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Beatroute Magazine BC Print Edition - September 2017

BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics. Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120

BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.

Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120

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COUSIN STIZZ<br />

Cousin Stizz is channeling positivity on his latest release, One Night Only.<br />

GRAEME WIGGINS<br />

At this point it goes without saying<br />

that the internet has really been a<br />

boon for aspiring rap artists. What’s<br />

often neglected in that narrative,<br />

however, is the important role that<br />

establishing yourself in one’s local<br />

scene has to get you to that point.<br />

Cousin Stizz grew up in Dorchester,<br />

which is just outside of Boston, built<br />

a name from himself there and in two<br />

short years has come to established<br />

himself as a solid new artist with a<br />

contender for song of the summer<br />

(“Headlock (ft Quavo)” from his most<br />

recent mixtape One Night Only).<br />

“The internet played a big role in my<br />

success, [especially] after the tape<br />

[Suffolk County],” he explains. “I was<br />

relatively popular in my city before<br />

that. I knew a lot of people; I was just a<br />

cool guy [who] built a niche to myself.<br />

People around the city just kind of<br />

gravitated towards me because they<br />

knew me and who I was.”<br />

This is impressive given the relative<br />

lack of scene in his area. “There wasn’t<br />

really a rap scene there. I guess there<br />

was like years ago, like 20 years ago.<br />

But besides that, when we started<br />

there wasn’t anybody.” With important<br />

online platform Soundcloud in dire<br />

financial troubles, one Stizz used<br />

to build his following and share his<br />

music, it will be harder for future<br />

aspiring rappers to have the same story<br />

arc. In his words, “It sucks. Without<br />

Soundcloud there’s no Cousin Stizz.<br />

Without Soundcloud there’s no a lot<br />

of artists; there’s not a Playboi Carti,<br />

there’s not a Chance the Rapper. It was<br />

a platform for a lot of kids to make<br />

money so it kind of sucks.”<br />

His latest tape, One Night Only, is<br />

step more positive than his first tape,<br />

Suffolk County. His music has always<br />

had a laid back vibe, possibly due<br />

to the music his parents listened to<br />

growing up. ”My parents only listened<br />

to music, there was TV but not much<br />

of it. I watched my cartoons and shit<br />

but if my dad wasn’t watching Sports<br />

Centre, music was on in the house.<br />

Same with my mom, she didn’t watch<br />

much TV either.” And much of that<br />

music was pretty chill, “Erykah Badu,<br />

Tribe Called Quest, Slum Village, all of<br />

that kind of stuff.”<br />

It’s also reflective of where he is in<br />

life and his career right now. “That’s the<br />

kind of guy I am. All my music reflects<br />

the time of my life that I’m in; all of<br />

my music is my life. That’s a perfect<br />

description of where I’m at these days.<br />

I’ve always been a laid back guy. I’m in<br />

LA now; I’m feeding myself; I can pay<br />

my mom’s bills. I’m in a good space<br />

and it reflects that.”<br />

Being in LA in particular seems to<br />

have a positive effect in him, giving<br />

him the right atmosphere and scenery<br />

to keep the laid back vibe strong. “My<br />

career, the way things were going at<br />

the time. The energy out here. The<br />

mountains, the scenery, that shit<br />

inspires me. The ocean. I’m from<br />

Boston, we don’t have the mountains<br />

like that. When I first came out here,<br />

the first thing that stuck out to me was<br />

that this place looks like a movie and<br />

it got me in a good space to start the<br />

project. I didn’t come out to kick it,<br />

you know, I came out to work. I spend<br />

a lot of time in the house. You need<br />

those breaks, just being out, being<br />

inspired.”<br />

If mountains help inspire Stizz to<br />

better and more positive things, his<br />

show in Vancouver, on his first tour<br />

as a headlined, should be the stuff of<br />

legend (or at least a pretty amazing<br />

party).<br />

Catch Cousin Stizz live at the Biltmore<br />

Cabaret <strong>September</strong> 15.<br />

photo by Jonna Algarin<br />

BONOBO<br />

master of migration keeps on moving<br />

VANESSA TAM<br />

No stranger to Vancouver, British<br />

musician, producer and DJ Bonobo can<br />

often be seen playing either a DJ set or<br />

with a live band at least two or three<br />

times a year if not more.<br />

Known to his mates as Simon Green,<br />

the Ninja Tune signee has always had a<br />

personal connection with our little city<br />

photo by Neil Krug<br />

A travellin’ man, Bonobo AKA Simon Green has a special place in his heart<br />

for Canada.<br />

nestled between the mountains and<br />

the ocean. “I used to come to out to<br />

Vancouver kind of from day one really,”<br />

Green shares. “I think it was because<br />

I was touring with Amon Tobin and<br />

some of the [other] Ninja Tune people<br />

who had a very strong presence in<br />

Canada at the time. Ninja Tune [also]<br />

had an office in Montreal at the time<br />

so Canada was always, you know<br />

outside of the UK, it was always the<br />

place that I would come touring most<br />

often back in those days. I [actually]<br />

think I’ve come [back] to Vancouver<br />

more times than [I have] to most cities<br />

in the UK.”<br />

A master of downtempo electronic<br />

beats with applications of live<br />

instruments and drums, Green also has<br />

an incredible work ethic when it comes<br />

to touring. Travelling for nearly 18<br />

months total promoting his last album<br />

The North Borders, Green shows no<br />

signs of slowing down for his latest<br />

release, Migration.<br />

“I’ve always toured really heavily<br />

and I guess it’s just something that<br />

I’ve done since the beginning,” he<br />

mentions. “I kind of said that on this<br />

record I wasn’t going to tour as much<br />

as the last one, but it just ended up<br />

being the same amount again. I think<br />

because [the record is] doing so well,<br />

it’s kind of easier to tour [because]<br />

touring becomes a little bit more<br />

comfortable. [Like if I was] driving<br />

around in a van playing to no one<br />

every night I would’ve given up a long<br />

time ago, but the fact that it’s a good<br />

[album] for touring and it’s a good<br />

show and it’s like everybody in the<br />

crew is like super cool, it just makes<br />

[everything] easier.”<br />

True to the title of his last album,<br />

Green produced most of Migration<br />

on the road from a laptop which<br />

was a relatively new experience for<br />

the producer. “I think the point that<br />

I was making [with that choice to<br />

work on the album from the road]<br />

was more [about how] I find it’s more<br />

inspiring to just sort of be in different<br />

environments instead of being in the<br />

same studio environment every day,”<br />

Green shares. “Your ideas can sort of<br />

start slowing down a little bit [when<br />

you’re in a studio environment,]<br />

but when you’re out [and getting]<br />

stimulation from the world everywhere<br />

and you use that opportunity in<br />

headspace for ideas.”<br />

Bonobo performs at Malkin Bowl with<br />

his live band on <strong>September</strong> 15.<br />

28<br />

<strong>September</strong> <strong>2017</strong>

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