How to draw manga - Couples

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f, t" \r( (Ct $K :--\/- *;- z.\ /\ \ lit Even when drawing same sex pairs, height differences facilitate imparting roles and moods since the picture becomes more lively. 6
Make tie crotch height the same for characters standing next to each other O Draw outlines showing the height ditference. o Draw a line for the ground. o Make the size of the heads the same. @ Figure out the crotch height. o The characters will look better if their crotch areas are higher than the mid-line of the height ffir draracters will have long legs and look cool if you mtw he female to match the waist of the male. @ Draw either the male or the female first. Head-to-body ratios 1 t010 t rs difficult to draw men and women sidery+*le when different styles are used. One dfiem may end up standing out (afloat). The male looks realistic when drawn to match the female. The female has long legs when drawn to match the male. 7
Page 1 and 2: lt wT#uuryy.]H[J EASTERN REGIp!n! !
Page 3 and 4: I{OWTODRA$/ Gouples
Page 5 and 6: {owToDRA$/ Couples
Page 7: Chopfer I Theory DrcN,ving Behind C
Page 11 and 12: ilave the bodies "pedorm" even when
Page 13 and 14: '1. Presentation when there is litt
Page 15 and 16: I I ,-a { Petite females will look
Page 17 and 18: -'he female is smaller than the mal
Page 19 and 20: Chqpfer 2 Frcm Dqting io Mokirrg lo
Page 21 and 22: *Er.t-'o one of the characters rffi
Page 23 and 24: ' flflu]lill llllu l ilrrro:r rrrli
Page 25 and 26: .,, rrhuillfllq arm while walking l
Page 27 and 28: ,ml :xmae being pulled by male whil
Page 29 and 30: See through view llllllllfi',fllfll
Page 31: ''o,ng to arm while walking ln the
Page 34 and 35: ) \ (
Page 36 and 37: Express the curves and three-dimens
Page 38 and 39: -\\ J/ (r .,,*-{ t\\ I ..\-- 36 /-l
Page 40 and 41: e ,D'aI D5-- 4e- ^Jg This is the ve
Page 42 and 43: 0verhead view ln the case of an ove
Page 44 and 45: \ \_ I \ \sY / / t.->J. \ w '--=..-
Page 46 and 47: Giving the female shrugged shoulder
Page 48 and 49: Drawing male and female hands 46 Dr
Page 50 and 51: The angle of the cross (face) is th
Page 52 and 53: Close-up Wide angle There are a var
Page 55 and 56: 53
Page 57 and 58: The key to a natural picture is rel
Page 59 and 60:
Ptacing the hand over another Wrapp
Page 61 and 62:
Difference in the flow of the chest
Page 63 and 64:
The illustrations below are various
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The male's hands reach as far as th
Page 69 and 70:
:":senting the faces of hoth 4\ '-1
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Embraces between two females involv
Page 73 and 74:
Convey the thickness r- of the body
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(Mt v--i r =) 7 rg At least one of
Page 77 and 78:
Female giving male a kiss ,l \\ \\
Page 79 and 80:
How to draw kissing scenes The mout
Page 81 and 82:
Kjssing the eyelid "I il t )-\) \*.
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1 Kissing the chin
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i I fuNR\ r*/\l I' r iii, i[lr'\ -.
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i, Kissing the neck 'r# }ṙl llll
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FI| I t $ i I ,t I a I t I N :l ,.;
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ln the case of the male body, there
Page 93 and 94:
Male and female ., i:::t::ri:l:::::
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Male on top of male d ,ir Female on
Page 97 and 98:
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Page 100 and 101:
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Page 102 and 103:
Flared-type dress The skirt widens
Page 104 and 105:
Bride's hood on her coiffure 7( TI
Page 106 and 107:
ll' A be about the same height as t
Page 108:
\ i---=.22 L"y /--: /1', ) 6 - \.-,
Page 111 and 112:
Chopter 3 Techniques of Mongs Ailis
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y Tomo Ohtake The mood of the chara
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The texture of the black cloth is c
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How to draw manga - Couples

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