FUJIFILM X-Pro1 Photographes's Guidebook

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XF60mmF2.4 R Macro I tried to take portrait with maximum aperture (F2.4) and the result was even greater than the actual angle, giving the impression of a telephoto lens. It’s really an exceptional lens that rendered a sharp and crisp focal plane surrounded by a beautiful blur. When I started photography, I heard that a fashion photographer in New York used to shoot in studio with only one 50mm* macro lens. I think that’s something that lens may also achieve. *35mm format equivalent Shooting Data Review Another Cut 1 Another Cut 2
XF60mmF2.4 R Macro XF60mmF2.4 R Macro Aperture Priority AE(F2.4 1/2900 sec ) +1/3EV WHITE BALANCE / FINE ISO500 FILM SIMULATION / ASTIA SOFT Shooting Data Review Another Cut 1 Another Cut 2
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FUJIFILM X-Pro1 Photographer's Guid
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GalleryPage 5 Photograph of Macau t
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Gallery Photograph of Macau taken b
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Shooting Data Review
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Shooting Data Review Yoichi Sone Yo
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The Allure of the X-Pro1
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The Allure of the X-Pro1 New Dim
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The Allure of the X-Pro1 Aperture
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The Allure of the X-Pro1 New Shut
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The Hybrid Multi Viewfinder The a
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The Hybrid Multi Viewfinder The a
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The Hybrid Multi Viewfinder The Vie
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The Hybrid Multi Viewfinder Display
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The Hybrid Multi Viewfinder Display
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LCD A High-Performance LCD Monitor
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Manual FocusMF In manual focus mod
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Manual FocusMF The Focus Ring Usin
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Custom Setting Saving and Modifying
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Custom Setting Saving and Modifying
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Section Fun with the X-Pro1
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Film Simulation PRO Neg.Std PRO N
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Film Simulation BKTFilm Simulation
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FUJICHROME PROVIA100F PROVIA is the
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Film Simulation PROVIA The graffit
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Film Simulation PROVIA Our attenti
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Velvia100F The Velvia entered the m
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Film Simulation Velvia This garden
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Film Simulation Velvia Enlarged to
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ASTIA 100F ASTIA’s reputation as
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Film Simulation ASTIA This mural,
Page 77 and 78: Film Simulation ASTIA The elevator
Page 79 and 80: Film Simulation Shooting Data R
Page 81 and 82: Film Simulation Shooting Data R
Page 83 and 84: Film Simulation Monochrome Monochr
Page 89 and 90: Film Simulation Sepia, a tone pro
Page 91 and 92: Multiple exposure 1. Shoot the fir
Page 93 and 94: Multiple exposure 1. Shoot the fir
Page 95 and 96: ISOISO SensitivityISO ISO sensitiv
Page 97 and 98: ISOISO SensitivityISO ISO sensitiv
Page 99 and 100: Continuous shooting Select CONTINU
Page 101 and 102: White Balance Another Cut You can
Page 103 and 104: Processing RAW Images on the Camera
Page 105 and 106: Recording HD Movies The X-Pro1 mak
Page 107 and 108: XF Lens
Page 109 and 110: Fujinon Lens Its history began in 1
Page 111 and 112: Fujinon Lens Its history began in 1
Page 113 and 114: Fujinon Interchangeable lenses: Fuj
Page 115 and 116: XF18mm F2 R Shooting Data Review X
Page 117 and 118: XF18mm F2 R XF18mmF2 R Program AE(
Page 119 and 120: XF35mmF1.4 R The 50mm lenses, which
Page 121 and 122: XF35mmF1.4 R A standard lens that
Page 123 and 124: XF35mmF1.4 R The XF35mmF1.4 R is h
Page 125 and 126: XF60mmF2.4 R Macro Shooting Data R
Page 127: XF60mmF2.4 R Macro Shooting Data
Page 131 and 132: Interview
Page 133 and 134: Interview in Macao Impressions of u
Page 135 and 136: Interview in Macao Impressions of u
Page 137 and 138: Section Accessories
Page 139 and 140: M MOUNT ADAPTER Fujifilm M mount
Page 141 and 142: M MOUNT ADAPTER Shooting Data Re
Page 143 and 144: M MOUNT ADAPTER Shooting Data Re
Page 145 and 146: M MOUNT ADAPTER Retouching JPEG i
Page 147 and 148: M MOUNT ADAPTER The Leitz Elmar f
Page 149 and 150: Shoe Mount Flash A clip-on flash
Page 151 and 152: Hand Grip A hand grip for more re
Page 153 and 154: Specifications
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FUJIFILM X-Pro1 Photographes's Guidebook

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