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Beatroute Magazine BC Print Edition - September 2017

BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics. Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120

BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.

Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120

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Peter Ricq, director of Dead Shack<br />

HOGAN SHORT<br />

Peter Ricq is a multifaceted artist<br />

living in Vancouver who, according<br />

to his level of output, never sleeps<br />

or slows down. As one half of<br />

the electronic duo Humans and<br />

frontperson for the dark and<br />

brooding new wave project Gang<br />

Signs, his musical chops are very<br />

frequently exercised. But in addition<br />

to performing, Ricq is also about to<br />

make his first directorial debut at<br />

the Vancouver International Film<br />

Festival for his live action horror<br />

comedy feature, Dead Shack. He’s<br />

been travelling around the world for<br />

various premieres since June, but we<br />

caught up with him for a quick chat<br />

about his wild ride before Dead Shack<br />

bludgeons its hometown audience<br />

with one impaling swoop.<br />

BeatRoute: Hi, how are you?<br />

Peter Ricq: I’m good! Thanks!<br />

BR: What are your feelings on<br />

premiering your directorial debut at<br />

VIFF this year?<br />

PR: It’s nice, feels great. I’m really<br />

happy to finally see it with the people<br />

who have worked on the film. We<br />

haven’t had the time or finance to do<br />

a cast and crew screening so this will<br />

be the first time everyone gets to see<br />

the film. I can’t wait.<br />

BR: Dead Shack has kids swearing and<br />

killing (undead) adults, which has<br />

never really been done, even though<br />

it makes perfect sense. What gave<br />

you and the rest of the writing team<br />

— Phil Ivanusic and Davila LeBlanc<br />

— the initial idea for this story?<br />

PR: I wrote the outline to the film<br />

after watching the Fright Night<br />

Peter Ricq is presenting his directorial debut, Dead Shack, at VIFF this<br />

month.<br />

remake about 5 years ago. That film<br />

just reminded me of how much I like<br />

fun horrors starring a young cast like<br />

Monster Squad, Goonies and Stand<br />

by Me. I wanted to make a film of that<br />

style for our generation. As a kid, I<br />

always wanted the gore to be pushed<br />

further and the swearing to be more<br />

like how I expressed myself with my<br />

friends at that age. It was just a natural<br />

thing to do and go into that direction.<br />

When I presented the film to Phil and<br />

Dav, we had some arguments on some<br />

story elements but never about the<br />

tone or direction of the film. I think<br />

we all felt like kids swearing and killing<br />

people was 100 per cent going to be<br />

part of the film.<br />

BR: The original score was done by<br />

your own band, Humans. How did<br />

that creative process differ from what<br />

you are musically accustomed to?<br />

PR: I had a good idea from the start<br />

and had a bunch references from films<br />

I liked — ALIENS, The Thing, Tron<br />

(Daft Punk), Assault on Precinct 13<br />

(Carpenter), Fargo (TV show) and so<br />

on. Wrote about 40 tracks in 10 days<br />

then in January I would edit the film<br />

with the editor in the morning then<br />

go see Jason Corbett at Jacknife Sound<br />

and re-record with him the samples<br />

we thought could sound better, then<br />

go back to the editing room at night.<br />

I wanted real strings in the film and<br />

asked Dougal Bain McLean if he was<br />

interested in contributing to the score<br />

and he agreed. I sent him 40 tracks<br />

and he sent me multiple strings for<br />

every track! He really helped in turning<br />

this into what it became.<br />

BR: How has the festival circuit<br />

treated you and your movie?<br />

PR: The response has been very<br />

positive. We even won the Silver prize<br />

for best Canadian film at this year’s<br />

FANTASIA film festival in Montreal.<br />

I just got back from London Fright<br />

Fest and many people have come up<br />

to me telling me it was one of their<br />

favourite films at the fest. The day<br />

after its UK premiere, which we had<br />

900 people attend and watch it on an<br />

IMAX screen (SOOOO BIIIG!), I woke<br />

up to so many positive tweets about<br />

how much the audience enjoyed Dead<br />

Shack.<br />

BR: Have there been more screams<br />

or more laughs from the audience?<br />

Are you trying to get both evenly?<br />

PR: The movie has a few scares but it’s<br />

more of a gore zombie film with a lot of<br />

comedy. Think of films like Evil Dead 2<br />

and Gremlins, more in that vein.<br />

BR: What do you hope to hear<br />

people say as they walk out of the<br />

theatre after seeing Dead Shack?<br />

PR: I want my art to entertain people.<br />

That’s what I try to do with my music,<br />

my illustrations and my films. I want<br />

people to come out and say “I had a<br />

great time, that was fun!”<br />

BR: Has filmmaking always been<br />

something that appealed to you?<br />

Are there any other scripts in the<br />

works?<br />

PR: Yeah, that was always the goal. I<br />

started doing comics because I knew<br />

it would help me with my storytelling,<br />

then moved from that to animated<br />

films, then that to live action music<br />

videos and then movies! So the goal<br />

was always to be a filmmaker in the<br />

end. I have several films in the script<br />

stage; a vampire film that I’m writing<br />

with a local Vancouverite, Zlatina<br />

Pacheva. The film is somewhat like<br />

Superbad meets Fright Night. I’m<br />

working on turning my graphic novel,<br />

Once Our Land, into an animated<br />

feature film with Philippe Ivanusic.<br />

Phil, Dav and I are working on another<br />

live action film that is a marriage of<br />

Dazed and Confuzed and The Thing.<br />

BR: What is a film you saw lately<br />

that really spoke to you as a<br />

filmmaker and maybe even inspired<br />

you in some way?<br />

PR: I really enjoyed It Comes at Night; it’s<br />

an amazing film. Anything A24 does is<br />

simply brilliant. A24 also did one of the<br />

best westerns I’ve ever seen called Slow<br />

West starring Michael Fassbender, who<br />

also produced the film. Super recently, I<br />

thought the new Spiderman was highly<br />

entertaining. I also loved the Fargo<br />

television series and I adored Preacher<br />

Season 2. I’m obviously really excited<br />

about Stranger Things Season Two.<br />

HUMANS is performing at Thrive AIDS<br />

Walk Sept. 16 at the Malkin Bowl, Gang<br />

Signs is performing at Westward Fest on<br />

Sept 14 and Rifflandia (Victoria) Sept<br />

15. Dead Shack will be screening as<br />

part of VIFF. Visit www.viff.org for dates<br />

and times.<br />

4<br />

<strong>September</strong> <strong>2017</strong>

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