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TREVOR: MEDIUM CONTRAST<br />

.........,.._sa medium=-contrasr comp lexion, Trevor e njors the most latitude of any type relative<br />

to his selection of clothing colors. AJthough still darkJy stylish. Trevor's black hair and<br />

sw;.uthy skin appear almos t· in shadow when framed by the monoroned gray ensemble (above<br />

l~ft) .<br />

lew~ l<br />

The lack of opposition between the gray suit and gray ch·ess sh in underplays the higher<br />

of counterpoint found iJl Trevor's Face above.<br />

No\\' observe vvhat happens when the gray shirt i · replaced by \\'hire. The relief yielded<br />

by its ligh tness against the suit's d:u·ker background illuminates Tre,·or's face and skin. The<br />

tonall y accessorized suit makes his tanned skin look lackluster: the high-contrast one makes it<br />

glisten. Because of his hair and skin's substantial distinction. Ti:evor .is ft:ee to expet'iment \>V•ith<br />

almost an)' medium-to-strong color coordination. confident in the knovvledgc that it can only<br />

strengthen his own complexion.

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