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8. DRE·ssrNG THE M AN exist benveen a man's m.ost visible and.expressive body part, his face, and the clothes surrounding it is a prereqt.Lisi te of fi he dressing. Oscar Schoefrl er, Esquire rnagazi1:1e's legendaty fashion editor. once vvarned, "Never underestimate the power of what you rveru·. Aft.er all. theJ:"e is just a small bit of you sticking out at the neck and cuff Jihe rest of \e.rhat the V\rorld sees is what'$ draped on your fran"ie.'' AJ1d ·wh iah .colors end up fratning this
Page 3 and 4: D USA$49-95 Canada '$74-95 ressingt
Page 5 and 6: • PERMANENT FASH ION THE PO\¥ER
Page 9 and 10: 4 DRESSING THE MAN Male adornment h
Page 11 and 12: Dressitlg,vell rests on two pillars
Page 13 and 14: 8 DR ESS I NfJ TH·E MAN of its sal
Page 15 and 16: favor could expect the victim to pr
Page 17 and 18: The second factor rcspon ·ible for
Page 19 and 20: mtmem with ji1slzio11 may wel'l str
Page 24 and 25: suiting fabrics ::tnd fm·ni shings
Page 26 and 27: The ·econd approach re,·olvcs aro
Page 28 and 29: The second color technique Focuses
Page 30 and 31: 25 THE POWE R O F C O L O R P::lQSI
Page 32 and 33: FUMIHII(O: HIGH CONTRAST __ om pare
Page 34 and 35: Q ~ • ~ ~ .. 0 • II • • •
Page 36: TOM: MEDIUM CONTRAST hen rou are as
Page 41 and 42: DRESS I N'G THE Jvl r\ N lnappropri
Page 43 and 44: ABOVE LEFT: Douglas Fairbanks]r.s s
Page 45 and 46: JACKET LENGTH The principal criteri
Page 47 and 48: I i 1e ri·om its trouser bottom up
Page 49 and 50: THE JACKET SLEEVE Properly cut jack
Page 51 and 52: THE DRESS Sl--IIRT ust as the suit
Page 53 and 54: THE TAILORED ANI
Page 55 and 56: eliminated from contention just bec
Page 57 and 58: al o works to smooth the transition
Page 59 and 60: Trousers should be long in the rise
Page 61 and 62: INTO THE FITTING ROOM s6 DR£SS1 NG
Page 63 and 64: The jacket collar at tbe back shoul
Page 65 and 66: o- 60 DR.ESS I NC THE Mi\N : THE TR
Page 69: DRFSSING THE .M.\N but the spare-;r
Page 72 and 73:
MIXING TWO PATTERNS OF THE SAME DES
Page 74 and 75:
MATING TWO CHECI(S L tylis hlr comb
Page 76:
71 T ,/'JE PREROGATIVES OF PATTERN
Page 79 and 80:
MIXING THREE PATTERNS WHEN TWO ARE
Page 81 and 82:
MIXING FOUR PATTERNS DR f .S .S /Nl
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"I'll throw in a je1111 extra pinst
Page 86 and 87:
THE SILHOUETTE orty years ago, one
Page 88 and 89:
CLASSIC SUIT MODELS TOP: GJry Coope
Page 90 and 91:
THE DOUBLE- BREAS TED SUIT Prior to
Page 92 and 93:
I B I FALL OXFORD GRAY SHARKSKIN NA
Page 94 and 95:
SPRING MARINE BLUE MICRO-NAILHEAD L
Page 96 and 97:
8; THE S tJlT RIGHT: Casl1 pocket.
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am·acts tUldue attention to rhe ma
Page 100 and 101:
THE SUIT WAISTCOAT __.___U tailored
Page 102 and 103:
The orthodox Yiew held that suits b
Page 104 and 105:
THE PLAID SUIT \ iVhile the Victori
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twentieth ccnturr wa~ about ro clos
Page 108:
towel. Tbdar in medium blue. brown.
Page 112 and 113:
money Fol lo\\'ing "old'' down to t
Page 115 and 116:
ABOVE: Brooks Bt·others pleated-ba
Page 117 and 118:
a simplified version of the classic
Page 119 and 120:
\ Vith bl Lte a11d white as the imp
Page 121 and 122:
THE ODD TROUSER 11.2 RES$ING -1 E N
Page 123 and 124:
!~ncr. nnd in color frvm gre
Page 125 and 126:
military type of work fabr.ic in rh
Page 127 and 128:
sepatatc or attached hdlf self-belt
Page 129:
"Since you asked, sir, I tecommen.d
Page 132 and 133:
PLAY YOUR BEST LINE ne of th~ most
Page 134 and 135:
MEDIUM TO LONG STRAIGHT-POINT COLLA
Page 136 and 137:
Leslie Howard i11 a collar stylt ac
Page 138 and 139:
- --------- £han th~ fi?m.1k·: li
Page 140 and 141:
Tl-IE TJ\L~ COLL;\R tgun Ill thl' J
Page 142 and 143:
- --------------------------- -- -
Page 146 and 147:
I "' CRO CtofFC"K 8LUI! BA"llSTE 1.
Page 148 and 149:
FITTING TJ-IE DRESS SI-IIRT th rht:
Page 150 and 151:
DRESS SH IRT f\ ESTl-1 ETI.CS n add
Page 152 and 153:
TI ~IE PA-\TTERNED DRESS SHIRT __ .
Page 154 and 155:
THE SHIRT MONOGRAM O\' ncr ·hip he
Page 157:
.. I u tmd I (n1m t t em r
Page 160:
pt=rct:nt!lge of rhe tot-al nL"ckwe
Page 163:
THIS PAGE Gr1ry Coopu drt•ssing u
Page 166 and 167:
-- 1 h.: tlptL'•d ti)r a 'tnpc l)
Page 168 and 169:
\\ 0 Q L t 1 E C K \V EA R The- ll.
Page 170:
\kan\\hile in the !arc l\\\_~ntiL''
Page 173 and 174:
)R£~ '1 ~ l; -u L i\fA r-.1 T l.l
Page 175 and 176:
16! ....., f' a a 0 • Tt-tE BOW 1
Page 177 and 178:
• DRI:: '·' r N:tr TH r i\1 :\ '
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- ---~ - ~--- l hand hold') tht.> b
Page 182:
-- \m\.'riCUT1'i from I he '\\.luth
Page 186 and 187:
- --~------- IIL'r~\ thcd~b'icn~'}
Page 188 and 189:
\ 111.111' ho~c .tbo nctx1.' m be n
Page 191 and 192:
S QE_ soc s ECK . EA
Page 193 and 194:
Bogg uSts hJs parr JM1ll"1 ro d:rea
Page 195:
~~ etmcemiug the waangof ~ ,_ th sl
Page 198 and 199:
•
Page 201 and 202:
-- OLE OF COMFORT he l1r~t shoe' \\
Page 203 and 204:
\ rh~..· \ etcran \ •~it.c:d lti
Page 206 and 207:
PlJTTING 1.l)UR BEST FOL'T FOR\\1;\
Page 208 and 209:
19) Fo
Page 210 and 211:
Fo oT [;)f: C 0 R l ,\1 ... ••
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TH L. ...... ED r H ..... TE lr ...
Page 214 and 215:
-- ,!OJ FOOT' D r: c I'll( lJ.\t TH
Page 216 and 217:
- .203 f tJOT D L\ ORU,\1 \\'uh rhc
Page 218 and 219:
~ur )f Jll"'bdtn n.: '"lll.1t~ ~h k
Page 220 and 221:
- - ---------------------- -~---- J
Page 225 and 226:
TI-lE POC KEl- 1 IA. DKERCIIIEF 21~
Page 227 and 228:
• CLOCKWISE FROM TOP LEFT Th~· D
Page 229 and 230:
,~ ---- ~--- --- --- ----- \Vhilc d
Page 231 and 232:
-~ -- . , I I - DR.fL. Sl~G nu M l.
Page 233 and 234:
DRl :, ,:., IN l: l /H i\1 r\N And
Page 235 and 236:
1111 ring tl H? I LJ')lh. Esqt~in
Page 238 and 239:
---------- l OPPOSITE Stl5p(ndtrs t
Page 240 and 241:
] E \~I ELR'( """'-"" mce \ Ktonnn
Page 243 and 244:
TIMEPIECE AN D \i\l IZI T\J\IAT C 1
Page 247 and 248:
f TELLING TA J L. · Tl-1 E F-I I S
Page 249 and 250:
Frtd n tilrs a .d~~ris 1'f'st deng
Page 251 and 252:
f FULL- ORE ----- DRL,Sl·''·· 1
Page 253 and 254:
--- -- ( )b\ ii)IISJ). :111} Cll:lf
Page 255:
D I NNE I~ JACI(ET DOG1vi A __ ., ,
Page 258 and 259:
- Dl l ER] CKET _ L TE RN;\TI \ IES
Page 260 and 261:
11\..:k look gift "'r.lf'~ Jt ..Jso
Page 262 and 263:
--- ------- -------- THE BLAC I(S:"
Page 264 and 265:
Ft\ ""' 1 -IIO ~ TI .1 G T I-I E FO
Page 266:
- - - - - ______________________ ..
Page 270 and 271:
- --- rhr
Page 272 and 273:
-------- --------~ ~C LO R1 TG U.P
Page 275 and 276:
I ---- P I.ECI NG TOGETI-IER Tt-I E
Page 277 and 278:
II J I ''''-·JICI \-.II,, .111Jtll
Page 279:
UNf-f lNG I NG TIZADITION: DRESSING
Page 282 and 283:
Let me the backd1op of~ classiC gra
Page 284:
DRE -DO bile a dark spott jacket ca
Page 287 and 288:
AC~C ESSO Rl ZING -rJ-lE DJtE ~ -DO
Page 290 and 291:
GLO~ RY Cr ,. refel"(.'llCcJ dcfinm
Page 292 and 293:
BE"RrT \ bruulcss.. Ufl\1-Su~d t~hn
Page 294 and 295:
tre1lcll .:o.Jt th:tt "~ tssued to
Page 296 and 297:
o~ 1 .:rdcr s '""011 u: do'' 11 to
Page 298 and 299:
-~~ -- ~ pula.nzcJ dunng Q_UCl•n
Page 300 and 301:
gnn.st .:s 6-ltJJ\ bad:.ground 'W~t
Page 302 and 303:
Li 1u h .• r: ( a-1.1:' .m ~ .tlt
Page 304 and 305:
t\\~'\.>th u '' J a fn\nnh: of thl
Page 307 and 308:
D1u: 1 ~~ H M 11\' "\pring'' '" tl1
Page 309 and 310:
I' I [C.[ D'\ I I' J1w l"nn upphcd
Page 311 and 312:
, ll ~ -. tlu: "Akl• m regular I'
Page 313 and 314:
~Ill r1 A D A "Ol•l pnzc·d (,Jr
Page 315 and 316:
ltU .. ,. Dl'f t IU m N nil' r.Lm 1
Page 317 and 318:
I' d.( l '\\ t h I n t l a.g o! l u
Page 319:
ELECl-E 1) 131 I3LI OGJv\P I ·IY m
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