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boucher book oct28.pdf - Index of

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Rappaccini’s Other Daughter 441<br />

Rappaccini’s Other Daughter<br />

For <strong>of</strong> course that sinister Paduan precursor <strong>of</strong> Mad Scientists, whose story<br />

has been so ably if incompletely related by Mr. Hawthorne, was, though mad,<br />

enough <strong>of</strong> a scientist to keep a control. While he gave out that the beauteous<br />

Beatrice, <strong>of</strong> the loving soul and envenomed breath, was his only daughter, he<br />

was rearing in seclusion the equally beauteous Laura.<br />

And that is why our time machines are not permitted to travel back farther<br />

than the middle <strong>of</strong> the twentieth century.<br />

It had taken Dr. Giacomo Rappaccini some 16 years to rear Beatrice to toxic<br />

perfection, nurturing her on lethal vegetable extracts until the rich balsam<br />

<strong>of</strong> her breath was itself a poison. By the time <strong>of</strong> her regrettable death, this<br />

incunabular toxicologist had learned more rapid methods; was he not able to<br />

produce the same condition in her lover Giovanni in a matter <strong>of</strong> months? It<br />

took even less time to elevate Laura from her position as control to the focal<br />

role in the great (if mad) experiment; soon she, who had ever been as beautiful<br />

as Beatrice, was now also as deadly.<br />

That shallow youth Giovanni Guasconti found himself as facilely and<br />

superficially in love with one baleful beauty as with the other—indeed, with<br />

yet greater ease on this second occasion, since he had been wondering, ever<br />

since he knew himself to be a victim <strong>of</strong> the Rappaccini method, how he was<br />

to discharge the normal impulses <strong>of</strong> youth upon a living object.<br />

All the wedding guests agreed that never had there been a more handsome<br />

couple nor a more splendid wedding, even though the bride’s father eccentrically<br />

enjoined the use <strong>of</strong> masks by all—through which, however, all could still<br />

faintly perceive the dulcet and balsamous breath <strong>of</strong> the pair.<br />

Laura and Giovanni were, though the term was not yet in vogue, the guinea<br />

pigs <strong>of</strong> Dr. Rappaccini. They were also young and eager and Mediterranean,<br />

and like guinea pigs they bred—if not indeed like hurkles.<br />

After a quarter <strong>of</strong> a millennium had passed, in the first half <strong>of</strong> the twentieth<br />

century, the pure Rappaccini-Guasconti strain (under a score <strong>of</strong> advisable<br />

pseudonyms) had spread throughout the earth in such numbers that the<br />

problem <strong>of</strong> integration with ordinary, unscented, non-lethal humanity was an<br />

acute one. During the eighteenth century the women had passed unnoticed<br />

by attaching breath-filters to their face masks; in the nineteenth, the men had<br />

441

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