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Dissertation

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CHAPTER 1<br />

THE ‘90S TO NOW<br />

The ‘90s saw the rise of grunge rock bands<br />

such as; Nirvana, who defined a generation<br />

with their anti-capitalism ideologies like that of<br />

the punk movement in the 1970s. They rejected<br />

the flamboyance and excess of the 80s preferring<br />

a dishevelled and ‘rawer’ identity to emphasis<br />

their political and socio-economic status. This<br />

anti-capitalism view is distilled in their iconic<br />

cover, Nevermind.<br />

The distribution of music has greatly changed<br />

from 1990s to now. There are different types<br />

of distribution networks and forms that music<br />

packaging takes. Most record covers are now<br />

digitally uploaded and streamed online. This<br />

means that the 12” vinyls, cassette tapes and<br />

CD jewel cases have been shrunk into small,<br />

square pixels to be seen on a smartphone and<br />

other digital interfaces. There is an increased<br />

importance on the musician’s identity and their<br />

use of social media to express the musical content<br />

rather than a vinyl record, cassette tape or CD.<br />

Peter Saville (2003, 496) states that ‘...[graphic<br />

design is] the interface of today’s social and<br />

cultural change, graphic design will continue to<br />

evolve as a reflection of the needs and values<br />

of it’s audience and it’s practitioners.’<br />

Designers who have lived through these changes<br />

in graphic design and art direction are championing<br />

them. Such as designers like Jonathan Barnbrook.<br />

Barnbrook most notably designed the most recent<br />

of David Bowie’s record covers. The record cover,<br />

The Next Day with a monochrome colour palette<br />

and layout for the CD case and printed advertising<br />

allowed the public to play with their own versions<br />

of the record cover.<br />

Barnbrook challenged and grew the same idea<br />

with the last Bowie cover, Blackstar. The simple<br />

black star artwork forms a pattern and language<br />

have been released by Jonathan Barnbrook<br />

and Bowie under the Creative Commons Non<br />

Commercial Share Alike licence. Meaning that<br />

they are accessible to the masses to reproduce<br />

and will become affiliated with the Bowie brand<br />

identity due to the accessibility and meaning<br />

behind the album artwork. This record cover will<br />

be iconic and significant for many decades in the<br />

future due to the success of the collaboration<br />

between musician and designer.<br />

37

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