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Tokyo Weekender - October 2017

A day in the life of a geisha. Find your perfect Kyushu. Plus Q&A with anime director Keiichi Hara, are robots taking our jobs?, Explore Japanese cuisine at GINZA SIX, and Tsukuda guide

A day in the life of a geisha. Find your perfect Kyushu. Plus Q&A with anime director Keiichi Hara, are robots taking our jobs?, Explore Japanese cuisine at GINZA SIX, and Tsukuda guide

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Society<br />

TOKYO’S LONGEST RUNNING SOCIAL COLUMN WITH BILL HERSEY<br />

Exile’s Iwata Takanori and director Christopher Nolan at<br />

Warner Brothers’ press conference for Dunkirk<br />

Maybe I’m wrong but looking back it seems August<br />

even with the heat was busier than ever, and from<br />

the looks of happenings coming up, <strong>October</strong> and the<br />

rest of <strong>2017</strong> will be even busier. That’s the way I and<br />

I know many of you like it.<br />

I’m so happy the Japanese seem to be getting back into the Broadway<br />

show and international musical scene. I really enjoyed the international<br />

production of one of my all-time favorite musicals, West<br />

Side Story, this summer. If you’re into Broadway, ballet, and showbiz<br />

you have a lot of things to choose from this fall and winter. I can’t list<br />

them all here, but will list a few I’ve<br />

seen and really enjoyed. The Argentine<br />

show Fuerza Bruta is back with<br />

an exciting new production titled<br />

Beyond the Next Level, which runs<br />

through December 10. I saw it two<br />

years ago, and like Cirque du Soleil,<br />

it really is mind-boggling. My French<br />

Canadian friend Guy Laliberté who,<br />

along with another street performer,<br />

created the always sold out Cirque<br />

du Soleil shows, is bringing one in<br />

that I hadn’t heard of. It’s titled Kurios:<br />

Cabinet of Curiosities and it will<br />

run from February 7 until April 8<br />

next year at Odaiba Big Top. I was<br />

surprised to see that there’s a Japanese<br />

version of the off-Broadway<br />

play Hedwig and the Angry Inch. The<br />

off-the-wall production is being promoted<br />

as a special show and will just<br />

have two days of performances in<br />

<strong>Tokyo</strong> on <strong>October</strong> 14 and 15, and one<br />

in Osaka on <strong>October</strong> 17. If you see it<br />

you’ll understand why they label it<br />

very special.<br />

I’ve seen the off-Broadway award<br />

winner Blast endless times and had<br />

many parties for their cast over the<br />

years in Roppongi. The show is an<br />

exciting combo of percussion instruments,<br />

dance and endless energy. I went to their last show in <strong>Tokyo</strong><br />

before they toured all over Japan. Since I last saw the show years ago,<br />

the producers have tied up with Disney. This, of course, means money,<br />

and the talent, the sets, and the choreography add up to a real winner.<br />

The 2,000 seats at Shibuya’s ORB Theatre were sold out, and the show<br />

got several standing ovations. I just learned that ORB is bringing in<br />

a production of another of my favorites, Evita, for their fifth anniversary<br />

early next year. There’ll also be a Japanese co-production of<br />

the Rocky Horror Picture Show at Zepp Theater 11/7–11/12, and Parco<br />

11/16–12/3.<br />

Thanks to Junko Koshino. I had the privilege of seeing the latest<br />

Drum Tao show before they went to Paris and Singapore. The awesome<br />

drumming, the shamisen and koto playing, the choreography,<br />

the high-tech stage sets, and Junko’s costumes added up to entertainment<br />

at its very best. After the show I met a host of interesting people<br />

at a party Junko and her husband Hiroyuki Suzuki hosted at Vanity,<br />

a popular club in Roppongi. These included the new French Ambassador<br />

Laurent Pic, Mikawa Kenichi, and actor Tatsumi Takuro. Mikawa-san<br />

will be performing at Dewi Sukarno’s 20th Annual Imperial<br />

Banquet at Meguro Gajoen on <strong>October</strong> 14. The Tao drummers will be<br />

back in <strong>Tokyo</strong> by then and they have shows at the Shinagawa Prince<br />

Hotel from September 16 to <strong>October</strong> 29.<br />

As they say, “there’s no business like show business,” but I feel that<br />

there’s probably been enough of it in this month's column. It’s time to<br />

move onto the social scene...<br />

WARNER BROTHERS<br />

PRESS CONFERENCE FOR<br />

CHRISTOPHER NOLAN<br />

The big Academy Hills room on the<br />

49th floor of the Mori Tower was wallto-wall<br />

enthusiastic journalists, as the<br />

special guest that day was Christopher<br />

Nolan whose film Dunkirk has been a<br />

huge box office hit wherever it’s been<br />

shown. The crowd’s feeling about the<br />

film and Christopher was great, and<br />

I appreciated the way he handled all<br />

the questions. As he explained a few<br />

times, “We interviewed men who had<br />

actually been there.” He wanted to<br />

create suspense and the idea of survival,<br />

and he wanted the film to have<br />

the power to shock. In order to appeal<br />

to young people, he visited drama<br />

schools and looked to use acting students<br />

who hadn’t been in films before.<br />

As a director, he feels like an architect<br />

or conductor (he really likes to work<br />

with sounds) who is bringing many<br />

different elements together.<br />

Warner Brothers had brought<br />

in Exile’s star member Iwata Takanori<br />

as a guest for the second half of the<br />

conference. It was a good choice as the<br />

actor-musician is a big fan of Nolan, and so knew what he was talking<br />

about. At the end of the interview, he was really happy when Nolan presented<br />

him with an autographed copy of the Dunkirk screenplay. Don’t<br />

miss this film – and try to see it in an IMAX theater.<br />

FORSYTH’S PERUVIAN NATIONAL<br />

DAY AT WESTIN HOTEL<br />

Peruvian Ambassador Harold W. Forsyth and his wife Veronica were<br />

only here a short time before they hosted the reception to celebrate<br />

the 196th anniversary of Peru’s Independence Day. For the event,<br />

they chose the elegant Kaede Room in the European-influenced Westin<br />

Hotel. It was packed with people and I was surprised at the number<br />

of VIPs whom I thought were out of Japan for the holidays but<br />

were there that evening. Familiar faces in the crowd included top<br />

46 | OCTOBER <strong>2017</strong> | TOKYO WEEKENDER

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