Tokyo Weekender - October 2017
A day in the life of a geisha. Find your perfect Kyushu. Plus Q&A with anime director Keiichi Hara, are robots taking our jobs?, Explore Japanese cuisine at GINZA SIX, and Tsukuda guide
A day in the life of a geisha. Find your perfect Kyushu. Plus Q&A with anime director Keiichi Hara, are robots taking our jobs?, Explore Japanese cuisine at GINZA SIX, and Tsukuda guide
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Society<br />
TOKYO’S LONGEST RUNNING SOCIAL COLUMN WITH BILL HERSEY<br />
Exile’s Iwata Takanori and director Christopher Nolan at<br />
Warner Brothers’ press conference for Dunkirk<br />
Maybe I’m wrong but looking back it seems August<br />
even with the heat was busier than ever, and from<br />
the looks of happenings coming up, <strong>October</strong> and the<br />
rest of <strong>2017</strong> will be even busier. That’s the way I and<br />
I know many of you like it.<br />
I’m so happy the Japanese seem to be getting back into the Broadway<br />
show and international musical scene. I really enjoyed the international<br />
production of one of my all-time favorite musicals, West<br />
Side Story, this summer. If you’re into Broadway, ballet, and showbiz<br />
you have a lot of things to choose from this fall and winter. I can’t list<br />
them all here, but will list a few I’ve<br />
seen and really enjoyed. The Argentine<br />
show Fuerza Bruta is back with<br />
an exciting new production titled<br />
Beyond the Next Level, which runs<br />
through December 10. I saw it two<br />
years ago, and like Cirque du Soleil,<br />
it really is mind-boggling. My French<br />
Canadian friend Guy Laliberté who,<br />
along with another street performer,<br />
created the always sold out Cirque<br />
du Soleil shows, is bringing one in<br />
that I hadn’t heard of. It’s titled Kurios:<br />
Cabinet of Curiosities and it will<br />
run from February 7 until April 8<br />
next year at Odaiba Big Top. I was<br />
surprised to see that there’s a Japanese<br />
version of the off-Broadway<br />
play Hedwig and the Angry Inch. The<br />
off-the-wall production is being promoted<br />
as a special show and will just<br />
have two days of performances in<br />
<strong>Tokyo</strong> on <strong>October</strong> 14 and 15, and one<br />
in Osaka on <strong>October</strong> 17. If you see it<br />
you’ll understand why they label it<br />
very special.<br />
I’ve seen the off-Broadway award<br />
winner Blast endless times and had<br />
many parties for their cast over the<br />
years in Roppongi. The show is an<br />
exciting combo of percussion instruments,<br />
dance and endless energy. I went to their last show in <strong>Tokyo</strong><br />
before they toured all over Japan. Since I last saw the show years ago,<br />
the producers have tied up with Disney. This, of course, means money,<br />
and the talent, the sets, and the choreography add up to a real winner.<br />
The 2,000 seats at Shibuya’s ORB Theatre were sold out, and the show<br />
got several standing ovations. I just learned that ORB is bringing in<br />
a production of another of my favorites, Evita, for their fifth anniversary<br />
early next year. There’ll also be a Japanese co-production of<br />
the Rocky Horror Picture Show at Zepp Theater 11/7–11/12, and Parco<br />
11/16–12/3.<br />
Thanks to Junko Koshino. I had the privilege of seeing the latest<br />
Drum Tao show before they went to Paris and Singapore. The awesome<br />
drumming, the shamisen and koto playing, the choreography,<br />
the high-tech stage sets, and Junko’s costumes added up to entertainment<br />
at its very best. After the show I met a host of interesting people<br />
at a party Junko and her husband Hiroyuki Suzuki hosted at Vanity,<br />
a popular club in Roppongi. These included the new French Ambassador<br />
Laurent Pic, Mikawa Kenichi, and actor Tatsumi Takuro. Mikawa-san<br />
will be performing at Dewi Sukarno’s 20th Annual Imperial<br />
Banquet at Meguro Gajoen on <strong>October</strong> 14. The Tao drummers will be<br />
back in <strong>Tokyo</strong> by then and they have shows at the Shinagawa Prince<br />
Hotel from September 16 to <strong>October</strong> 29.<br />
As they say, “there’s no business like show business,” but I feel that<br />
there’s probably been enough of it in this month's column. It’s time to<br />
move onto the social scene...<br />
WARNER BROTHERS<br />
PRESS CONFERENCE FOR<br />
CHRISTOPHER NOLAN<br />
The big Academy Hills room on the<br />
49th floor of the Mori Tower was wallto-wall<br />
enthusiastic journalists, as the<br />
special guest that day was Christopher<br />
Nolan whose film Dunkirk has been a<br />
huge box office hit wherever it’s been<br />
shown. The crowd’s feeling about the<br />
film and Christopher was great, and<br />
I appreciated the way he handled all<br />
the questions. As he explained a few<br />
times, “We interviewed men who had<br />
actually been there.” He wanted to<br />
create suspense and the idea of survival,<br />
and he wanted the film to have<br />
the power to shock. In order to appeal<br />
to young people, he visited drama<br />
schools and looked to use acting students<br />
who hadn’t been in films before.<br />
As a director, he feels like an architect<br />
or conductor (he really likes to work<br />
with sounds) who is bringing many<br />
different elements together.<br />
Warner Brothers had brought<br />
in Exile’s star member Iwata Takanori<br />
as a guest for the second half of the<br />
conference. It was a good choice as the<br />
actor-musician is a big fan of Nolan, and so knew what he was talking<br />
about. At the end of the interview, he was really happy when Nolan presented<br />
him with an autographed copy of the Dunkirk screenplay. Don’t<br />
miss this film – and try to see it in an IMAX theater.<br />
FORSYTH’S PERUVIAN NATIONAL<br />
DAY AT WESTIN HOTEL<br />
Peruvian Ambassador Harold W. Forsyth and his wife Veronica were<br />
only here a short time before they hosted the reception to celebrate<br />
the 196th anniversary of Peru’s Independence Day. For the event,<br />
they chose the elegant Kaede Room in the European-influenced Westin<br />
Hotel. It was packed with people and I was surprised at the number<br />
of VIPs whom I thought were out of Japan for the holidays but<br />
were there that evening. Familiar faces in the crowd included top<br />
46 | OCTOBER <strong>2017</strong> | TOKYO WEEKENDER