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358 Brenner, supra.<br />

359 Id.<br />

360 Brenner, supra.<br />

338 ANATOMY OF A MONSTROSITY<br />

361 Eliza Collins, “Les Moonves: Trump’s run is ‘damn good for<br />

CBS,’” Politico (Feb. 29, 2016).<br />

362 Christopher Lehmann-Haupt, “Books of the Times: The Art<br />

of the Deal,” The New York Times (Dec. 7, 1987).<br />

363 Quoted in Hurt, supra note 2, at 138.<br />

364 Judy Klemsrud, “Donald Trump, Real Estate Promoter,<br />

Builds Image as he Buys Buildings,” The New York Times<br />

(Nov. 1, 1976).<br />

365 Quoted in Hurt, supra, at 136.<br />

366 Klemsrud, supra.<br />

367 Glenn Plaskin, “The Playboy Interview: Donald Trump,”<br />

Playboy (1990).<br />

368 Id.<br />

369 Stewart, supra.<br />

370 Yes, the same dynamic plagues this book. Yes, it is inevitable<br />

to some degree, and happens even if one tries to account for<br />

it consciously. No, I am not suggesting nobody ever write<br />

about Trump. However, I do think there are better and worse<br />

ways to cover him, and that some forms of criticism serve his<br />

interests.<br />

371 Jane Mayer, “Donald Trump’s Ghostwriter Tells All,” The<br />

New Yorker (July 25, 2016).<br />

372 Jim Rutenberg, “Megyn Kelly’s Cautionary Tale of Crossing<br />

Donald Trump,” The New York Times (Nov. 22, 2016).<br />

373 See Chris Kelly, “What Donald Trump learned about politics<br />

from pro wrestling,” The Washington Post (Nov. 11, 2016).<br />

374 David Folkenflik, “Decades Later, ‘Spy’ Magazine Founders<br />

Continue to Torment Trump,” NPR Morning Edition (March<br />

7, 2016). See also Bruce Feirstein, “Trump’s War on ‘Losers’:<br />

The Early Years,” Vanity Fair (Aug. 12, 2015).<br />

375 Hurt, supra, at 148.<br />

376 By the way, the Times review of The Art of the Deal was not<br />

wrong that Trump exemplifies the American Dream. But it is<br />

not because Trump is a “Gatsby without flaws.” It is, rather,<br />

because Trump’s career, like the American Dream, is a swin-

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