Beatroute Magazine BC Print Edition - September 2017
BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics. Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120
BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.
Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
Peter Ricq, director of Dead Shack<br />
HOGAN SHORT<br />
Peter Ricq is a multifaceted artist<br />
living in Vancouver who, according<br />
to his level of output, never sleeps<br />
or slows down. As one half of<br />
the electronic duo Humans and<br />
frontperson for the dark and<br />
brooding new wave project Gang<br />
Signs, his musical chops are very<br />
frequently exercised. But in addition<br />
to performing, Ricq is also about to<br />
make his first directorial debut at<br />
the Vancouver International Film<br />
Festival for his live action horror<br />
comedy feature, Dead Shack. He’s<br />
been travelling around the world for<br />
various premieres since June, but we<br />
caught up with him for a quick chat<br />
about his wild ride before Dead Shack<br />
bludgeons its hometown audience<br />
with one impaling swoop.<br />
BeatRoute: Hi, how are you?<br />
Peter Ricq: I’m good! Thanks!<br />
BR: What are your feelings on<br />
premiering your directorial debut at<br />
VIFF this year?<br />
PR: It’s nice, feels great. I’m really<br />
happy to finally see it with the people<br />
who have worked on the film. We<br />
haven’t had the time or finance to do<br />
a cast and crew screening so this will<br />
be the first time everyone gets to see<br />
the film. I can’t wait.<br />
BR: Dead Shack has kids swearing and<br />
killing (undead) adults, which has<br />
never really been done, even though<br />
it makes perfect sense. What gave<br />
you and the rest of the writing team<br />
— Phil Ivanusic and Davila LeBlanc<br />
— the initial idea for this story?<br />
PR: I wrote the outline to the film<br />
after watching the Fright Night<br />
Peter Ricq is presenting his directorial debut, Dead Shack, at VIFF this<br />
month.<br />
remake about 5 years ago. That film<br />
just reminded me of how much I like<br />
fun horrors starring a young cast like<br />
Monster Squad, Goonies and Stand<br />
by Me. I wanted to make a film of that<br />
style for our generation. As a kid, I<br />
always wanted the gore to be pushed<br />
further and the swearing to be more<br />
like how I expressed myself with my<br />
friends at that age. It was just a natural<br />
thing to do and go into that direction.<br />
When I presented the film to Phil and<br />
Dav, we had some arguments on some<br />
story elements but never about the<br />
tone or direction of the film. I think<br />
we all felt like kids swearing and killing<br />
people was 100 per cent going to be<br />
part of the film.<br />
BR: The original score was done by<br />
your own band, Humans. How did<br />
that creative process differ from what<br />
you are musically accustomed to?<br />
PR: I had a good idea from the start<br />
and had a bunch references from films<br />
I liked — ALIENS, The Thing, Tron<br />
(Daft Punk), Assault on Precinct 13<br />
(Carpenter), Fargo (TV show) and so<br />
on. Wrote about 40 tracks in 10 days<br />
then in January I would edit the film<br />
with the editor in the morning then<br />
go see Jason Corbett at Jacknife Sound<br />
and re-record with him the samples<br />
we thought could sound better, then<br />
go back to the editing room at night.<br />
I wanted real strings in the film and<br />
asked Dougal Bain McLean if he was<br />
interested in contributing to the score<br />
and he agreed. I sent him 40 tracks<br />
and he sent me multiple strings for<br />
every track! He really helped in turning<br />
this into what it became.<br />
BR: How has the festival circuit<br />
treated you and your movie?<br />
PR: The response has been very<br />
positive. We even won the Silver prize<br />
for best Canadian film at this year’s<br />
FANTASIA film festival in Montreal.<br />
I just got back from London Fright<br />
Fest and many people have come up<br />
to me telling me it was one of their<br />
favourite films at the fest. The day<br />
after its UK premiere, which we had<br />
900 people attend and watch it on an<br />
IMAX screen (SOOOO BIIIG!), I woke<br />
up to so many positive tweets about<br />
how much the audience enjoyed Dead<br />
Shack.<br />
BR: Have there been more screams<br />
or more laughs from the audience?<br />
Are you trying to get both evenly?<br />
PR: The movie has a few scares but it’s<br />
more of a gore zombie film with a lot of<br />
comedy. Think of films like Evil Dead 2<br />
and Gremlins, more in that vein.<br />
BR: What do you hope to hear<br />
people say as they walk out of the<br />
theatre after seeing Dead Shack?<br />
PR: I want my art to entertain people.<br />
That’s what I try to do with my music,<br />
my illustrations and my films. I want<br />
people to come out and say “I had a<br />
great time, that was fun!”<br />
BR: Has filmmaking always been<br />
something that appealed to you?<br />
Are there any other scripts in the<br />
works?<br />
PR: Yeah, that was always the goal. I<br />
started doing comics because I knew<br />
it would help me with my storytelling,<br />
then moved from that to animated<br />
films, then that to live action music<br />
videos and then movies! So the goal<br />
was always to be a filmmaker in the<br />
end. I have several films in the script<br />
stage; a vampire film that I’m writing<br />
with a local Vancouverite, Zlatina<br />
Pacheva. The film is somewhat like<br />
Superbad meets Fright Night. I’m<br />
working on turning my graphic novel,<br />
Once Our Land, into an animated<br />
feature film with Philippe Ivanusic.<br />
Phil, Dav and I are working on another<br />
live action film that is a marriage of<br />
Dazed and Confuzed and The Thing.<br />
BR: What is a film you saw lately<br />
that really spoke to you as a<br />
filmmaker and maybe even inspired<br />
you in some way?<br />
PR: I really enjoyed It Comes at Night; it’s<br />
an amazing film. Anything A24 does is<br />
simply brilliant. A24 also did one of the<br />
best westerns I’ve ever seen called Slow<br />
West starring Michael Fassbender, who<br />
also produced the film. Super recently, I<br />
thought the new Spiderman was highly<br />
entertaining. I also loved the Fargo<br />
television series and I adored Preacher<br />
Season 2. I’m obviously really excited<br />
about Stranger Things Season Two.<br />
HUMANS is performing at Thrive AIDS<br />
Walk Sept. 16 at the Malkin Bowl, Gang<br />
Signs is performing at Westward Fest on<br />
Sept 14 and Rifflandia (Victoria) Sept<br />
15. Dead Shack will be screening as<br />
part of VIFF. Visit www.viff.org for dates<br />
and times.<br />
4<br />
<strong>September</strong> <strong>2017</strong>