8932658326593257

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The ·econd approach re,·olvcs around highlighting each face by repeating one or more of its natmal pig111ents i.n the colors vvern below. Starting with the first principle-while the rainbow of m~n 's complexions encompasses a great variety oF shadings. tlle field can be scaled dow11 into tvVG basic formats: contrast or muted. ff your hair is dark and your skin light. you have a contrast complexion. If your hair ·and skin toiiC arc similar, your complexion vvould be considered muted. or ton~1J. Having now matriculated into one oF t he ·t\·VO prevailing male color -Fraternities, you 21 Tr-11~ Po :w~; .R OF COLOR. might \1\rondcr how such a diversit-y of facial a1id hair colors can be so neatly djvided into .just t'NO p.rofilc?s. Although me mbership in the- contrast club. substanti
22 DRESS 1 NG THE M AN lighter touch. And because d1e man with a complexion of average conb·ast can tolerate J fu ller range of color coordination than hi muted counterpart. he also enjoys more latitude and margin of e r·ror with colors. The photograph below illustrate
Page 3 and 4: D USA$49-95 Canada '$74-95 ressingt
Page 5 and 6: • PERMANENT FASH ION THE PO\¥ER
Page 9 and 10: 4 DRESSING THE MAN Male adornment h
Page 11 and 12: Dressitlg,vell rests on two pillars
Page 13 and 14: 8 DR ESS I NfJ TH·E MAN of its sal
Page 15 and 16: favor could expect the victim to pr
Page 17 and 18: The second factor rcspon ·ible for
Page 19 and 20: mtmem with ji1slzio11 may wel'l str
Page 23 and 24: 8. DRE·ssrNG THE M AN exist benvee
Page 25: THE ABC SOFA PERSONAL COLOR STRATEG
Page 29 and 30: the rradition of augmenting one's f
Page 31 and 32: TREVOR: MEDIUM CONTRAST .........,.
Page 33 and 34: JOHN: MUTED COMPLEXION 28 Dl~ESSING
Page 35 and 36: ALEX: LIGHT BRIGHT AND BLOND norher
Page 38: AFRICAN AMERICAN: MEDIUM TO HIGH CO
Page 42 and 43: THE SUIT JACI
Page 44 and 45: The nant l·al-shouldcr suit ~ ilho
Page 46 and 47: 4J PROPORTION RELATIO N TO TH E ARM
Page 48 and 49: on his chest. the longer lapel line
Page 50 and 51: 45 PRO P O RTION Suit trousers shou
Page 52 and 53: PROPORTJON THE POCI
Page 54 and 55: PROPORTION AND BODY TYPE hether sho
Page 56 and 57: eadth. Thj.s includes the low-gorge
Page 58 and 59: appearance. O ne color from top to
Page 60 and 61: \ - should aYoid any lUlncce . ary
Page 62 and 63: INCORRECT FIT OF JACKET COLLAR ...
Page 64 and 65: "X" MEANS THE .JACKET IS TOO TIGHT.
Page 66: hole. the trousers' fork should fit
Page 71 and 72: LEFT: Prince Charles carries on the
Page 73 and 74: 68 DIH.SSiNC. TIT E l'Yif\ N with e
Page 75 and 76: MIXING TWO DIFFERENT PATTERNS 70 Dl
Page 78 and 79:
1 MIXING THREE PATTERNS J on\'cntio
Page 80 and 81:
MIXING THREE PATTERNS OF THE SAME D
Page 82 and 83:
\·Vhc rcas rlw LlLU-\.C of \\'ind,
Page 85 and 86:
garment or ensemble that aA-"ord~ ~
Page 87 and 88:
DR'ESSTNG THE Mi\.N the man's fLu·
Page 89 and 90:
DRESSING TH!. MAN THE SINGLE-BREAST
Page 91 and 92:
SUIT JACJ(ET DETAILING SUIT jACKET
Page 93 and 94:
Unless indicated, all suitings are
Page 95 and 96:
GRAY Pick-AND-PICK FAWN G LEN PLAID
Page 97 and 98:
JACKET VENTS Vents hme a military h
Page 99 and 100:
Uc'.-, lack of intl're~t. ~ide -ven
Page 101 and 102:
THE SUIT TROUSER 1e most fortuitous
Page 103 and 104:
THE STRIPED SUIT Of all men's swnng
Page 105 and 106:
thJn the glen plaid's multiline~ll.
Page 107 and 108:
GA B ARDINE For rhe ulti mate in I
Page 111 and 112:
In t he period follmving \\/orld vV
Page 113:
13y the latter part ol=-the t\\ ent
Page 116 and 117:
tweed jacket's edge-stitching"' ith
Page 118 and 119:
THE BLAZER ust a.~ the Fancy-b:::tc
Page 120 and 121:
Judging the correct number of butto
Page 122 and 123:
Along vvith tweed . ±1annel became
Page 124 and 125:
almost every day for class. it's li
Page 126 and 127:
WITH THOUGHT S OF SU MMER rnrhincl,
Page 128 and 129:
THE ODD WAISTCOAT t her th
Page 131 and 132:
Throughout most oF the nineteenth c
Page 133 and 134:
Founder qf'Black enterprise magazin
Page 135 and 136:
ON THE FACE OF THINGS S I NG Mrl N
Page 137 and 138:
THE SPRE1\D COLLAR lh .. ' '-pn.'.l
Page 139 and 140:
TilE I~OUNDED COLL 1~ "·ulbr shitt
Page 141 and 142:
I)l.NNED COLLARS dr\~s~ ~hw t t one
Page 143:
- ----- the \ i"ion .md g~Jt m1s uf
Page 147 and 148:
0PCrt·WF".AVE l IOHTWtiCHr BLUE O>
Page 149 and 150:
I --- --- -- -- DR.ESS Sl-1 I fZT M
Page 151 and 152:
- - -- ---- S I-1 I J~T )R f." S"'
Page 153 and 154:
.. DRESSING TI-IE 1-IAND hi n culT
Page 155:
plincd undcr~tatCJih.~nr mdr w,unll
Page 159 and 160:
DRE5.SI1\ G Tllf. hi~~ impbc.1ble r
Page 162 and 163:
- -- \\\...Jdm~ uc-" 111 n~rram eir
Page 165 and 166:
llcr..: I >eau \chc son rL·h\: un
Page 167 and 168:
DRhSI~G 1Hf 1\I!\N -rl t E p LA 1 D
Page 169 and 170:
-- - - l) I~ I NTE D N E~C K\\'EJ\R
Page 172 and 173:
-- TilE PAJ..,l£1 lr7lt1on .md It'
Page 174 and 175:
---- end',, ho'~ "h.ll! bo" riC>d u
Page 176 and 177:
Ph1l1ppe N lti t s!Jo" u~ hu Galltc
Page 178:
------------ - 1-H E F 0 UR-I 1 - H
Page 181 and 182:
I - - DR£. t>Sl N l• TH.Fti!AN T
Page 185 and 186:
1 ht! c' ~lot' nnd p:Htt.·rn of .1
Page 187 and 188:
THIS PAGE Saclul Guitr)' in silk dr
Page 189:
- I DRE '~I" G r rJ E. .'Ill.A •
Page 192 and 193:
\' lllClltl 111cd prL\ IOU•·d\ t
Page 194 and 195:
- ---- rh the ell~l Jf th~ 19-!0~ l
Page 197 and 198:
flJH \ ,'i l t-:G T JI r l\1A RIGHT
Page 199:
\. , llh II l /,1
Page 202 and 203:
---~ STEPS IN TIME hl· louk pf 11H
Page 204:
---- --------- I C) I f OOT DI C:(H
Page 207 and 208:
--- -- - - D.-\.rs~JNG nu: ;\I' N ,
Page 209 and 210:
- -- -~--- -- D.Rt lNf; l HI M ...
Page 211 and 212:
------- - From t"r or(einal prim ad
Page 213 and 214:
i fu t:ulu f lUnd t ht; r\ , t Gil(
Page 215 and 216:
---- -- DRl"SSTNG Tflf M.A.-.: I T
Page 217 and 218:
- DRI ,_:. f Nu HH ~\1" .. -- nff~
Page 219 and 220:
I --- -- I DR r s., I SG TH! MAN Fa
Page 221:
11 L I) RE SS SL IPP ER Its ~~~1rd
Page 226 and 227:
\ p&tt i breast pocket mu d~(~11ed
Page 228 and 229:
----- \\ lll[t: ha11dker.chicf utte
Page 230 and 231:
-----------------------------------
Page 232 and 233:
219 OPPOSITE TOP: Contrast trxtun:s
Page 234 and 235:
- - ~-------- BELTS AND BRACES _, u
Page 236:
m. 11 n ple.lt' 'll9-''-"'llders .'
Page 239 and 240:
·rl l E DRESS BELT -1 he d111iL·e
Page 241:
f ---- C U F F LI N KS AND DRESS J
Page 244:
----~- ---- THE Bl1LITl>NNIERE n JX
Page 248 and 249:
0 THE DRU5 VIAJS:TCOAT" S POUlTS 5H
Page 250 and 251:
THE FlJLL-DiliSS \¥AISTC0 1\T 1 or
Page 252 and 253:
- ---- ------ I • • • • FOR
Page 254 and 255:
J'R .!.t I ' • • / -- - y - / ,
Page 257 and 258:
':llt:c\ c bunons, "hich C1J1 cuher
Page 259 and 260:
--~- Tl-I E I3LAC J(-TI E \\fA I. T
Page 261 and 262:
- --- FORJ\!tAl __ \1\IEJ\FZ TRo·u
Page 263 and 264:
--- Tire autht'lltic \Vindsor kuor
Page 265 and 266:
Dn1 s.• 1 N~ THE Milt\ he '' hi t
Page 269 and 270:
In 1 h~,; t ll'
Page 271 and 272:
--- ------ ----- Bu!-incss cas.ual
Page 273:
I "·JI'drt)bc~ - -~ ~,,,tthing tht
Page 276 and 277:
ln\.: ~Almplc of~·\oh mg 'lh.·h .
Page 278 and 279:
--------- ----~--- 1rh ~{ mt~-.rt d
Page 281 and 282:
Hfa.·k Cci$}1111fl't' tlll'lft'lh'
Page 283 and 284:
I In lhl' ru ... h Ill expand th ..
Page 286 and 287:
flh{L .... tJ of ...,,plu,rKah:..-d
Page 288:
pt'lhhL-J hkc matt~' fini ... ht•
Page 291 and 292:
-,-Q - '' DRJ. )JNG Ttl£ M .\,, \
Page 293 and 294:
\ .Hit> Dnr ....-51 ,.u rru M 1 ...
Page 295 and 296:
IJ R I \ S I ..; (,, llfl \J\r\ ~ln
Page 297 and 298:
- .!·-1 DRL ... ~(; ffH ;\1 ~" 1r
Page 299 and 300:
1. h :~h ll't uJstl·ad of st4lrchc
Page 301 and 302:
~I • l >.;c. HI AI P~> I mo N •
Page 303 and 304:
)nr '"Nl. fU M'\ N II \1 l)W • n
Page 305:
) Iu:s l.l'H .• ur:~I\V rt·n~h·
Page 308 and 309:
'f t-:.r1 h'R.n .\ J.rrk gtm MlJ.Jl
Page 310 and 311:
------ - - l't1 "R llC\'l ·\n.urtt
Page 312 and 313:
'C T• H T\\'l:£1'' Twe-."\\c. tn
Page 314 and 315:
H { H ~~ \ rnl! C ' oft utislmy: lc
Page 316 and 317:
(.:. ) l(l ' brq!hr ~ rkt d r.~nn d
Page 318 and 319:
-- ----~ \\ 1"'-![!-,(llt t:~ 1 r .
Page 321:
Grntifrtl acktro" kdgmrnt Is madt t
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