The Journal of Australian Ceramics Vol 50 no 1 April 2011
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Vale Paul Soldner 1921 - <strong>2011</strong><br />
In early January <strong>2011</strong>, Paul Soldner, one <strong>of</strong> the<br />
greats <strong>of</strong> American ceramics, passed away at his<br />
home in Claremont, California. He was eightynine.<br />
Born in 1921 into a family <strong>of</strong> Midwest<br />
Men<strong>no</strong>nite Christians, Soldner's interest in art<br />
was sparked by his wartime experiences in the<br />
army medical corps, where, to quote Jori Finkel<br />
writing <strong>of</strong> Soldner in the Los Angeles Times,<br />
he saw ... "beauty emerge from terror in the<br />
form <strong>of</strong> charcoal drawings made by Holocaust<br />
victims on the barracks walls <strong>of</strong> the Mauthausen<br />
concentration camp in Austria".<br />
(Frinkel, J. Los Angeles Times 4 January, <strong>2011</strong>)<br />
In 1954 Soldner became the first graduate<br />
student <strong>of</strong> Peter Voulkos in the newly established<br />
ceramics program at the Los Angeles County<br />
Art Institute. Like Voulkos, Soldner was given to<br />
experimentation and in<strong>no</strong>vation and was also<br />
something <strong>of</strong> a showman, soon becoming what<br />
Garth Clark refers to ... "as one <strong>of</strong> the stars <strong>of</strong> the "workshop circuit".<br />
(C lark, G. Shards, p.289)<br />
Photo reprinted from<br />
Pottery in AustraUa<br />
<strong>Vol</strong> 10, No 1. Autumn<br />
1971, page IS<br />
It was during one <strong>of</strong> these workshops that Soldner famously 'discovered'<br />
his technique <strong>of</strong> 'American raku', where pots were drawn from the kiln<br />
and then 'smoked' in various ways to produce a range <strong>of</strong> effects much<br />
broader than those found in the original Japanese technique. But Soldner's<br />
oeuvre extended well beyond this, encompassing a wide range <strong>of</strong> ceramic<br />
techniques and forms.<br />
Paul Soldner was a charismatic teacher and tireless maker who came to<br />
prominence at a time and in a place when ceramics was breaking many<br />
boundaries. He continued to contribute to the development <strong>of</strong> ceramics<br />
both in the United States and on an international level throughout a long<br />
and productive life, and he will be both celebrated and missed.<br />
Damon Moon<br />
Willunga <strong>2011</strong><br />
THE JOURNAL OF AUSTRALIAN CERAMICS APRIL <strong>2011</strong> 11