Beatroute Magazine BC Print Edition - September 2017
BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics. Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120
BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.
Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120
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LA VIDA LOCAL<br />
homegrown Vancouver music releases<br />
Sore Points<br />
Don’t Want To<br />
Hosehead Records<br />
Vancouver’s newest brats-on-the-beat get straight<br />
to the point and pull the trigger on four tightly<br />
wound tracks weaned on Bloodstains compilations<br />
and beer-stained dance floors on their debut<br />
platter. The bonding of ex-Nervous Talk rhythm<br />
section Shane Grass and Trevor Racz with Spectres<br />
guitar slinger Mitch Allen has birthed a mighty<br />
beast bent on delivering, short, loud ‘n’ snotty<br />
earworms like “Still Standing” and “Be Alone.” The<br />
band throws some tricks in the mix, especially<br />
on the “Be Alone” where the band resurrects<br />
the sound of early-period New Bomb Turks’<br />
raunch’n’roll. The title track will have you wishing<br />
you were pogoing with your pals at Mabuhay<br />
Gardens circa ’81. Finishing off with a cover of the<br />
classic Dogs cut “Algomania”, the pleasure in pain<br />
you will feel is your arms getting sore from flippin’<br />
this bad boy over repeatedly on the turntable. You<br />
need this.<br />
• Bryce Dunn<br />
Bad Hoo/The Scrunt Brothers<br />
HaHa Munny<br />
Velvet Rut Records<br />
Victoria music dynamos Bad Hoo and the Scrunt<br />
Brothers split their joint vinyl, HaHa Munny, into<br />
two equally rollicking parts between the two<br />
of them, and the result is nothing short of an<br />
unabashedly good time. Bad Hoo brings the toetapping,<br />
knee-shaking, no-brakes tracks “Talk, Talk,<br />
Talk” and “Surf n’ Onions”. The four-piece band<br />
bleeds exuberance, their sound one big clashing,<br />
in-your-face earworm; their performance leaves you<br />
pining to see them live. The Scrunt Brothers slow<br />
the tempo down a fraction, orbiting more around<br />
the slow-build of their off-the-cuff punk ambiance.<br />
Tracks “Fool’s Dilemma” and “Harsh Reality” are a<br />
brand of garage so dirty that they’ll leave grime in<br />
the lines of your palms, and you’ll love every second<br />
of it— with their raspy vocals, easygoing riffs,<br />
and head-tossing choruses, this 7” is that sweaty<br />
summer vinyl you’ve been craving.<br />
• Emma Sloan<br />
Highland Eyeway<br />
Dark Waters/Xen<br />
Independent<br />
Swarthy. Riff-heavy. Dynamic. — All descriptors<br />
of Vancouver-based band Highland Eyeway’s<br />
new single, Dark Waters/Xen. Highland Eyeway<br />
has been shaking up the Vancouver music scene<br />
with their brand of atmospheric rock since 2014.<br />
A melodiously discordant, instrumental-based<br />
pair of tracks, Dark Waters/Xen crescendos from<br />
blistering guitar work and throaty vocals in “Dark<br />
Waters” into a hurricane of a head-banger that only<br />
soars higher in “Xen.” The result? A release that is<br />
as captivating as it is well-crafted. If you’re craving<br />
kaleidoscopic, trancelike rock that other modern<br />
bands just aren’t giving you, then look no further—<br />
Highway Eyeland is here, and they’re delivering.<br />
• Emma Sloan<br />
2 Chainz<br />
Commodore Ballroom<br />
August 18, <strong>2017</strong><br />
photo by Galen Exo<br />
2 Chainz is a name that boasts a lot of traction<br />
among modern hip-hop fans. The wildly popular<br />
trap artist from Atlanta sold out the 1000-person<br />
capacity Commodore Ballroom in advance of<br />
his show on August 18. As well, hundreds of<br />
people arrived much earlier than the concert’s<br />
start time at 9:30 pm in anticipation of 2 Chainz’s<br />
performance.<br />
However, no one performed at 9:30. Instead,<br />
the DJ played music for about an hour before a<br />
local hip-hop artist jumped on stage to try to<br />
stop the awkward delay. Unfortunately for the<br />
opener, the crowd was anxious about 2 Chainz’s<br />
absence and spared the rapper little attention.<br />
The curtains finally rose after 11:00 pm at the<br />
Commodore to reveal the “Trap Choir” (a set of<br />
three R&B singers) to kick off 2 Chainz’s show<br />
for the night. After a minute or two of soothing<br />
music, a sexy nurse rolled 2 Chainz on stage in a<br />
pink wheelchair. But, the wheelchair and nurse<br />
were not gimmicks, and 2 Chainz never took a<br />
step on stage that night.<br />
Not long after 2 Chainz started his Pretty<br />
Girls Love Trap Music tour, he broke his leg and<br />
underwent surgery to repair it. 2 Chainz’s doctors<br />
even advised him to cancel his tour. Instead, after<br />
2 Chainz somewhat recovered from his injury,<br />
he called his management and found a way to<br />
continue his tour without the use of his legs.<br />
Even with 2 Chainz’s lengthy delay and injury,<br />
the crowd was incredibly enthusiastic and<br />
receptive to the hip-hop artist’s revised concert. 2<br />
Chainz kicked off his concert with the trap-heavy<br />
“Riverdale Road” from his new album Pretty Girls<br />
Love Trap Music, before going into other songs<br />
off the same album such as “Big Amount”, “It’s a<br />
Vibe” and “Saturday Night”. However, 2 Chainz<br />
didn’t stray too far from his previous work and<br />
touched on several songs from B.O.A.T.S. II, and<br />
COLLEGROVE.<br />
To 2 Chainz’s credit, he found a way to utilize<br />
his condition and creatively alter the presentation<br />
of his concert. While 2 Chainz himself was not<br />
mobile, his backup dancers, nurses, and choir<br />
singers stepped in to fill the void that was<br />
meant to be occupied by the 6’5” trap artist.<br />
Furthermore, even in his condition, 2 Chainz still<br />
communicated effectively with his fans and had<br />
tremendous energy in his delivery throughout<br />
his set.<br />
• Zak Johnson<br />
<strong>September</strong> <strong>2017</strong> 36