APSMER2017 PROCEEDINGS
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Proceedings of the 11th Asia-Pacific Symposium for Music Education Research<br />
(APSMER 2017) 19th to 21st July 2017, Melaka MALAYSIA<br />
Facilitating Musical Expression as an<br />
Emergent Interaction amongst a<br />
Teacher and Players<br />
Hiroshi Suga<br />
University of Miyazaki<br />
ABSTRACT<br />
The purpose of this study is to get a model of the thinking process of expert<br />
music teachers to facilitate students’ musical expression from a viewpoint of<br />
teaching as improvisation. I videotaped rehearsals of three electric<br />
keyboards ensembles instructed by three expert teachers. I interviewed the<br />
teachers about their thinking about instruction, their impacts to the<br />
performance and assessment for the players whilst reproducing VTRs of their<br />
rehearsals. I also interviewed the keyboard players about their impression of<br />
teachers’ teaching style and their thinking in the rehearsals. I segmented all<br />
of the text data scripted from the VTRs and the recordings of the interviews<br />
by their contents and categorized them from bottom up by using procedure of<br />
the grounded theory approach. None of the three teachers brought definitely<br />
predetermined plans of musical expression as their goal. They mainly<br />
facilitated the players to generate their own ideas of musical expression by<br />
inspiring their imagination with intentionally ambiguous words. They gave<br />
scaffolding support for the players. From these results, I made a model of the<br />
teaching process by an expert teacher for improving musical expression as a<br />
group creation characterized by emergent interaction between a teacher and<br />
players.<br />
Keywords: musical expression, group creativity, emergent interaction.<br />
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