take clothes for instance BOOK
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OUTCOMES/ARTEFACTS<br />
Due to the fluid nature of the project my ideas towards an<br />
outcome in the <strong>for</strong>m of an exhibition only began to coalesce quite<br />
late in its development. This would be influenced by the space in<br />
which it was housed and at this point I had not decided where the<br />
work would be situated.<br />
I had however concluded that I would produce a number of works<br />
which were digitally based and that these would be mostly<br />
printed onto photographic paper. I would choose three<br />
approaches to the images.<br />
1. I’d generate some arrays of small images displaying<br />
sequences of the photo-shoot. They would<br />
demonstrate the per<strong>for</strong>mative aspects of my subjects<br />
struggling with each other whilst trying on ill-fitting<br />
<strong>clothes</strong>.<br />
2. I’d choose combinations of images and with these I’d<br />
blend and composite together in a rough manner to<br />
show clearly that these images came from two different<br />
sources and times. I wanted to visually express the<br />
absurdity of doing this.<br />
3. Some of the images from the photo-shoot I would use<br />
as the basis of a video piece and this would be a<br />
transition between various sequences of the<br />
photographs. Though I did not know at this point the<br />
manner in which this video sequence would be<br />
produced I did want to convey the motion of the<br />
struggle required to pull tight clothing on.
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