank) Moorehouse 1934 – 2011 - The Society of American Magicians
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Lucille Pierce<br />
and the Sorcerer’s<br />
Apprentices<br />
52 M-U-M Magazine<br />
By Tom Ewing<br />
Digital Photo Restoration by Gene Voshell<br />
A<br />
s all fraternal magic organizations know,<br />
a promising future depends on the ability<br />
to attract and retain young people to the<br />
hobby. Currently, the S.A.M.’s <strong>Society</strong><br />
<strong>of</strong> Young <strong>Magicians</strong> (S.Y.M.) is a shining<br />
example.<br />
Over the years, there have been many efforts aimed at helping<br />
young people develop in the art; several have arisen from magic<br />
shop owners. Take for example the personalized approach <strong>of</strong><br />
Baltimore magic shop owner Phil Thomas, who <strong>of</strong>fered personalized<br />
tips, suggestions, thoughts, and guidance in lengthy correspondence<br />
he conducted with budding magicians.<br />
In the Midwest in the early 1930s there was Vernon Lux,<br />
first president and founder <strong>of</strong> the International <strong>Society</strong> <strong>of</strong> Junior<br />
<strong>Magicians</strong>. Some <strong>of</strong> the young magicians he helped develop<br />
and who later became famous in the magic world include Harry<br />
Riser, Jimmy Grippo, and Neil Foster. Later clubs included the<br />
<strong>American</strong> Magical <strong>Society</strong>, Lads <strong>of</strong> Legerdemain, Magic Youths<br />
International, Young <strong>Magicians</strong> <strong>of</strong> America, and others.<br />
In the 1940s in Philadelphia, the person who shepherd-<br />
ed young magicians was Lucille Saxon. She was a talented<br />
magician, puppeteer, and manager <strong>of</strong> the Philadelphia branch <strong>of</strong><br />
Holden’s Magic Company. <strong>The</strong> group she formed and supported<br />
was appropriately named, “<strong>The</strong> Sorcerer’s Apprentices.”<br />
Saxon was born Lucille Pierce in Boston, and graduated from<br />
Briar Cliff College and Columbia University with a major in<br />
chemistry. After graduation, she gave up scientific pursuits and<br />
in 1928 joined up as an assistant for Harry Blackstone Sr. She<br />
was married to another Blackstone cast member, Frank Luckner,<br />
who served as prop master and onstage assistant for the show.<br />
During their time with the show, Lucille and Frank had three<br />
children, Todd, Pamela, and Judy; they divorced in 1935.<br />
Frank continued on with Blackstone until 1939, when he married<br />
another cast member, Bernadotta “Bunny” Smith, who was the<br />
levitated “Princess Karnac,” and left to pursue his own magic<br />
career. Lucille had already struck out on her own. <strong>The</strong>ir children<br />
eventually went to<br />
live with Luckner’s<br />
parents in Corning,<br />
New York. In 1943,<br />
Lucille landed the job<br />
managing Holden’s<br />
Magic Shop in Philadelphia,<br />
a position she<br />
held until just after<br />
World War II.<br />
Perhaps it was<br />
the fresh supply <strong>of</strong><br />
youngsters hanging<br />
around the Holden’s<br />
shop at 117 South<br />
Broad Street, or<br />
maybe she missed<br />
her children, but<br />
regardless, she<br />
soon founded the<br />
Sorcerer’s Apprentices.<br />
<strong>The</strong> club was<br />
created for aspiring<br />
young magicians<br />
fourteen to eighteen,<br />
ages at which they<br />
Holden’s Catalog<br />
were too young to join the local S.A.M. or I.B.M. clubs. Of<br />
course, there were also exclusive adult groups in the city<br />
like <strong>The</strong> Houdini Club and <strong>The</strong> Yogi Club, but again, not for<br />
youngsters.<br />
Not surprisingly, members <strong>of</strong> her club benefited greatly from<br />
her operation <strong>of</strong> Holden’s and her connections in magic. <strong>The</strong><br />
group initially met at the Y.M.C.A. at Broad and Arch Streets in<br />
downtown Philadelphia, and later at the Sylvania Hotel, across<br />
the street from her shop. In its later years it met in an <strong>of</strong>fice<br />
building on Arch Street. <strong>The</strong> club was open to all interested<br />
youngsters, but the first demand she made <strong>of</strong> her students was<br />
commitment. Members could miss a meeting for personal or<br />
emergency reasons, but miss two in a row and they were out.<br />
While other clubs for young magicians focused on learning<br />
and swapping tricks, Saxon also <strong>of</strong>fered her members wellgrounded<br />
instruction on such things as making a nice appearance,<br />
interacting with and managing your audience, getting<br />
applause, and the art <strong>of</strong> stage presentation. Magic tricks were<br />
certainly taught and learned, but Saxon believed performing<br />
magic required the development <strong>of</strong> well-rounded entertainers.<br />
She was also connected with the stars <strong>of</strong> magic and personal<br />
friends with Dell O’Dell, Jack Gwynne, Tommy Windsor, Al