FUJIFILM X-Pro1 Photographes's Guidebook

Film Simulation
Monochrome
Monochrome(Normal)
Monochrome + Yellow filter
Although is the basic black-and-white film
simulation option, the grays of the asphalt and the
washed-out, neutral tones with reduced contrast
in the background give the illusion of an actual
photographic print on Baryta paper.
If I’d been asked what filter I was using back in the
days when the default photographic film was blackand-white,
I would have answered that I usually
used a yellow filter for slightly higher contrast and
firmer blacks. The circle at the center of this light
fixture and the slightly underexposed areas in the
corners provide deeper tones that look as though
they were burned in using darkroom techniques.
Shooting Data
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Shooting Data
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Monochrome + Red filter
Monochrome + Green filter
Red filters are effective in increasing the density
of blue skies and making white clouds stand out.
Although their deep color, which made it difficult to
see shadows when looking through the viewfinder,
was once a drawback, nowadays film simulations
are not displayed in color and photographers are
free take advantage of the high contrast that red
filters can provide.
Green filters capture the skin and lips of portrait
subjects in limpid shades, making portrait
photography and shots of wooden items one
of their basic uses, but they are also put to
work surprisingly frequently in landscape shots
featuring abundant green foliage. In the case of
portraits, film simulation bracketing using ASTIA,
MONOCHROME + G FILTER, and PRO Neg. Std
can produce interesting results.
Shooting Data
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Shooting Data
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