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APSMER2017 PROCEEDINGS

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Proceedings of the 11th Asia-Pacific Symposium for Music Education Research<br />

(APSMER 2017) 19th to 21st July 2017, Melaka MALAYSIA<br />

Facilitating Musical Expression as an<br />

Emergent Interaction amongst a<br />

Teacher and Players<br />

Hiroshi Suga<br />

University of Miyazaki<br />

ABSTRACT<br />

The purpose of this study is to get a model of the thinking process of expert<br />

music teachers to facilitate students’ musical expression from a viewpoint of<br />

teaching as improvisation. I videotaped rehearsals of three electric<br />

keyboards ensembles instructed by three expert teachers. I interviewed the<br />

teachers about their thinking about instruction, their impacts to the<br />

performance and assessment for the players whilst reproducing VTRs of their<br />

rehearsals. I also interviewed the keyboard players about their impression of<br />

teachers’ teaching style and their thinking in the rehearsals. I segmented all<br />

of the text data scripted from the VTRs and the recordings of the interviews<br />

by their contents and categorized them from bottom up by using procedure of<br />

the grounded theory approach. None of the three teachers brought definitely<br />

predetermined plans of musical expression as their goal. They mainly<br />

facilitated the players to generate their own ideas of musical expression by<br />

inspiring their imagination with intentionally ambiguous words. They gave<br />

scaffolding support for the players. From these results, I made a model of the<br />

teaching process by an expert teacher for improving musical expression as a<br />

group creation characterized by emergent interaction between a teacher and<br />

players.<br />

Keywords: musical expression, group creativity, emergent interaction.<br />

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