Beatroute Magazine BC Print Edition - September 2017
BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics. Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120
BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.
Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
COUSIN STIZZ<br />
Cousin Stizz is channeling positivity on his latest release, One Night Only.<br />
GRAEME WIGGINS<br />
At this point it goes without saying<br />
that the internet has really been a<br />
boon for aspiring rap artists. What’s<br />
often neglected in that narrative,<br />
however, is the important role that<br />
establishing yourself in one’s local<br />
scene has to get you to that point.<br />
Cousin Stizz grew up in Dorchester,<br />
which is just outside of Boston, built<br />
a name from himself there and in two<br />
short years has come to established<br />
himself as a solid new artist with a<br />
contender for song of the summer<br />
(“Headlock (ft Quavo)” from his most<br />
recent mixtape One Night Only).<br />
“The internet played a big role in my<br />
success, [especially] after the tape<br />
[Suffolk County],” he explains. “I was<br />
relatively popular in my city before<br />
that. I knew a lot of people; I was just a<br />
cool guy [who] built a niche to myself.<br />
People around the city just kind of<br />
gravitated towards me because they<br />
knew me and who I was.”<br />
This is impressive given the relative<br />
lack of scene in his area. “There wasn’t<br />
really a rap scene there. I guess there<br />
was like years ago, like 20 years ago.<br />
But besides that, when we started<br />
there wasn’t anybody.” With important<br />
online platform Soundcloud in dire<br />
financial troubles, one Stizz used<br />
to build his following and share his<br />
music, it will be harder for future<br />
aspiring rappers to have the same story<br />
arc. In his words, “It sucks. Without<br />
Soundcloud there’s no Cousin Stizz.<br />
Without Soundcloud there’s no a lot<br />
of artists; there’s not a Playboi Carti,<br />
there’s not a Chance the Rapper. It was<br />
a platform for a lot of kids to make<br />
money so it kind of sucks.”<br />
His latest tape, One Night Only, is<br />
step more positive than his first tape,<br />
Suffolk County. His music has always<br />
had a laid back vibe, possibly due<br />
to the music his parents listened to<br />
growing up. ”My parents only listened<br />
to music, there was TV but not much<br />
of it. I watched my cartoons and shit<br />
but if my dad wasn’t watching Sports<br />
Centre, music was on in the house.<br />
Same with my mom, she didn’t watch<br />
much TV either.” And much of that<br />
music was pretty chill, “Erykah Badu,<br />
Tribe Called Quest, Slum Village, all of<br />
that kind of stuff.”<br />
It’s also reflective of where he is in<br />
life and his career right now. “That’s the<br />
kind of guy I am. All my music reflects<br />
the time of my life that I’m in; all of<br />
my music is my life. That’s a perfect<br />
description of where I’m at these days.<br />
I’ve always been a laid back guy. I’m in<br />
LA now; I’m feeding myself; I can pay<br />
my mom’s bills. I’m in a good space<br />
and it reflects that.”<br />
Being in LA in particular seems to<br />
have a positive effect in him, giving<br />
him the right atmosphere and scenery<br />
to keep the laid back vibe strong. “My<br />
career, the way things were going at<br />
the time. The energy out here. The<br />
mountains, the scenery, that shit<br />
inspires me. The ocean. I’m from<br />
Boston, we don’t have the mountains<br />
like that. When I first came out here,<br />
the first thing that stuck out to me was<br />
that this place looks like a movie and<br />
it got me in a good space to start the<br />
project. I didn’t come out to kick it,<br />
you know, I came out to work. I spend<br />
a lot of time in the house. You need<br />
those breaks, just being out, being<br />
inspired.”<br />
If mountains help inspire Stizz to<br />
better and more positive things, his<br />
show in Vancouver, on his first tour<br />
as a headlined, should be the stuff of<br />
legend (or at least a pretty amazing<br />
party).<br />
Catch Cousin Stizz live at the Biltmore<br />
Cabaret <strong>September</strong> 15.<br />
photo by Jonna Algarin<br />
BONOBO<br />
master of migration keeps on moving<br />
VANESSA TAM<br />
No stranger to Vancouver, British<br />
musician, producer and DJ Bonobo can<br />
often be seen playing either a DJ set or<br />
with a live band at least two or three<br />
times a year if not more.<br />
Known to his mates as Simon Green,<br />
the Ninja Tune signee has always had a<br />
personal connection with our little city<br />
photo by Neil Krug<br />
A travellin’ man, Bonobo AKA Simon Green has a special place in his heart<br />
for Canada.<br />
nestled between the mountains and<br />
the ocean. “I used to come to out to<br />
Vancouver kind of from day one really,”<br />
Green shares. “I think it was because<br />
I was touring with Amon Tobin and<br />
some of the [other] Ninja Tune people<br />
who had a very strong presence in<br />
Canada at the time. Ninja Tune [also]<br />
had an office in Montreal at the time<br />
so Canada was always, you know<br />
outside of the UK, it was always the<br />
place that I would come touring most<br />
often back in those days. I [actually]<br />
think I’ve come [back] to Vancouver<br />
more times than [I have] to most cities<br />
in the UK.”<br />
A master of downtempo electronic<br />
beats with applications of live<br />
instruments and drums, Green also has<br />
an incredible work ethic when it comes<br />
to touring. Travelling for nearly 18<br />
months total promoting his last album<br />
The North Borders, Green shows no<br />
signs of slowing down for his latest<br />
release, Migration.<br />
“I’ve always toured really heavily<br />
and I guess it’s just something that<br />
I’ve done since the beginning,” he<br />
mentions. “I kind of said that on this<br />
record I wasn’t going to tour as much<br />
as the last one, but it just ended up<br />
being the same amount again. I think<br />
because [the record is] doing so well,<br />
it’s kind of easier to tour [because]<br />
touring becomes a little bit more<br />
comfortable. [Like if I was] driving<br />
around in a van playing to no one<br />
every night I would’ve given up a long<br />
time ago, but the fact that it’s a good<br />
[album] for touring and it’s a good<br />
show and it’s like everybody in the<br />
crew is like super cool, it just makes<br />
[everything] easier.”<br />
True to the title of his last album,<br />
Green produced most of Migration<br />
on the road from a laptop which<br />
was a relatively new experience for<br />
the producer. “I think the point that<br />
I was making [with that choice to<br />
work on the album from the road]<br />
was more [about how] I find it’s more<br />
inspiring to just sort of be in different<br />
environments instead of being in the<br />
same studio environment every day,”<br />
Green shares. “Your ideas can sort of<br />
start slowing down a little bit [when<br />
you’re in a studio environment,]<br />
but when you’re out [and getting]<br />
stimulation from the world everywhere<br />
and you use that opportunity in<br />
headspace for ideas.”<br />
Bonobo performs at Malkin Bowl with<br />
his live band on <strong>September</strong> 15.<br />
28<br />
<strong>September</strong> <strong>2017</strong>