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The Journal of Australian Ceramics Vol 50 no 1 April 2011

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Events<br />

Welcome drums. Fuping Pottery<br />

Art Village (fPAV)<br />

Photo: Andrei David<strong>of</strong>f<br />

Banquets, Warriors,<br />

Young Guns and Banter<br />

Andrei David<strong>of</strong>f reports on his experience at I(MEA 2010<br />

<strong>The</strong> 3rd International Ceramic Magazine Editors Association (lCMEA) Conference and corresponding<br />

Emerging Ceramic Artist Competition was held in November at its permanent home, Fuping Pottery<br />

Art Village, which also houses the FuLe International Ceramic Art Museums (FlICAM). <strong>The</strong> conference<br />

was attended by more than 60 international delegates, with a strong <strong>Australian</strong> contingent led by Janet<br />

Mansfield and Vicki Grima.<br />

Ten days <strong>of</strong> intensive talks, discussions, sightseeing, wanton banquet attendance and fireworks<br />

displays were followed by side trips to the porcelain city <strong>of</strong> Jingdezhen and the Lonquan Celadon<br />

Festival. Thrown into this ceramics-fuelled frenzy was the judging and awarding <strong>of</strong> the Emerging<br />

Ceramic Artist Competition, as well as the launch <strong>of</strong> the new Eastern European Museum as part <strong>of</strong> the<br />

FliCAM complex.<br />

With the theme Interpretation <strong>of</strong> <strong>Ceramics</strong>, the conference itself consisted <strong>of</strong> an eclectic range <strong>of</strong><br />

speakers and topics - from ceramic design education in Italy, to the effects <strong>of</strong> the GFC on Midwestern<br />

American production potters. With rapid computer prototyping and ceramic printing in the Netherlands<br />

to an overview <strong>of</strong> ceramic art in Lithuania, it seemed as if issues concerning ceramicists all over the<br />

globe were touched upon. <strong>The</strong> more hotly contested discussions centred around the question <strong>of</strong><br />

ceramics' position in the broader art world, and the need for more critical discussion, as well as the<br />

changing role <strong>of</strong> ceramics magazines in an increasingly digital and fast-paced world. Time for discussion<br />

was limited during the talks and so debates continued during lunches, dinners and several times well<br />

into the night over cold Tsing Taos and Chinese whisky.<br />

<strong>The</strong> Emerging Ceramic Artist Competition, which was judged by the editors attending the conference,<br />

consisted <strong>of</strong> 59 short-listed artists whose works were acquired by FUCAM. Fourteen <strong>Australian</strong> artists<br />

88 THE JOURNAL Of AUSTRALIAN CERAMICS APRIL <strong>2011</strong>

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