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CABARET STAR<br />

“We work entirely differently, but we both appreciate each other’s<br />

work,” Gerry adds. “If I’ve got a problem, I’ll just call Ann over,<br />

and she’ll do the same with me.”<br />

They work together in the same studio, at their South-East<br />

Queensland home that is carved into a hillside and surrounded<br />

by lush rainforest. But there’s no problem regarding the invasion<br />

of each other’s professional space. “It’s a big studio – it’s three<br />

levels,” says Ann. “The middle level is a pottery level. Gerry has<br />

one side of the building and I have the other side. My clay is<br />

white and his clay is iron-bearing, so his clay can’t touch mine. In<br />

the loft is my jewellery studio and downstairs are all our kilns on<br />

the ground level.”<br />

As for their artistic inspiration, both Ann and Gerry take the lead<br />

from the natural environment that so generously surrounds their<br />

home and studio. “It’s absolutely lovely,” says Gerry. “We don’t<br />

have a view as such – we have an environment. We’re surrounded<br />

by trees. There are myriad birds, and we have wallabies, bandicoots<br />

and echidnas.”<br />

While nature provides the ideal creative environment, thematic<br />

inspiration for their joint exhibitions – such as Showtime – comes<br />

from within, according to Ann.<br />

“I usually work on some sort of a theme for an exhibition – I get<br />

a theme in mind and I try and run with that,” she says. “It often<br />

runs off the edge, of course. But the work for this exhibition is<br />

mainly to do with showing, being ‘out there’, and mainly in a<br />

performance field.<br />

“The figures are inspired by a concept. I get a bit of an abstract<br />

106 <strong>salt</strong>

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