take clothes for instance BOOK

VIDEO I TRANSFORMATIONS
I also wanted to create a video based piece of work from some of
the sequences of photographs to show awkward uncomfortable
transition states through time, and I had selected a series of
images of Freya going through the process of pulling a top too
tight for her over her head. However at this point I had no
knowledge of video editing software and despite looking at a
range of easy options which had alpha transitioning their
implementation was either subject to software wizards with little
control over the timescale of the transition, or the resulting
transitions looked like canned effects. In the end I decide to use
Adobe Premier as I’d read that its transitioning tools would offer
me greater control.
However the alpha transitions were global meaning that they
occurred over the entire image and I wanted only portions of an
image to be revealed through other over and underlying images.
The effect which I was looking for was for the imagery to look
distorted and contorted, and straightforward transitions would
not achieve this for me. I found a fix in firstly creating transitioned
still images in Adobe Photoshop which I then imported into
Premier to transition again. This really mixed things up and gave
me the effect I wanted. To enhance the awkwardness even more I
experimented with the times between transitions, having some
transition states which ran slowly whilst others ran quickly. The
overall effect was a confusing nonsensical movement between
image states.
In another section of the video I had decided to use a series of
images which Iain had taken as an experiment. These were by and
large blurred and over exposed but the sequence expressed the
struggle between Freya and me with a jacket. I employed the
same strategy as with the other video except that the individual
image slides were transitioned so quickly as to flash into and out
of view. I also overlaid this animation with larger transitions of the
same images but at a very low opacity so one could see through
to the other sequence, and I imported and overlaid an image of
folded material to add to the montaged effect. The overall
appearance gave an impressional feel to the animation as only
snippets of visual information flashed before the eyes.