How to draw manga - Couples

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When the characters are embracing or lined up behind each other, the two blocks combine thereby forming a pillar.
ilave the bodies "pedorm" even when a bust shot is used TTting fie head or changing the direction or inclination of the upper body adds life b fie expressions of the characters and the mood. I Characters are closer <strong>to</strong> each other. Characters are away from each other. Cocking of the head. The female's shoulders are facing outward, The female s upper body is tilting inward (<strong>to</strong>ward the male). Both bodies are tilting inward. The shoulders of both characters are facing outward.
Page 1 and 2: lt wT#uuryy.]H[J EASTERN REGIp!n! !
Page 3 and 4: I{OWTODRA$/ Gouples
Page 5 and 6: {owToDRA$/ Couples
Page 7 and 8: Chopfer I Theory DrcN,ving Behind C
Page 9: Make tie crotch height the same for
Page 13 and 14: '1. Presentation when there is litt
Page 15 and 16: I I ,-a { Petite females will look
Page 17 and 18: -'he female is smaller than the mal
Page 19 and 20: Chqpfer 2 Frcm Dqting io Mokirrg lo
Page 21 and 22: *Er.t-'o one of the characters rffi
Page 23 and 24: ' flflu]lill llllu l ilrrro:r rrrli
Page 25 and 26: .,, rrhuillfllq arm while walking l
Page 27 and 28: ,ml :xmae being pulled by male whil
Page 29 and 30: See through view llllllllfi',fllfll
Page 31: ''o,ng to arm while walking ln the
Page 34 and 35: ) \ (
Page 36 and 37: Express the curves and three-dimens
Page 38 and 39: -\\ J/ (r .,,*-{ t\\ I ..\-- 36 /-l
Page 40 and 41: e ,D'aI D5-- 4e- ^Jg This is the ve
Page 42 and 43: 0verhead view ln the case of an ove
Page 44 and 45: \ \_ I \ \sY / / t.->J. \ w '--=..-
Page 46 and 47: Giving the female shrugged shoulder
Page 48 and 49: Drawing male and female hands 46 Dr
Page 50 and 51: The angle of the cross (face) is th
Page 52 and 53: Close-up Wide angle There are a var
Page 55 and 56: 53
Page 57 and 58: The key to a natural picture is rel
Page 59 and 60: Ptacing the hand over another Wrapp
Page 61 and 62:
Difference in the flow of the chest
Page 63 and 64:
The illustrations below are various
Page 65 and 66:
II -":r:::-r:s ,aa-- \-5 fl-- - \.
Page 67 and 68:
The male's hands reach as far as th
Page 69 and 70:
:":senting the faces of hoth 4\ '-1
Page 71 and 72:
Embraces between two females involv
Page 73 and 74:
Convey the thickness r- of the body
Page 75 and 76:
(Mt v--i r =) 7 rg At least one of
Page 77 and 78:
Female giving male a kiss ,l \\ \\
Page 79 and 80:
How to draw kissing scenes The mout
Page 81 and 82:
Kjssing the eyelid "I il t )-\) \*.
Page 83 and 84:
1 Kissing the chin
Page 85 and 86:
i I fuNR\ r*/\l I' r iii, i[lr'\ -.
Page 87 and 88:
i, Kissing the neck 'r# }ṙl llll
Page 89 and 90:
FI| I t $ i I ,t I a I t I N :l ,.;
Page 91 and 92:
ln the case of the male body, there
Page 93 and 94:
Male and female ., i:::t::ri:l:::::
Page 95 and 96:
Male on top of male d ,ir Female on
Page 97 and 98:
\
Page 100 and 101:
)/\ \ /.-- ',- K
Page 102 and 103:
Flared-type dress The skirt widens
Page 104 and 105:
Bride's hood on her coiffure 7( TI
Page 106 and 107:
ll' A be about the same height as t
Page 108:
\ i---=.22 L"y /--: /1', ) 6 - \.-,
Page 111 and 112:
Chopter 3 Techniques of Mongs Ailis
Page 113 and 114:
**i -.t f it:tlt:::ii'li.::ill::::i
Page 115 and 116:
7 (,,
Page 117 and 118:
\ A,A dc Am
Page 119 and 120:
{ ; ilir ':; ,/ r$ ;,ili. l '-7 7 -
Page 121 and 122:
\, // / ,'."";t"{'
Page 124 and 125:
y Tomo Ohtake The mood of the chara
Page 126:
The texture of the black cloth is c
Page 129 and 130:
( o - 6 ) \ _/ l, r, G wa )t l( VZ-
Page 131:
,ffi[l[ffi||ilililil]ll tililillJll
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How to draw manga - Couples

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