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MMoCA Newsletter, Summer 2016

Newsletter from Madison Museum of Contemporary Art, featuring work by Claire Stigliani, Wong Ping, Allison Schulnik, and the permanent collection exhibition Our Good Earth.

Newsletter from Madison Museum of Contemporary Art, featuring work by Claire Stigliani, Wong Ping, Allison Schulnik, and the permanent collection exhibition Our Good Earth.

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EXHIBITIONS<br />

CLAIRE STIGLIANI:<br />

HALF-SICK OF SHADOWS<br />

May 28 through September 3, <strong>2016</strong><br />

2<br />

In her first solo museum exhibition, mixed-media artist<br />

Claire Stigliani presents her most recent body of work in<br />

which she transforms two-dimensional drawings and paintings<br />

into miniature puppet sets and video-based vignettes.<br />

On view in the museum’s State Street Gallery from May 28<br />

through September 3, Claire Stigliani: Half-Sick of Shadows<br />

features five of the artist’s semi-autobiographical series<br />

that combine her real life anxieties with fictional stories,<br />

and probe more deeply into the psychological longing<br />

and latent sexuality that underpin her artistic practice. For<br />

this exhibition, the concurrent display of works on paper,<br />

hand-constructed stage sets, and short movies reference<br />

and reinforce each other to create layered and voyeuristic<br />

scenes—mirrors reflecting and refracting the artist’s halfimagined<br />

worlds.<br />

Graduating from the University of Wisconsin-Madison’s<br />

Masters of Fine Arts program in 2010, Stigliani has<br />

since relocated to New York, producing works that merge<br />

complex social and cultural references with a broad array<br />

of art historical sources, including eighteenth-century<br />

Rococo painting, Austrian portraits of royalty, fairytale<br />

illustrations, and Pop art. She inserts a caricature of herself<br />

into the fictional stories she represents, which range from<br />

Tennyson’s The Lady of Shalott to Angela Carter’s The Snow<br />

Child. With skewed and condensed spaces, collapsed and<br />

manipulated narratives, her paintings are dense compositions<br />

of acrylic, colored pencil, wax, and gold leaf on paper.<br />

They allow Stigliani to enter alternative realities and safely<br />

navigate the uncertainties of, or transgress the expectations<br />

surrounding, contemporary notions of feminine power,<br />

desire, art, and love.<br />

The suggestion of role-playing finds additional expression<br />

in the accompanying puppet sets, which are very literal<br />

three-dimensional renderings of her drawings. Physical<br />

spaces decorated with to-scale scenery, the miniature sets<br />

OPENING RECEPTION<br />

Friday, June 3<br />

6–9 pm

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