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Quarterly 4 · 2009 - German Films

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she explains, “but moreover he ensures for the connection between<br />

the individual protagonists.”<br />

It is via these people that viewers gain insights into the film’s guiding<br />

theme: what is happening outside Europe? “These are individuals,<br />

each one wanting the same things from life that we do, and not some<br />

broad, mass storming of our continent,” Fassbender says.<br />

The protagonists in Fremd, whilst individuals in their own right,<br />

reflect the 18 million people who are currently in migration, giving up<br />

one place to move to another. Fassbender was able to win her protagonists’<br />

confidence due to her long and painstaking research, as well<br />

as Fremd’s long shooting period.<br />

It is their flight, waiting in limbo and unexpected situations that determine<br />

the film’s rhythm, just as does the reality of the routes these<br />

refugees from poverty and oppression take. They and their living conditions<br />

stand for Africa’s transformation and the situation at Europe’s<br />

gates.<br />

“It is my intention that the viewers will get to know these people as<br />

people, not as statistics,” Fassbender explains. “And that which is<br />

‘foreign’ becomes, through this knowledge, less so.<br />

SK<br />

Fruehlings Erwachen<br />

Type of Project TV Movie Genre Coming-of-Age Story, Drama,<br />

Theater Production Company teamWorx Television &<br />

Film/Potsdam, for ZDFtheaterkanal/Mainz Producers Christian<br />

Rohde, Jean-Young Kwak Commissioning Editors Wolfgang<br />

Bergmann, Meike Klingenberg Director Nuran David Calis<br />

Screenplay Nuran David Calis, adapted from the play by Frank<br />

Wedekind Director of Photography Bjoern Knechtel Editor<br />

Simon Blasi Music by Vivan Bhatti Production Design Susanne<br />

Abel Principal Cast Wilson Gonzalez Ochsenknecht, Constanze<br />

Waechter, Justus von Dohnányi, Leon A.J. Pfannenmueller, Judith<br />

Rosmair, Leo van Kann, Fridolin Sandmeyer, Kais Setti Casting Nina<br />

Haun Format RED CAM (HD), color, 1:1.78, Stereo Shooting<br />

Language <strong>German</strong> Shooting in Berlin, July – August <strong>2009</strong><br />

Contact<br />

teamWorx Television & Film GmbH <strong>·</strong> Jana Brandes<br />

Dianastrasse 21 <strong>·</strong> 14482 Potsdam/<strong>German</strong>y<br />

phone +49-3 31-70 60 381 <strong>·</strong> fax +49-3 31-70 60 380<br />

email: jana.brandes@teamworx.de<br />

www.teamworx.de<br />

This summer saw producer Christian Rohde of teamWorx<br />

and ZDFtheaterkanal’s Wolfgang Bergmann collaborating<br />

for the fourth time on adapting one of <strong>German</strong>y’s theater classics<br />

after Uwe Janson’s three films based on Bertolt Brecht’s Baal (2003),<br />

Frank Wedekind’s Lulu (2005) and Goethe’s Werther (2008).<br />

The idea of bringing Wedekind’s Spring Awakening (Fruehlings<br />

Erwachen) to the screen came after Rohde was contacted by Nuran<br />

David Calis’ agent who recommended that he see the young<br />

writer-director’s staging of Wedekind’s play at the Schauspiel theater<br />

in Hanover.<br />

“This production has been very successful and is now touring<br />

throughout <strong>German</strong>y,” says Rohde, pointing out that the performance<br />

he attended “was packed with young people who were all<br />

following the play very attentively.”<br />

Rohde and the commissioning editor Meike Klingenberg didn’t<br />

need much convincing that Calis would be the right man to adapt the<br />

play for the ZDFtheaterkanal. A graduate of the Otto Falkenberg<br />

School in Munich, Calis had worked at theaters in Munich, Zurich,<br />

Hamburg and Berlin, produced music videos for hip hop bands, and<br />

has become one of the most talked about directors and writers for<br />

german films quarterly in production<br />

4 <strong>·</strong> <strong>2009</strong> 20<br />

The cast of “Fruehlings Erwachen”<br />

(photo © Jim Rakete)

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