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boucher book oct28.pdf - Index of

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484 Anthony Boucher<br />

Mr. Manson was never able to find a teller who remembered receiving that<br />

astonishingly large deposit made to the credit <strong>of</strong> the Sentinel ’s account; but there it<br />

was, all duly entered.<br />

And so the Grover Sentinel became a daily, printing the truth.<br />

V<br />

If it’s all right with you, we’ll skip pretty fast over the next part <strong>of</strong> the story. The days<br />

<strong>of</strong> triumph never make interesting reading. The rise and fall—that’s your dramatic<br />

formula. The build-up can be stirring and the letdown can be tragic, but there’s no<br />

interest in the flat plateau at the top.<br />

So there’s no need to tell in detail all that happened in Grover after the Sentinel<br />

went daily. You can imagine the sort <strong>of</strong> thing: How the Hitchcock plant stepped<br />

up its production and turned out a steady flow <strong>of</strong> war matériel that was the pride<br />

<strong>of</strong> the county, the state, and even the country. How Doc Quillan tracked down,<br />

identified, and averted the epidemic that threatened the workers’ housing project.<br />

How Chief Hanby finally got the goods on the gamblers who were moving in on<br />

the South Side and cleaned up the district. How the Grover Red Cross drive went a<br />

hundred percent over its quota. How the expected meat shortage never materialized<br />

… You get the picture.<br />

All this is just the plateau, the level stretch between the rise and the fall. Not that<br />

John MacVeagh expected the fall. Nothing like that seemed possible, even though<br />

Molly worried.<br />

“You know, boss,” she said one day, “I was reading over some <strong>of</strong> the <strong>book</strong>s I used<br />

to love when I was a kid. This wish—it’s magic, isn’t it?”<br />

MacVeagh snapped the speaking box on his desk and gave a succinct order to<br />

the assistant editor. He was the chief executive <strong>of</strong> a staff now. Then he turned back<br />

and said, “Why, yes, Molly, I guess you might call it that. Magic, miracle—what do<br />

we care so long as it enables us to accomplish all we’re doing?”<br />

“I don’t know. But sometimes I get scared. Those <strong>book</strong>s, especially the ones by<br />

E. Nesbit—”<br />

MacVeagh grinned. “Scared <strong>of</strong> kids’ <strong>book</strong>s?”<br />

“I know it sounds silly, boss, but kids’ <strong>book</strong>s are the only place you can find out<br />

about magic. And there seems to be only one sure thing about it: You can know<br />

there’s a catch to it. There’s always a catch.”<br />

MacVeagh didn’t think any further about that. What stuck in his mind were<br />

phrases like those he heard down at Clem’s barber shop:<br />

“Hanged if I know what’s come over this burg. Seems like for a couple <strong>of</strong> months<br />

there just can’t nothing go wrong. Ever since that trouble out at the plant when they<br />

got rid <strong>of</strong> Bricker, this burg is just about perfect, seems like.”<br />

Those were fine words. They fed the soul. They made you forget that little, nagging,<br />

undefined discontent that was rankling underneath and threatening to spoil<br />

all this wonderful miracle—or magic, if you prefer. They even made you be polite<br />

to H. A. Hitchcock when he came to pay his respects to you after the opening <strong>of</strong><br />

the new Sentinel Building.<br />

He praised MacVeagh as an outstanding example <strong>of</strong> free enterprise. (A year or so

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