05.10.2017 Views

The Journal of Australian Ceramics Vol 50 no 1 April 2011

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Tribute<br />

Vale Paul Soldner 1921 - <strong>2011</strong><br />

In early January <strong>2011</strong>, Paul Soldner, one <strong>of</strong> the<br />

greats <strong>of</strong> American ceramics, passed away at his<br />

home in Claremont, California. He was eightynine.<br />

Born in 1921 into a family <strong>of</strong> Midwest<br />

Men<strong>no</strong>nite Christians, Soldner's interest in art<br />

was sparked by his wartime experiences in the<br />

army medical corps, where, to quote Jori Finkel<br />

writing <strong>of</strong> Soldner in the Los Angeles Times,<br />

he saw ... "beauty emerge from terror in the<br />

form <strong>of</strong> charcoal drawings made by Holocaust<br />

victims on the barracks walls <strong>of</strong> the Mauthausen<br />

concentration camp in Austria".<br />

(Frinkel, J. Los Angeles Times 4 January, <strong>2011</strong>)<br />

In 1954 Soldner became the first graduate<br />

student <strong>of</strong> Peter Voulkos in the newly established<br />

ceramics program at the Los Angeles County<br />

Art Institute. Like Voulkos, Soldner was given to<br />

experimentation and in<strong>no</strong>vation and was also<br />

something <strong>of</strong> a showman, soon becoming what<br />

Garth Clark refers to ... "as one <strong>of</strong> the stars <strong>of</strong> the "workshop circuit".<br />

(C lark, G. Shards, p.289)<br />

Photo reprinted from<br />

Pottery in AustraUa<br />

<strong>Vol</strong> 10, No 1. Autumn<br />

1971, page IS<br />

It was during one <strong>of</strong> these workshops that Soldner famously 'discovered'<br />

his technique <strong>of</strong> 'American raku', where pots were drawn from the kiln<br />

and then 'smoked' in various ways to produce a range <strong>of</strong> effects much<br />

broader than those found in the original Japanese technique. But Soldner's<br />

oeuvre extended well beyond this, encompassing a wide range <strong>of</strong> ceramic<br />

techniques and forms.<br />

Paul Soldner was a charismatic teacher and tireless maker who came to<br />

prominence at a time and in a place when ceramics was breaking many<br />

boundaries. He continued to contribute to the development <strong>of</strong> ceramics<br />

both in the United States and on an international level throughout a long<br />

and productive life, and he will be both celebrated and missed.<br />

Damon Moon<br />

Willunga <strong>2011</strong><br />

THE JOURNAL OF AUSTRALIAN CERAMICS APRIL <strong>2011</strong> 11

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!