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• Poynor, R. (2003) Designed by Peter Saville. p223, London: Frieze • Heller, S. and Vienne, V. (2012) 100 ideas that changed graphic design. p160, London: Laurence King. • Heller, S. and Vienne, V. (2012) 100 ideas that changed graphic design. p160, London: Laurence King. • Simpson D. and Barnbrook J. (2016) The Greatest Record Sleeves – as chosen by designers, [Online] Available: https://www.theguardian.com/artanddesign/2016/sep/22/the-greatestrecord-sleeves-as-chosen-by-the-designers. [Accessed: 11th January 2017] • Heller, S. (2010) Pop: how graphic design shapes popular culture. p286, New York: Allworth. • Fiell, C. and Fiell, P. (2003) Graphic design for the 21st century = Grafikdesign im 21. Jahrhundert = Le design graphique au 21e siécle: 100 of the world’s best graphic designers. p580, Ko¨ln: Taschen • Lussenhop J. (2016) Why did Prince change his name to a symbol?, [Online] Available: http://www.bbc.co.uk/news/magazine-36107590. [Accessed: 11th January 2017] • Simpson D. and Nembhard R. (2016) The Greatest Record Sleeves – as chosen by designers, [Online] Available: https://www.theguardian.com/artanddesign/2016/sep/22/the-greatest-recordsleeves-as-chosen-by-the-designers. [Accessed: 11th January 2017] • Kane A. (2016) M/M Paris on 15 years with Björk, [Online] Available http://www.dazeddigital.com/ artsandculture/article/23875/1/m-m-paris-on-15-years-with-bjork • IFPI (2016), Global Statistics, Facts & Stats, [Online] Available: http://www.ifpi.org/ facts-and-stats.php. [Accessed: 11th January 2017] • Heller, S. (2010) Pop: how graphic design shapes popular culture. p225, New York: Allworth. • Heller, S. and Vienne, V. (2012) 100 ideas that changed graphic design. p178, London: Laurence King • Heller, S. (2010) Pop: how graphic design shapes popular culture. p227, New York: Allworth. • Hall, P. and Sagmeister, S. (2009) Sagmeister: made you look. p150, New York: Harry N. Abrams • Fiell, C. and Fiell, P. (2003) Graphic design for the 21st century = Grafikdesign im 21. Jahrhundert = Le design graphique au 21e siécle: 100 of the world’s best graphic designers. p520, Ko¨ln: Taschen • Fiell, C. and Fiell, P. (2003) Graphic design for the 21st century = Grafikdesign im 21. Jahrhundert = Le design graphique au 21e siécle: 100 of the world’s best graphic designers. p348, Ko¨ln: Taschen 72
REFERENCES • Jacobs K. (1994) Looking closer, critical writings on graphic design, Disposability, graphic design, style and waste, p187, New York: Allworth • Jacobs K. (1994) Looking closer, critical writings on graphic design. Disposability, graphic design, style and waste, p187, New York: Allworth • Fiell, C. and Fiell, P. (2003) Graphic design for the 21st century = Grafikdesign im 21. Jahrhundert = Le design graphique au 21e siécle: 100 of the world’s best graphic designers. p410, Ko¨ln: Taschen • Jacobs K. (1994) Looking closer, critical writings on graphic design. Disposability, graphic design, style and waste, p186, New York: Allworth • IFPI (2016) Global Statistics, Facts & Stats, [Online] Available: http://www.ifpi.org/ facts-and-stats.php. [Accessed: 11th January 2017] • IFPI (2016) Global Statistics, Facts & Stats, [Online] Available: http://www.ifpi.org/ facts-and-stats.php. [Accessed: 11th January 2017] • Britton L. (2016) Millennials push 2015 vinyl sales to 26-year high in US [Online] Available: http://www.nme.com/news/music/various-artists-598-1200543. [Accessed: 11th January 2017] • Crow D. (2008) Magic box: craft and the computer, [Online] Available: http://www.eyemagazine. com/feature/article/magic-box-craft-and-the-computer. [Accessed: 11th January 2017]. • Fiell, C. and Fiell, P. (2003) Graphic design for the 21st century = Grafikdesign im 21. Jahrhundert = Le design graphique au 21e siécle: 100 of the world’s best graphic designers. p399, Ko¨ln: Taschen • Frost V. in Fiell, C. and Fiell, P. (2003) Graphic design for the 21st century = Grafikdesign im 21. Jahrhundert = Le design graphique au 21e siécle: 100 of the world’s best graphic designers. p287, Ko¨ln: Taschen • Jessica Walsh: Alles is Play! (2016) The Next Web, 28 May [Online] Available: https://www.youtube.com/watch?v=1HXnu-Gom34 [Accessed: 11th January 2017] • The Next Web and Walsh J. (2016) Jessica Walsh: Alles is Play!, [Online], Available: https://www.youtube.com/watch?v=1HXnu-Gom34. [Accessed: 11th January 2017] • IFPI (2016), Global Statistics, Investment, [Online] Available: http://www.ifpi.org/investment.php. [Accessed: 11th January 2017] • Thorgenson S. in Heller, S. (2010) Pop: how graphic design shapes popular culture. p227, New York: Allworth. 73
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CONTENT • Illustrations 8 • Abs
Page 9:
ILLUSTRATIONS 12. Kirk Weddle, Nirv
Page 15 and 16:
CHAPTER 1 IMPORTANT RECORD COVERS F
Page 17 and 18: CHAPTER 1 THE 1960S The ‘60s had
Page 19 and 20: CHAPTER 1 THE BEATLES Andy Warhol a
Page 21 and 22: Unknown, Doris Day, Day by Day, 195
Page 23 and 24: 27
Page 25 and 26: CHAPTER 1 THE 1970S & THE SEX PISTO
Page 27 and 28: Jamie Reid, Anarchy in the U.K. fan
Page 29 and 30: Stefan Sagmeister, Lou Reed, Set th
Page 31 and 32: CHAPTER 1 VIDEO KILLED THE RADIO ST
Page 33 and 34: CHAPTER 1 THE ‘90S TO NOW The ‘
Page 35: Jonathan Barnbrook, David Bowie, Th
Page 40 and 41: Left - Right: Peter Saville, New Or
Page 42 and 43: Richard Hamilton, The Beatles, The
Page 45 and 46: CHAPTER 3
Page 47 and 48: Mitch Monson and Lizz Luce, Prince,
Page 49 and 50: CHAPTER 3 Another example of a cont
Page 51: 55
Page 54 and 55: A SEA OF INFORMATION With advances
Page 56 and 57: Aspen Plummer, Unknown, Photography
Page 58: EMBRACING VINTAGE The most recent r
Page 61 and 62: CHAPTER 4 Chalotte and Peter Fiell
Page 63 and 64: CHAPTER 4 D.I.Y. CULTURE Aspiring m
Page 67: REFERENCES • Kalman T., Abbott Mi
Page 71: BIOLIOGRAPHY • Kane A. (2016) M/M
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