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The Journal of Australian Ceramics Vol 50 no 1 April 2011

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Australia Wide<br />

Committee is working with Craftsouth and the<br />

ceramics community to create a lively program<br />

<strong>of</strong> international and national speakers. <strong>The</strong><br />

ACT gratefully ack<strong>no</strong>wledges support from the<br />

Australia Council for the development <strong>of</strong> this<br />

event; www.australianceramicstriennale.com<br />

Kirsten Coelho<br />

E: kandd@chariot.net.au<br />

tas<br />

Woodfire Tasmania <strong>2011</strong> is fast approaching<br />

- a four-day extravaganza <strong>of</strong> exhibitions,<br />

presentations, demonstrations, forums and<br />

exhibitions from 28 <strong>April</strong> to 1 May.<br />

Exhibitions will feature the work <strong>of</strong> around<br />

90 wood (and other atmospheric) firers from<br />

Australia and overseas, possibly the biggest<br />

representation <strong>of</strong> wood-fired work seen in<br />

Australia at anyone time - at least nine<br />

exhibitions with work from ten different<br />

countries. <strong>The</strong>re will also be a woodfirers<br />

breakfast market in Deloraine early on Sunday<br />

1 May, followed by an exhibition curated by<br />

Tim Holmes, Vintage Tasmanian Woodfire , at<br />

Reedy Marsh.<br />

For those <strong>no</strong>t yet booked to attend a pre­<br />

Woodfire Tasmania workshop, it's <strong>no</strong>t too late.<br />

Carol and Arthur Rosser are conducting a woodfiring<br />

near Port Arthur; Ian Jones and Moraig<br />

McKenna will conduct a two-day program in the<br />

Tamar Valley; Ben Richardson and Donna Gillis<br />

will welcome workshop participants at Ben's<br />

South Arm pottery; and Barbara Campbell-Allen<br />

will conduct an exciting one-day program at Boat<br />

Harbour. <strong>The</strong> Reedy Marsh workshop is <strong>no</strong>w full.<br />

Go to www.woodfiretasmania.com.au for more<br />

details.<br />

A<strong>no</strong>ther 'must see' in Tassie this month is<br />

Vitrify, an initiative in Hobart being presented<br />

by the Alcorso Foundation in partnership with<br />

the Colville Gallery. <strong>The</strong> Vitrify Alcorso Award<br />

is a newly established $10,000 national annual<br />

prize for ceramics. From 15 <strong>April</strong> to 3 May it<br />

w ill feature the work <strong>of</strong> four finalists : Kim-Anh<br />

Nguyen, Prue Venables, Belinda Winkler and Ben<br />

Richardson. Go to www.vitrify.com.au.<br />

And <strong>of</strong> course, if you've <strong>no</strong>t yet being drawn<br />

into the field <strong>of</strong> Hobart's latest 'magnet', there's<br />

MONA, where David Walsh's dreams all come<br />

true under the one ro<strong>of</strong> (www.mona.net.au).<br />

Neil H<strong>of</strong>fman<br />

E: neilh<strong>of</strong>fmann@Woodfiretasmania.com.au<br />

vic<br />

It has been a busy start to the year in Victoria<br />

with a number <strong>of</strong> exhibitions, awards and<br />

festivals.<br />

In February, Art on the Move - Emergence at<br />

Federation Square commemorated the second<br />

anniversary <strong>of</strong> Black Saturday. Artists were invited<br />

to submit work based on their response to Black<br />

Saturday, and ceramic artist Sue Acheson had a<br />

sculptural piece chosen to be part <strong>of</strong> the visual<br />

art exhibition.<br />

<strong>Ceramics</strong> Victoria held an art exhibition and sale<br />

at Herring Island as part <strong>of</strong> the Summer Arts<br />

Festival. <strong>The</strong> theme, Elemental, was based on<br />

the process and making used in the production<br />

<strong>of</strong> ceramics. <strong>The</strong> award winner was Lene Kuhl<br />

Jakobsen with her work titled Earthly Delights.<br />

Sharron Masson received the Highly Commended<br />

Award.<br />

Stonehouse Gallery at Warrandyte hosted<br />

and sponsored the Tertiary Ceramic Students<br />

Encouragement Award. Two students were<br />

selected by each college to exhibit a body<br />

<strong>of</strong> work w ith the vessel as the theme. <strong>The</strong><br />

exhibitors were Lisa Blanco and Ulrica Trulsson<br />

(Holmesglen), Lyn Cole and Janae Evans (Latrobe<br />

University Bendigo), Janetta Kerr-Grant and Sarah<br />

Schembri (Ballarat TAFE), Esther Konings and<br />

Erica Tursan d'Espaignet (RMID, Caitlin Lowe<br />

and Rachael Negri (University <strong>of</strong> Ballarat, Gemma<br />

Mather and Nola Smith (Box Hill Institute), and<br />

Olga Maxwell and Lisa Scheuerlein (Chisholm<br />

Institute). Anna Maas <strong>of</strong> Skepsi Gallery was the<br />

adjudicator. At the opening, each student was<br />

introduced and asked to speak about their work.<br />

Caitlin Lowe was the w inner <strong>of</strong> the Stonehouse<br />

Gallery Encouragement Award. <strong>The</strong> suppliers<br />

were especially generous in sponsoring further<br />

awards and awards for Ceramic Excellence<br />

went to Lisa Blanco, Janetta Kerr Grant, Esther<br />

Konings, Olga Maxwell, Rachael Negri, Nola<br />

Smith and Erica Tursan d'Espaignet. All the work<br />

was well conceived, well designed and beautifully<br />

THE JOURNAL OF AUSTRALIAN CERAMICS APRil <strong>2011</strong> 105

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