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The second color technique Focuses on the enhancen1ent of the face through repetition of one or more of its rones in the suJTOl ii K~in g apparel. This principle c::m £·equently be found informing the presentation of ari art piece or the choice of eyeglasses. A pjcttu·e tnatting or frame \V iii often be selected just to highlight one of rhe painting's key colors. Sim.iJarly. a blond man rends to opt for gold-toned spectacles. "1Ule the salt-and-pepper brow favors the more silver-roned rims. The early menswear magazines thought it was i m portan r that a man know the wl1 ys and \vhereFo rcs of proper complexion and dothing coordination. Take this gent with brmvn hair and a slight ruddiness to his face (below lift) . Following the second technique's. imperatives, ; tht:: ob\·ious choice of suit shade would be that which repeated his hair color. thereby drawing the ob t.:rver's attu1rion to vvhat was bracketed in between- in other words. his face. The fasl1- ion editor employL'd the same logic relative to the necktie-it's no coincidence that the tie's Ti-f.£ POWER. Of COLOR reddish GISt just happen to pick up its wearer's ruddy facial pigmentation. By sponing a scarf around his neck in the same pale bu.e as his ashen skin and hair tone, this next gL'Ilt vouchsafes that his visage won't vanish from view (belo·w righ0. And to prove that • Echoi11g the hairs color w1der the face does wonders for ones complexion.
the rradition of augmenting one's facial coloring transcends even social station, here'$ the futurt' hng of England (opposit~, coloni.zi ng his auburn- tin ted face i 11 a sea of rubescent tr~ppings. Eye color fo1Jows skin and hair as the next most i mponanr faci:J11ndicawr. especially \Nhen a man .happens to lo0k out behind the baby blues of a P:c1LJ Ne'vvman or a Frank S.inat.J·a. Nothing brings. an azure-eyed countenance· into 1nore·engagingfocns than a bluc-tcmed shirt OT 1 ike-hued necktie cavorting just below the chjJJ. 24 DRESSTNG Tlf E M,iN The last facjal feature to consider is any special p-igment like rosy cheeks o r suntanned skin. Tn trying to enhance the face's glmv and primacy, the ide;1 is to pl Hy up such colorations. br keying them to apparel in close proximity. such as a scar£ necktie. or spon shirt. Because the bPo.nzed ~ki n 's dc,1fkcr hue increases its level of co nu~1st clothing colors should be stepped up incremCJ1taLiy in strength. This is 011e re
Page 3 and 4: D USA$49-95 Canada '$74-95 ressingt
Page 5 and 6: • PERMANENT FASH ION THE PO\¥ER
Page 9 and 10: 4 DRESSING THE MAN Male adornment h
Page 11 and 12: Dressitlg,vell rests on two pillars
Page 13 and 14: 8 DR ESS I NfJ TH·E MAN of its sal
Page 15 and 16: favor could expect the victim to pr
Page 17 and 18: The second factor rcspon ·ible for
Page 19 and 20: mtmem with ji1slzio11 may wel'l str
Page 23 and 24: 8. DRE·ssrNG THE M AN exist benvee
Page 25 and 26: THE ABC SOFA PERSONAL COLOR STRATEG
Page 27: 22 DRESS 1 NG THE M AN lighter touc
Page 31 and 32: TREVOR: MEDIUM CONTRAST .........,.
Page 33 and 34: JOHN: MUTED COMPLEXION 28 Dl~ESSING
Page 35 and 36: ALEX: LIGHT BRIGHT AND BLOND norher
Page 38: AFRICAN AMERICAN: MEDIUM TO HIGH CO
Page 42 and 43: THE SUIT JACI
Page 44 and 45: The nant l·al-shouldcr suit ~ ilho
Page 46 and 47: 4J PROPORTION RELATIO N TO TH E ARM
Page 48 and 49: on his chest. the longer lapel line
Page 50 and 51: 45 PRO P O RTION Suit trousers shou
Page 52 and 53: PROPORTJON THE POCI
Page 54 and 55: PROPORTION AND BODY TYPE hether sho
Page 56 and 57: eadth. Thj.s includes the low-gorge
Page 58 and 59: appearance. O ne color from top to
Page 60 and 61: \ - should aYoid any lUlncce . ary
Page 62 and 63: INCORRECT FIT OF JACKET COLLAR ...
Page 64 and 65: "X" MEANS THE .JACKET IS TOO TIGHT.
Page 66: hole. the trousers' fork should fit
Page 71 and 72: LEFT: Prince Charles carries on the
Page 73 and 74: 68 DIH.SSiNC. TIT E l'Yif\ N with e
Page 75 and 76: MIXING TWO DIFFERENT PATTERNS 70 Dl
Page 78 and 79:
1 MIXING THREE PATTERNS J on\'cntio
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MIXING THREE PATTERNS OF THE SAME D
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\·Vhc rcas rlw LlLU-\.C of \\'ind,
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garment or ensemble that aA-"ord~ ~
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DR'ESSTNG THE Mi\.N the man's fLu·
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DRESSING TH!. MAN THE SINGLE-BREAST
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SUIT JACJ(ET DETAILING SUIT jACKET
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Unless indicated, all suitings are
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GRAY Pick-AND-PICK FAWN G LEN PLAID
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JACKET VENTS Vents hme a military h
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Uc'.-, lack of intl're~t. ~ide -ven
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THE SUIT TROUSER 1e most fortuitous
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THE STRIPED SUIT Of all men's swnng
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thJn the glen plaid's multiline~ll.
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GA B ARDINE For rhe ulti mate in I
Page 111 and 112:
In t he period follmving \\/orld vV
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13y the latter part ol=-the t\\ ent
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tweed jacket's edge-stitching"' ith
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THE BLAZER ust a.~ the Fancy-b:::tc
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Judging the correct number of butto
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Along vvith tweed . ±1annel became
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almost every day for class. it's li
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WITH THOUGHT S OF SU MMER rnrhincl,
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THE ODD WAISTCOAT t her th
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Throughout most oF the nineteenth c
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Founder qf'Black enterprise magazin
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ON THE FACE OF THINGS S I NG Mrl N
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THE SPRE1\D COLLAR lh .. ' '-pn.'.l
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TilE I~OUNDED COLL 1~ "·ulbr shitt
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I)l.NNED COLLARS dr\~s~ ~hw t t one
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- ----- the \ i"ion .md g~Jt m1s uf
Page 147 and 148:
0PCrt·WF".AVE l IOHTWtiCHr BLUE O>
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I --- --- -- -- DR.ESS Sl-1 I fZT M
Page 151 and 152:
- - -- ---- S I-1 I J~T )R f." S"'
Page 153 and 154:
.. DRESSING TI-IE 1-IAND hi n culT
Page 155:
plincd undcr~tatCJih.~nr mdr w,unll
Page 159 and 160:
DRE5.SI1\ G Tllf. hi~~ impbc.1ble r
Page 162 and 163:
- -- \\\...Jdm~ uc-" 111 n~rram eir
Page 165 and 166:
llcr..: I >eau \chc son rL·h\: un
Page 167 and 168:
DRhSI~G 1Hf 1\I!\N -rl t E p LA 1 D
Page 169 and 170:
-- - - l) I~ I NTE D N E~C K\\'EJ\R
Page 172 and 173:
-- TilE PAJ..,l£1 lr7lt1on .md It'
Page 174 and 175:
---- end',, ho'~ "h.ll! bo" riC>d u
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Ph1l1ppe N lti t s!Jo" u~ hu Galltc
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------------ - 1-H E F 0 UR-I 1 - H
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I - - DR£. t>Sl N l• TH.Fti!AN T
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1 ht! c' ~lot' nnd p:Htt.·rn of .1
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THIS PAGE Saclul Guitr)' in silk dr
Page 189:
- I DRE '~I" G r rJ E. .'Ill.A •
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\' lllClltl 111cd prL\ IOU•·d\ t
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- ---- rh the ell~l Jf th~ 19-!0~ l
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flJH \ ,'i l t-:G T JI r l\1A RIGHT
Page 199:
\. , llh II l /,1
Page 202 and 203:
---~ STEPS IN TIME hl· louk pf 11H
Page 204:
---- --------- I C) I f OOT DI C:(H
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--- -- - - D.-\.rs~JNG nu: ;\I' N ,
Page 209 and 210:
- -- -~--- -- D.Rt lNf; l HI M ...
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------- - From t"r or(einal prim ad
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i fu t:ulu f lUnd t ht; r\ , t Gil(
Page 215 and 216:
---- -- DRl"SSTNG Tflf M.A.-.: I T
Page 217 and 218:
- DRI ,_:. f Nu HH ~\1" .. -- nff~
Page 219 and 220:
I --- -- I DR r s., I SG TH! MAN Fa
Page 221:
11 L I) RE SS SL IPP ER Its ~~~1rd
Page 226 and 227:
\ p&tt i breast pocket mu d~(~11ed
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----- \\ lll[t: ha11dker.chicf utte
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-----------------------------------
Page 232 and 233:
219 OPPOSITE TOP: Contrast trxtun:s
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- - ~-------- BELTS AND BRACES _, u
Page 236:
m. 11 n ple.lt' 'll9-''-"'llders .'
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·rl l E DRESS BELT -1 he d111iL·e
Page 241:
f ---- C U F F LI N KS AND DRESS J
Page 244:
----~- ---- THE Bl1LITl>NNIERE n JX
Page 248 and 249:
0 THE DRU5 VIAJS:TCOAT" S POUlTS 5H
Page 250 and 251:
THE FlJLL-DiliSS \¥AISTC0 1\T 1 or
Page 252 and 253:
- ---- ------ I • • • • FOR
Page 254 and 255:
J'R .!.t I ' • • / -- - y - / ,
Page 257 and 258:
':llt:c\ c bunons, "hich C1J1 cuher
Page 259 and 260:
--~- Tl-I E I3LAC J(-TI E \\fA I. T
Page 261 and 262:
- --- FORJ\!tAl __ \1\IEJ\FZ TRo·u
Page 263 and 264:
--- Tire autht'lltic \Vindsor kuor
Page 265 and 266:
Dn1 s.• 1 N~ THE Milt\ he '' hi t
Page 269 and 270:
In 1 h~,; t ll'
Page 271 and 272:
--- ------ ----- Bu!-incss cas.ual
Page 273:
I "·JI'drt)bc~ - -~ ~,,,tthing tht
Page 276 and 277:
ln\.: ~Almplc of~·\oh mg 'lh.·h .
Page 278 and 279:
--------- ----~--- 1rh ~{ mt~-.rt d
Page 281 and 282:
Hfa.·k Cci$}1111fl't' tlll'lft'lh'
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I In lhl' ru ... h Ill expand th ..
Page 286 and 287:
flh{L .... tJ of ...,,plu,rKah:..-d
Page 288:
pt'lhhL-J hkc matt~' fini ... ht•
Page 291 and 292:
-,-Q - '' DRJ. )JNG Ttl£ M .\,, \
Page 293 and 294:
\ .Hit> Dnr ....-51 ,.u rru M 1 ...
Page 295 and 296:
IJ R I \ S I ..; (,, llfl \J\r\ ~ln
Page 297 and 298:
- .!·-1 DRL ... ~(; ffH ;\1 ~" 1r
Page 299 and 300:
1. h :~h ll't uJstl·ad of st4lrchc
Page 301 and 302:
~I • l >.;c. HI AI P~> I mo N •
Page 303 and 304:
)nr '"Nl. fU M'\ N II \1 l)W • n
Page 305:
) Iu:s l.l'H .• ur:~I\V rt·n~h·
Page 308 and 309:
'f t-:.r1 h'R.n .\ J.rrk gtm MlJ.Jl
Page 310 and 311:
------ - - l't1 "R llC\'l ·\n.urtt
Page 312 and 313:
'C T• H T\\'l:£1'' Twe-."\\c. tn
Page 314 and 315:
H { H ~~ \ rnl! C ' oft utislmy: lc
Page 316 and 317:
(.:. ) l(l ' brq!hr ~ rkt d r.~nn d
Page 318 and 319:
-- ----~ \\ 1"'-![!-,(llt t:~ 1 r .
Page 321:
Grntifrtl acktro" kdgmrnt Is madt t
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