salt spring 17
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CABARET STAR<br />
“We work entirely differently, but we both appreciate each other’s<br />
work,” Gerry adds. “If I’ve got a problem, I’ll just call Ann over,<br />
and she’ll do the same with me.”<br />
They work together in the same studio, at their South-East<br />
Queensland home that is carved into a hillside and surrounded<br />
by lush rainforest. But there’s no problem regarding the invasion<br />
of each other’s professional space. “It’s a big studio – it’s three<br />
levels,” says Ann. “The middle level is a pottery level. Gerry has<br />
one side of the building and I have the other side. My clay is<br />
white and his clay is iron-bearing, so his clay can’t touch mine. In<br />
the loft is my jewellery studio and downstairs are all our kilns on<br />
the ground level.”<br />
As for their artistic inspiration, both Ann and Gerry take the lead<br />
from the natural environment that so generously surrounds their<br />
home and studio. “It’s absolutely lovely,” says Gerry. “We don’t<br />
have a view as such – we have an environment. We’re surrounded<br />
by trees. There are myriad birds, and we have wallabies, bandicoots<br />
and echidnas.”<br />
While nature provides the ideal creative environment, thematic<br />
inspiration for their joint exhibitions – such as Showtime – comes<br />
from within, according to Ann.<br />
“I usually work on some sort of a theme for an exhibition – I get<br />
a theme in mind and I try and run with that,” she says. “It often<br />
runs off the edge, of course. But the work for this exhibition is<br />
mainly to do with showing, being ‘out there’, and mainly in a<br />
performance field.<br />
“The figures are inspired by a concept. I get a bit of an abstract<br />
106 <strong>salt</strong>