take clothes for instance BOOK

I could look at objectification in another way. By focussing on the
details, the folds and creases, buttons and openings, stitching and
pleating, the forms and textures of materials and how they
interact with the human body. Seeing the person in those terms,
especially in the montaged manner I was intending to portray
them could be construed as a form of objectification. However in
the manner in I wished to portray them, much like a Dada
montage I wanted to throw open the meaning of relationships to
clothing and the wearer to new interpretations.
Though I was really not sure where this project was going my
intention all along was to act experimentally with the working
assumption that my collaborations would feed back to me the
direction towards some kind of meaning involving the
relationship between people and their clothes.
world, a world where people felt they needed to fit in and stand
out in varying measures, and that my exploration of re-montaging
these conditions was intended to look at the fragility of this state.
Through these initial explorations into the photographs I would
ultimately take, my partner Freya collaborated in testing some of
the ideas by posing with ill-fitting clothes. What emerged give me
new areas for thought, research and experimentation.
Many of us are dependent on these props to convey ourselves to
the world. Without these outward portrayals who exactly are we?
Our self-protection against the misconstrued views of others and
our sense of our own narrative is confused if not lost.
However some thoughts at this point seemed to be adhering to
the project and vulnerability was one of these. I began to think of
clothes as armour which protected the wearer from the outside