The Journal of Australian Ceramics Vol 50 no 1 April 2011
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Events<br />
Vipoo drinking lavender<br />
tea. trying to stay calm<br />
during the auction<br />
Ceramic Relief - Artists<br />
Respond for Queensland<br />
Inga Walton reports on a recent ceramics auction<br />
It always seems to be the case that those in the arts and creative industries more than pull their<br />
weight in terms <strong>of</strong> philanthropic and charitable endeavours. <strong>The</strong> heartbreaking spectacle <strong>of</strong> the<br />
Queensland flood crisis, followed soon after by Tropical Cyclone Yasi, has again demonstrated the<br />
generosity <strong>of</strong> spirit and sense <strong>of</strong> mutual obligation which characterises <strong>Australian</strong> public sentiment at its<br />
best.<br />
Like many others who were distressed by the unfolding tragedy, Vipoo Srivilasa pondered what he<br />
could do. "After watching the terrible footage on the news, I was so moved I felt like I had to do<br />
something, so I went straight to the Premier's Disaster Relief Appeal web-site to make a donation." he<br />
relates. " However, I didn't feel like I had done e<strong>no</strong>ugh, but being an artist I can only afford so much by<br />
way <strong>of</strong> a monetary sum, but then I realised I could donate my artwork instead. <strong>The</strong>n I thought <strong>of</strong> an<br />
auction <strong>of</strong> ceramics to make the donation a bit bigger."<br />
Srivilasa's call-out for friends and colleagues to contribute exceeded his expectations and he was soon<br />
fielding expressions <strong>of</strong> support from as far away as North America. "<strong>The</strong> response was overwhelming!<br />
I was planning for maybe twenty artists to join me but I reached forty in <strong>no</strong> time; it turned into a much<br />
bigger project than I expected," he admits. "People are very generous, many artists pledged major<br />
pieces, or if they make small works they donated a few pieces as a set. Unfortunately, owing to time<br />
constraints, I was unable to include everything, particularly the kind <strong>of</strong>fers which came through very late<br />
in the process."<br />
94 THE JOURNAL OF AUSTRALIAN CERAMICS APRIL <strong>2011</strong>