BusinessDay 22 Oct 2017
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C002D5556<br />
34 BD SUNDAY<br />
Sunday <strong>22</strong> <strong>Oct</strong>ober <strong>2017</strong><br />
Arts<br />
‘Art X Lagos <strong>2017</strong> will deepen Nigeria’s<br />
connection to the contemporary art’<br />
Riding on the success and world class execution of the maiden edition of ART X Lagos; the biggest art expo in Nigeria, Tokini Peterside, founder of the art fair, speaks to Obinna<br />
Emelike on impacts of the fair on the Nigerian and African art sector, innovations/expectations for the <strong>2017</strong> edition and efforts at ensuring world class execution this year.<br />
Why the project?<br />
There are phenomenally<br />
talented people<br />
in this country, across<br />
the various segment<br />
of the culture sector; music, art, film,<br />
fashion, among others, there are so<br />
many young Nigerians who are aspiring<br />
to express their creativity. And so,<br />
we created Art X Lagos to support the<br />
visual art sector, to make it clear that<br />
visual art is an important component<br />
of the creative industry.<br />
The main aim is that we wanted to<br />
magnify and multiply the patronage of<br />
artists across Nigeria and Africa and to<br />
inspire the next generation of artists.<br />
We want Art X Lagos to be a platform<br />
that will shine its spotlight on the industry<br />
that shines its spotlight on the various<br />
players in the industry: the artists,<br />
the galleries and also encourages local<br />
collectors of art and local art institutions<br />
to support the arts.<br />
Do you think last year’s Art X Lagos<br />
lived up to expectations?<br />
We are excited that we were able<br />
to bring about 5,000 people to our<br />
maiden edition last year. These were<br />
mix of people from schools, universities,<br />
researchers, writers, collectors, and<br />
corporates circles.<br />
It was great for us to see an environment<br />
in which it was not just the<br />
art collectors, though collectors were<br />
there because without them the work<br />
will not sell.<br />
There was also a very rich audience<br />
of people who came to be educated and<br />
got the experience.<br />
What are the innovations and expectations<br />
this year?<br />
This year, we are back with the art<br />
fair. This year, we have 14 galleries<br />
showcasing the works of artists from 15<br />
countries across the world and over 60<br />
artists participating. We are excited to<br />
have a broader diversity of artists and<br />
galleries. Last year we had them from<br />
Nigeria, Ghana, South Africa and Mali.<br />
This year we have in addition to those<br />
four countries, Cameroon, Ivory Coast,<br />
Senegal and the UK. So, we have expanded<br />
the diversity and the countries.<br />
We are also excited about the diversity<br />
in our currated programmes; we have a<br />
series of curated projects through which we<br />
intended to give our audience a much more<br />
enriching perspective this year.<br />
Starting with Ben Enwonwu who many<br />
people do not know, was born exactly<br />
100 years ago. This is his 100th birthday.<br />
Currently in a UK museum, there has just<br />
been a massive conference on the work of<br />
Ben Enwonwu as a pioneer modern artist<br />
from Africa. This year, we are excited that<br />
we will have opportunity to celebrate Ben<br />
Enwonwu given that this is his landmark<br />
anniversary because Access Bank; our gold<br />
sponsor, is allowing us to be the platform<br />
that will show for the first time ever to the<br />
Nigerian public seven sculptures he made<br />
in 1960. He made them in the UK for the<br />
Daily Mirror Newspaper, but they were<br />
eventually lost along the way for years.<br />
They resurfaced at auction and Access<br />
Bank bought them about four-five years<br />
ago. Since then, they have been at Access<br />
Bank head office and are incredible and<br />
Tokini Peterside<br />
phenomenal. These works have not been<br />
seen by the public, so for the first time, the<br />
public will see them at Art X Lagos. We<br />
will get many young people who are not<br />
familiar with the works of Ben Enwonwu<br />
(even though they should be) to experience<br />
some of the finest works of art created by<br />
Nigerian masters decades ago.<br />
Another area where we are also excited<br />
is Festac 77. As we know Festac was held<br />
40 years ago. We will be having a panel<br />
discussion that will look into the significance<br />
of Festac, the legacy, why nothing in<br />
that magnitude has happened since then,<br />
among others. We have Chimurenga, a<br />
pan African platform coming to discus<br />
and make a presentation. They have been<br />
researching on Festac for several years and<br />
will be publishing a large book on Festac<br />
this year. They will be coming to spark up<br />
the conversation on what is happening in<br />
the art sector in Nigeria and Africa and<br />
how to reignite that momentum that was<br />
experience in 1977 across Africa.<br />
As well, it is 20 years since Fela Anikulapo<br />
Kuti passed on. So, we are working<br />
with Lemi Ghariokwu in a special exhibitions<br />
showing the album covers he did for<br />
Fela and many of his untitled works that<br />
have not been seen.<br />
In addition to that, and to also continue<br />
to inspire the audience, we have a number<br />
of talk sessions this year. Peju Alatishe will<br />
be speaking alongside a Senegalese curator,<br />
and a Nigerian performing artiste among<br />
others will be featuring in the sessions to<br />
discus contemporary issues.<br />
Njideka Akunyili will be speaking at<br />
the fair as well. She is not up to 35, but has<br />
garnered some of the biggest awards and<br />
recognitions in the global art sector. Last<br />
year, she sold her work for $100,000 and<br />
this year, she sold for $3 million. Last year,<br />
she was named by Financial Times as one of<br />
their Women of the Year. Last two weeks,<br />
she was awarded the MacArthur Grant<br />
worth over $600,000 to further pursue<br />
her dream. She is a very inspiring woman<br />
and we want to open up her experience to<br />
a very vast audience who can listen to her<br />
when she comes.<br />
We also want to encourage young artists<br />
and talents, especially those who may<br />
not be invited by galleries for shows like<br />
Olatunde Alara a young 25 years old artist<br />
who has recently been awarded the Art X<br />
Absolut Commission. Absolut Vodka does<br />
a lot of big things with artists around the<br />
world and they told us that they wanted<br />
to consider a number of young artists to<br />
speak on social issues that concern them.<br />
About four of them put in proposals and at<br />
the end Alara’s proposal sailed through for<br />
the fact that the discussion is a taboo in the<br />
Nigerian and West African society. So, we<br />
awarded him the commission, so he will<br />
be producing a big installation at the fair.<br />
It is exciting for us to give our platform<br />
to young artists. For young artists who<br />
are younger than him, we have the ‘ART<br />
X Prize sponsored by Access Bank for the<br />
most promising young artist each year. We<br />
have narrowed down to the top eight semi<br />
finalists, the votes are coming in from social<br />
media and our judges will choose the top 4,<br />
while the winner will be announced on the<br />
closing day of the fair.<br />
We have our art and music shows because<br />
we recognize that there are a lot of<br />
similarities between art and music in terms<br />
of creative process and thinking. We invite<br />
a small number of young musicians to come<br />
and create a live project while working with<br />
our live artists. Absolut is also sponsoring<br />
this as well.<br />
How has sponsorship been so far for<br />
the fair?<br />
We have many fantastic sponsors this<br />
year. Last year, we had four sponsors. This<br />
year, we have 10 sponsors .They include;<br />
Access Bank (Gold Sponsor); Absolut (Silver<br />
Sponsor); Stanbic IBTC Pensions, Seven Up<br />
and Anap Jets (Bronze Sponsors); Chapel<br />
Hill Denham, Lufthansa, Metro Capital,<br />
Leadway Assurance (Sponsors), Ford Foundation<br />
and other valued partners.<br />
The Ford Foundation is coming onboard<br />
this year to work with us on bringing what<br />
we called the diversity programmes in Art<br />
X Lagos. We are inviting university professors<br />
from Nsukka, Zaria, Port Harcourt to<br />
come, experience and get in-tune with findings<br />
they will take back to their students.<br />
We are also working with Ford Foundation<br />
to bring students to the fair. The Ford<br />
Foundation will be sponsoring the talks by<br />
Peju Alatise as well. Lufthansa, the German<br />
airline is supporting us with tickets because<br />
we have a number of speakers. We are<br />
grateful with the growing sponsors. It was<br />
a bit of challenge last year because we have<br />
not proven ourselves then. Last year when<br />
we sought for funding, some corporates<br />
said they are waiting to see what we are<br />
going to do and how to come in. So, the aim<br />
is each year we grow, chose themes and<br />
subject matters that will resonate with the<br />
broad audience, we want many people to<br />
come to Art X Lagos to experience the best<br />
art of our generation. We look forward to<br />
the democratization of art and we want<br />
many people to experience it.<br />
What is the theme of this year’s edition?<br />
We have a theme for the curator projects<br />
and the talks. But they are connected<br />
to the various anniversaries that I mentioned.<br />
It is also connected to materiality;<br />
another curator project you will see at the<br />
fair. It either the artists speak about day to<br />
day matters or using day to day materials<br />
to tell the stories. It is not an easy theme to<br />
describe. We look at the artists we wanted<br />
to work with and the connecting trend.<br />
What informs your choice of artists<br />
that participate in the fair?<br />
The truth is that there will always be<br />
skeptics in everything you do. The truth<br />
is that we approached people who have<br />
open mindset to work with us. We are not<br />
able to work with everyone, so we invited<br />
certain artists to work with us. Majority of<br />
the artists we invited accepted to come, we<br />
did not encounter any artist who turned us<br />
down. Those who we approached and could<br />
not make noted that they were not going to<br />
be in the country during the fair.<br />
We are very fortunate with the support<br />
so far from our artists. But also many<br />
forward thinking artists recognize that that<br />
Art X Lagos is a catalyst for the industry<br />
and they are proud of what we are doing.<br />
If there is any complain that should be that<br />
the platform is not big enough to take all of<br />
them at once.<br />
Is art more appreciated now in Nigeria?<br />
Nigerian art is appreciating in value as<br />
much as African art at large. The appreciation<br />
of art by Nigerians is also growing.<br />
Nigerians love creativity, so visual is<br />
now presented to them in a way they<br />
can access it, it is becoming a lifestyle and<br />
enjoyable now. Art exhibitions are happening<br />
more often now than before and<br />
the intrigue is that many young people are<br />
attending these exhibitions and not being<br />
afraid they will not be able to buy works as<br />
was the case before now.<br />
The art houses are now introducing<br />
affordable art auctions. There many collections<br />
of young people collaborating<br />
in exhibitions now than before. As well<br />
corporate appreciation is growing. Many<br />
corporates are building their art collections,<br />
supporting arts through CSR works, Access<br />
Bank is a big one, they are supporting us in a<br />
big way, Leadway Assurance, also have art<br />
collection they are working on, but there is<br />
still a lot of room to grow.