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232 Anthony Boucher<br />

“Yes, sir,” said Gan Garrett. There seemed to be little else to say.<br />

Sacheverell Breakstone needed no prompting. “Yes, my boy,” he went on, “truth<br />

is what we want from you. Truth and accuracy, but especially truth. Don’t spend too<br />

much worrying on niggling little details. Supposing—mind you, I’m just thinking<br />

aloud—but supposing we put a woman in the picture. Now you and I know that<br />

there wasn’t any woman in Devarupa’s life. That’s accuracy. But he loved all humanity,<br />

didn’t he? And aren’t women more than half <strong>of</strong> humanity? So if we show him say<br />

loving a woman—you understand this is just groping with words—isn’t that truth<br />

in the deeper sense? You understand?”<br />

“Yes, sir. I am here to give the cachet <strong>of</strong> academic authority to all the non-academic<br />

changes you wish to ring on the story <strong>of</strong> Devarupa.”<br />

Breakstone hesitated, then burst out into a heavy laugh. “Good man. You do<br />

understand me. No pretense about you. We’ll get on, we will. You can understand<br />

the creative mind. Because that’s what I am, mind you. All this”—his broad gesture<br />

included every bit <strong>of</strong> Metropolis—“is my creation. And the creative mind creates<br />

its own truth which is higher than facts. All my life I’ve wanted to do a life <strong>of</strong><br />

Devarupa—with all due reverence, you understand, but still showing he was a real<br />

man. A man <strong>of</strong> and for men. And I’m the man to do. They don’t call me the Little<br />

Hitler <strong>of</strong> Sollywood for nothing.”<br />

Garrett smiled to himself. No one with any knowledge <strong>of</strong> twentieth-century<br />

history could well consider a “Hitler” the ideal interpreter <strong>of</strong> that saint among men,<br />

the great Devarupa. But the evil that conquerors do may <strong>of</strong>ten be interred with their<br />

bones; he remembered from literary study how Caesar and Napoleon had become just<br />

such metaphorical figures <strong>of</strong> power, with no allusion to their manifold infamies.<br />

“Well,” Breakstone announced, “it’s been wonderful having this talk with you,<br />

Garner.”<br />

“Garrett.”<br />

“I said Garrett. It’s been a pleasure to hear your ideas on Devarupa, and that’s a<br />

real suggestion <strong>of</strong> yours about the woman. You’re no hidebound academician, I can<br />

see that. Now if you’ll take the left-hand walk for about two hundred meters, you’ll<br />

find Uranov’s <strong>of</strong>fice. He’s working on the script today—his third day, in fact. He’s<br />

lasting well. You talk it over with him. And enjoy yourself in Sollywood.”<br />

Garrett let the swizard jangle as he shook hands with his boss. Breakstone glanced<br />

at it. “Hm-m-m. Nice thing. Dinosaur <strong>of</strong> some kind, eh? Odd material; what’s it<br />

made <strong>of</strong>?”<br />

“Lovestonite.”<br />

“Lovestonite? Well, well. What next? The motto <strong>of</strong> Metropolis, by the way;<br />

remember that. What next? You understand? Always something new. Come see me<br />

any time you’re in trouble, but you won’t need to. We understand each other. Good<br />

luck.” Even as Garrett left, the Little Hitler <strong>of</strong> Sollywood had pulled several switches<br />

and begun dictating a letter to the Department <strong>of</strong> Allocation, giving instructions to<br />

a set designer, and receiving from his Calcutta exhibitor.<br />

The few people that Garrett passed on his way down the writers’ corridor looked fretful<br />

and hagridden—almost like men from the Twentieth Century. The responsibility<br />

<strong>of</strong> turning out the major entertainment device <strong>of</strong> the world weighed heavily upon

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