Dissertation
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CHAPTER 1<br />
THE ‘90S TO NOW<br />
The ‘90s saw the rise of grunge rock bands<br />
such as; Nirvana, who defined a generation<br />
with their anti-capitalism ideologies like that of<br />
the punk movement in the 1970s. They rejected<br />
the flamboyance and excess of the 80s preferring<br />
a dishevelled and ‘rawer’ identity to emphasis<br />
their political and socio-economic status. This<br />
anti-capitalism view is distilled in their iconic<br />
cover, Nevermind.<br />
The distribution of music has greatly changed<br />
from 1990s to now. There are different types<br />
of distribution networks and forms that music<br />
packaging takes. Most record covers are now<br />
digitally uploaded and streamed online. This<br />
means that the 12” vinyls, cassette tapes and<br />
CD jewel cases have been shrunk into small,<br />
square pixels to be seen on a smartphone and<br />
other digital interfaces. There is an increased<br />
importance on the musician’s identity and their<br />
use of social media to express the musical content<br />
rather than a vinyl record, cassette tape or CD.<br />
Peter Saville (2003, 496) states that ‘...[graphic<br />
design is] the interface of today’s social and<br />
cultural change, graphic design will continue to<br />
evolve as a reflection of the needs and values<br />
of it’s audience and it’s practitioners.’<br />
Designers who have lived through these changes<br />
in graphic design and art direction are championing<br />
them. Such as designers like Jonathan Barnbrook.<br />
Barnbrook most notably designed the most recent<br />
of David Bowie’s record covers. The record cover,<br />
The Next Day with a monochrome colour palette<br />
and layout for the CD case and printed advertising<br />
allowed the public to play with their own versions<br />
of the record cover.<br />
Barnbrook challenged and grew the same idea<br />
with the last Bowie cover, Blackstar. The simple<br />
black star artwork forms a pattern and language<br />
have been released by Jonathan Barnbrook<br />
and Bowie under the Creative Commons Non<br />
Commercial Share Alike licence. Meaning that<br />
they are accessible to the masses to reproduce<br />
and will become affiliated with the Bowie brand<br />
identity due to the accessibility and meaning<br />
behind the album artwork. This record cover will<br />
be iconic and significant for many decades in the<br />
future due to the success of the collaboration<br />
between musician and designer.<br />
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