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236 Anthony Boucher<br />

“I know his work.” Garrett sounded a little awed. “He’s marvelous.”<br />

“I haven’t seen him for a couple <strong>of</strong> months, but I know he was playing around<br />

with lovestonite. We can run down there and— But first, comrade, how about a<br />

nightcap?”<br />

Garrett woke from a confused dream <strong>of</strong> a naked Irish girl who was riding tandem<br />

on a swizard with a man with a melancholy and wistful smile. The swizard was <strong>of</strong><br />

the fire-breathing variety, and its breath was searing hot on Garrett’s cheek. The<br />

cheek still burned when he was wide awake and looking up at the multiracial face<br />

<strong>of</strong> Hesketh Uranov.<br />

“Sleep all right? No hangover?”<br />

“None. But I’ve got the damnedest sensation here in my cheek—right where<br />

whatever it was missed me. Do you suppose it was an atomic weapon, and this is<br />

like a radium burn?”<br />

Uranov bent over and stared at the cheek. When he rose he was half-laughing,<br />

half-worried. “I don’t know what we’re getting into,” he said. “I should stick to my<br />

dictotyper and leave melodrama and lovestonite to the W.B.I. or to the … those<br />

friends I mentioned. Because this is nuts. Purely nuts.”<br />

“Yes? What goes?”<br />

“What you received from the new lethal weapon, comrade, is nothing more nor<br />

less than a very nasty patch <strong>of</strong> sunburn.”<br />

II.<br />

Uranov paused on their way to the research lab. “Want to watch ’em shooting? That’s<br />

usually a thrill to the new visitor.”<br />

Garrett rubbed his salved but still burning cheek. “I’ve got thrills enough.”<br />

“Just for a minute. Then you can talk more plausibly when I tell S.B. I’ve just<br />

been showing you around.”<br />

A red light glowed in front <strong>of</strong> one <strong>of</strong> the studios. Their plaques admitted them to<br />

the soundpro<strong>of</strong> observers’ gallery. “This is an interior, <strong>of</strong> course,” Uranov explained.<br />

“Exteriors are all shot outside under dome, some <strong>of</strong> them here at the main plant,<br />

most <strong>of</strong> them on the various locations. You probably saw them from the ship?”<br />

Garrett nodded.<br />

“California’s amazing enough naturally, and after our landscapers went to work—<br />

It’s really extraordinary. We can shoot any possible aspect <strong>of</strong> the world’s surface, and we<br />

have a condensed replica <strong>of</strong> every city <strong>of</strong> any importance, from Novosibirsk to Luna<br />

City. Southern California is the world in miniature; destroy the rest <strong>of</strong> civilization,<br />

and an archaeologist could re-create it all from our locations.” There was a certain<br />

possessive pride in his voice, despite his avowed contempt for Sollywood.<br />

“All the shooting is under dome?”<br />

Uranov nodded. “The cameramen say sunlight through dome is better than<br />

direct, and there are never any delays because <strong>of</strong> weather. The sky clouds over, and<br />

your artificial light comes on automatically at exactly the right strength.”<br />

Garrett looked down at the shooting interior. To judge from sets and costumes,<br />

it was a scene from a glamorous drawing-room comedy—probably the standard plot

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