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Beatroute Magazine BC Print Edition - September 2017

BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics. Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120

BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.

Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120

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LA VIDA LOCAL<br />

homegrown Vancouver music releases<br />

Sore Points<br />

Don’t Want To<br />

Hosehead Records<br />

Vancouver’s newest brats-on-the-beat get straight<br />

to the point and pull the trigger on four tightly<br />

wound tracks weaned on Bloodstains compilations<br />

and beer-stained dance floors on their debut<br />

platter. The bonding of ex-Nervous Talk rhythm<br />

section Shane Grass and Trevor Racz with Spectres<br />

guitar slinger Mitch Allen has birthed a mighty<br />

beast bent on delivering, short, loud ‘n’ snotty<br />

earworms like “Still Standing” and “Be Alone.” The<br />

band throws some tricks in the mix, especially<br />

on the “Be Alone” where the band resurrects<br />

the sound of early-period New Bomb Turks’<br />

raunch’n’roll. The title track will have you wishing<br />

you were pogoing with your pals at Mabuhay<br />

Gardens circa ’81. Finishing off with a cover of the<br />

classic Dogs cut “Algomania”, the pleasure in pain<br />

you will feel is your arms getting sore from flippin’<br />

this bad boy over repeatedly on the turntable. You<br />

need this.<br />

• Bryce Dunn<br />

Bad Hoo/The Scrunt Brothers<br />

HaHa Munny<br />

Velvet Rut Records<br />

Victoria music dynamos Bad Hoo and the Scrunt<br />

Brothers split their joint vinyl, HaHa Munny, into<br />

two equally rollicking parts between the two<br />

of them, and the result is nothing short of an<br />

unabashedly good time. Bad Hoo brings the toetapping,<br />

knee-shaking, no-brakes tracks “Talk, Talk,<br />

Talk” and “Surf n’ Onions”. The four-piece band<br />

bleeds exuberance, their sound one big clashing,<br />

in-your-face earworm; their performance leaves you<br />

pining to see them live. The Scrunt Brothers slow<br />

the tempo down a fraction, orbiting more around<br />

the slow-build of their off-the-cuff punk ambiance.<br />

Tracks “Fool’s Dilemma” and “Harsh Reality” are a<br />

brand of garage so dirty that they’ll leave grime in<br />

the lines of your palms, and you’ll love every second<br />

of it— with their raspy vocals, easygoing riffs,<br />

and head-tossing choruses, this 7” is that sweaty<br />

summer vinyl you’ve been craving.<br />

• Emma Sloan<br />

Highland Eyeway<br />

Dark Waters/Xen<br />

Independent<br />

Swarthy. Riff-heavy. Dynamic. — All descriptors<br />

of Vancouver-based band Highland Eyeway’s<br />

new single, Dark Waters/Xen. Highland Eyeway<br />

has been shaking up the Vancouver music scene<br />

with their brand of atmospheric rock since 2014.<br />

A melodiously discordant, instrumental-based<br />

pair of tracks, Dark Waters/Xen crescendos from<br />

blistering guitar work and throaty vocals in “Dark<br />

Waters” into a hurricane of a head-banger that only<br />

soars higher in “Xen.” The result? A release that is<br />

as captivating as it is well-crafted. If you’re craving<br />

kaleidoscopic, trancelike rock that other modern<br />

bands just aren’t giving you, then look no further—<br />

Highway Eyeland is here, and they’re delivering.<br />

• Emma Sloan<br />

2 Chainz<br />

Commodore Ballroom<br />

August 18, <strong>2017</strong><br />

photo by Galen Exo<br />

2 Chainz is a name that boasts a lot of traction<br />

among modern hip-hop fans. The wildly popular<br />

trap artist from Atlanta sold out the 1000-person<br />

capacity Commodore Ballroom in advance of<br />

his show on August 18. As well, hundreds of<br />

people arrived much earlier than the concert’s<br />

start time at 9:30 pm in anticipation of 2 Chainz’s<br />

performance.<br />

However, no one performed at 9:30. Instead,<br />

the DJ played music for about an hour before a<br />

local hip-hop artist jumped on stage to try to<br />

stop the awkward delay. Unfortunately for the<br />

opener, the crowd was anxious about 2 Chainz’s<br />

absence and spared the rapper little attention.<br />

The curtains finally rose after 11:00 pm at the<br />

Commodore to reveal the “Trap Choir” (a set of<br />

three R&B singers) to kick off 2 Chainz’s show<br />

for the night. After a minute or two of soothing<br />

music, a sexy nurse rolled 2 Chainz on stage in a<br />

pink wheelchair. But, the wheelchair and nurse<br />

were not gimmicks, and 2 Chainz never took a<br />

step on stage that night.<br />

Not long after 2 Chainz started his Pretty<br />

Girls Love Trap Music tour, he broke his leg and<br />

underwent surgery to repair it. 2 Chainz’s doctors<br />

even advised him to cancel his tour. Instead, after<br />

2 Chainz somewhat recovered from his injury,<br />

he called his management and found a way to<br />

continue his tour without the use of his legs.<br />

Even with 2 Chainz’s lengthy delay and injury,<br />

the crowd was incredibly enthusiastic and<br />

receptive to the hip-hop artist’s revised concert. 2<br />

Chainz kicked off his concert with the trap-heavy<br />

“Riverdale Road” from his new album Pretty Girls<br />

Love Trap Music, before going into other songs<br />

off the same album such as “Big Amount”, “It’s a<br />

Vibe” and “Saturday Night”. However, 2 Chainz<br />

didn’t stray too far from his previous work and<br />

touched on several songs from B.O.A.T.S. II, and<br />

COLLEGROVE.<br />

To 2 Chainz’s credit, he found a way to utilize<br />

his condition and creatively alter the presentation<br />

of his concert. While 2 Chainz himself was not<br />

mobile, his backup dancers, nurses, and choir<br />

singers stepped in to fill the void that was<br />

meant to be occupied by the 6’5” trap artist.<br />

Furthermore, even in his condition, 2 Chainz still<br />

communicated effectively with his fans and had<br />

tremendous energy in his delivery throughout<br />

his set.<br />

• Zak Johnson<br />

<strong>September</strong> <strong>2017</strong> 36

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