FUJIFILM X-Pro1 Photographes's Guidebook

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XF18mmF2 R The standard at the time was 50mm lenses, but despite that I decided to buy a camera and lenses for 28mm. Actually I based my choice on pictures I saw in a photographic magazine. I forgot the name of that photograph but I found his work excellent and it was written in the description that he had used a 28mm lens. I could appreciate this particular angle of view because I spent myself years shooting with a 28mm lens. Even when I was using my three Fujinon XF lenses, I first used the XF18mmF2 R, which is 27mm (35mm format equivalent). The compatibility with the X-<strong>Pro1</strong> is amazing. When setting the Hybrid Viewfinder to EVF and looking at an indoor scene, there is almost no barrel distortion in the straight lines of the ceiling, the walls and the doors, even when seen from below. With single lens reflex and compact digital cameras, wide angle distortion often spoils the joy when looking at the viewfinder, but with XF18mmF2 R the scene is clear with no distortion and the enjoyment can reach its peak. Yoichi Sone
XF18mm F2 R Shooting Data Review XF18mmF2 R Program AE(F5 1/150 sec ) -2/3EV WHITE BALANCE / FINE ISO200 FILM SIMULATION / Velvia Vivid
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FUJIFILM X-Pro1 Photographer's Guid
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GalleryPage 5 Photograph of Macau t
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Gallery Photograph of Macau taken b
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Shooting Data Review
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Shooting Data Review Yoichi Sone Yo
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The Allure of the X-Pro1
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The Allure of the X-Pro1 New Dim
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The Allure of the X-Pro1 Aperture
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The Allure of the X-Pro1 New Shut
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The Hybrid Multi Viewfinder The a
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The Hybrid Multi Viewfinder The a
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The Hybrid Multi Viewfinder The Vie
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The Hybrid Multi Viewfinder Display
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The Hybrid Multi Viewfinder Display
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LCD A High-Performance LCD Monitor
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Manual FocusMF In manual focus mod
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Manual FocusMF The Focus Ring Usin
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Custom Setting Saving and Modifying
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Custom Setting Saving and Modifying
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Section Fun with the X-Pro1
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Film Simulation PRO Neg.Std PRO N
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Film Simulation BKTFilm Simulation
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FUJICHROME PROVIA100F PROVIA is the
Page 63 and 64: Film Simulation PROVIA The graffit
Page 65 and 66: Film Simulation PROVIA Our attenti
Page 67 and 68: Velvia100F The Velvia entered the m
Page 69 and 70: Film Simulation Velvia This garden
Page 71 and 72: Film Simulation Velvia Enlarged to
Page 73 and 74: ASTIA 100F ASTIA’s reputation as
Page 75 and 76: Film Simulation ASTIA This mural,
Page 77 and 78: Film Simulation ASTIA The elevator
Page 79 and 80: Film Simulation Shooting Data R
Page 81 and 82: Film Simulation Shooting Data R
Page 83 and 84: Film Simulation Monochrome Monochr
Page 89 and 90: Film Simulation Sepia, a tone pro
Page 91 and 92: Multiple exposure 1. Shoot the fir
Page 93 and 94: Multiple exposure 1. Shoot the fir
Page 95 and 96: ISOISO SensitivityISO ISO sensitiv
Page 97 and 98: ISOISO SensitivityISO ISO sensitiv
Page 99 and 100: Continuous shooting Select CONTINU
Page 101 and 102: White Balance Another Cut You can
Page 103 and 104: Processing RAW Images on the Camera
Page 105 and 106: Recording HD Movies The X-Pro1 mak
Page 107 and 108: XF Lens
Page 109 and 110: Fujinon Lens Its history began in 1
Page 111 and 112: Fujinon Lens Its history began in 1
Page 113: Fujinon Interchangeable lenses: Fuj
Page 117 and 118: XF18mm F2 R XF18mmF2 R Program AE(
Page 119 and 120: XF35mmF1.4 R The 50mm lenses, which
Page 121 and 122: XF35mmF1.4 R A standard lens that
Page 123 and 124: XF35mmF1.4 R The XF35mmF1.4 R is h
Page 125 and 126: XF60mmF2.4 R Macro Shooting Data R
Page 127 and 128: XF60mmF2.4 R Macro Shooting Data
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Page 131 and 132: Interview
Page 133 and 134: Interview in Macao Impressions of u
Page 135 and 136: Interview in Macao Impressions of u
Page 137 and 138: Section Accessories
Page 139 and 140: M MOUNT ADAPTER Fujifilm M mount
Page 141 and 142: M MOUNT ADAPTER Shooting Data Re
Page 143 and 144: M MOUNT ADAPTER Shooting Data Re
Page 145 and 146: M MOUNT ADAPTER Retouching JPEG i
Page 147 and 148: M MOUNT ADAPTER The Leitz Elmar f
Page 149 and 150: Shoe Mount Flash A clip-on flash
Page 151 and 152: Hand Grip A hand grip for more re
Page 153 and 154: Specifications
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FUJIFILM X-Pro1 Photographes's Guidebook

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