How to draw manga - Couples

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ln order to make it look like the character is leaning completely on the other (i.e. clinging to the arm), consider the following points. This cut shows that the character is being consciously provocative. O The upper body is leaning fonruard. 26 rests on the arm being held, so point the hips in the opposite"direction. is carrying something when standing upright.
See through view llllllllfi',fllfllll]lrrrr1llilftirr :e rq held : ,'; .qrs" \a\/ *>Fl 'llfllilt :nllr 111111116n6 rrflrzutilr rw-a6ter's shoulders uC -rgh. it WOuld ,wtffiulml lffi ti le s rejecting her. Yfii ilrfl1||lliin]lLutm: rean toward 1!ilr, fillllltlulflutltur rc *lll appearto ssiffir'lil1ili1ttllfli.t:litt lg5lTful' The shoulder line of the female slopes toward the male. Holding affectionately leaning on the male I I rl ,\(' The hips are square. Raising the shoulder of the female and sticking out the elbow will make her look energetic and boisterous. I I You can portray a quiet but strong-willed female by giving her naturally relaxed, sloping shoulders and supple arms.
Page 1 and 2: lt wT#uuryy.]H[J EASTERN REGIp!n! !
Page 3 and 4: I{OWTODRA$/ Gouples
Page 5 and 6: {owToDRA$/ Couples
Page 7 and 8: Chopfer I Theory DrcN,ving Behind C
Page 9 and 10: Make tie crotch height the same for
Page 11 and 12: ilave the bodies "pedorm" even when
Page 13 and 14: '1. Presentation when there is litt
Page 15 and 16: I I ,-a { Petite females will look
Page 17 and 18: -'he female is smaller than the mal
Page 19 and 20: Chqpfer 2 Frcm Dqting io Mokirrg lo
Page 21 and 22: *Er.t-'o one of the characters rffi
Page 23 and 24: ' flflu]lill llllu l ilrrro:r rrrli
Page 25 and 26: .,, rrhuillfllq arm while walking l
Page 27: ,ml :xmae being pulled by male whil
Page 31: ''o,ng to arm while walking ln the
Page 34 and 35: ) \ (
Page 36 and 37: Express the curves and three-dimens
Page 38 and 39: -\\ J/ (r .,,*-{ t\\ I ..\-- 36 /-l
Page 40 and 41: e ,D'aI D5-- 4e- ^Jg This is the ve
Page 42 and 43: 0verhead view ln the case of an ove
Page 44 and 45: \ \_ I \ \sY / / t.->J. \ w '--=..-
Page 46 and 47: Giving the female shrugged shoulder
Page 48 and 49: Drawing male and female hands 46 Dr
Page 50 and 51: The angle of the cross (face) is th
Page 52 and 53: Close-up Wide angle There are a var
Page 55 and 56: 53
Page 57 and 58: The key to a natural picture is rel
Page 59 and 60: Ptacing the hand over another Wrapp
Page 61 and 62: Difference in the flow of the chest
Page 63 and 64: The illustrations below are various
Page 65 and 66: II -":r:::-r:s ,aa-- \-5 fl-- - \.
Page 67 and 68: The male's hands reach as far as th
Page 69 and 70: :":senting the faces of hoth 4\ '-1
Page 71 and 72: Embraces between two females involv
Page 73 and 74: Convey the thickness r- of the body
Page 75 and 76: (Mt v--i r =) 7 rg At least one of
Page 77 and 78: Female giving male a kiss ,l \\ \\
Page 79 and 80:
How to draw kissing scenes The mout
Page 81 and 82:
Kjssing the eyelid "I il t )-\) \*.
Page 83 and 84:
1 Kissing the chin
Page 85 and 86:
i I fuNR\ r*/\l I' r iii, i[lr'\ -.
Page 87 and 88:
i, Kissing the neck 'r# }ṙl llll
Page 89 and 90:
FI| I t $ i I ,t I a I t I N :l ,.;
Page 91 and 92:
ln the case of the male body, there
Page 93 and 94:
Male and female ., i:::t::ri:l:::::
Page 95 and 96:
Male on top of male d ,ir Female on
Page 97 and 98:
\
Page 100 and 101:
)/\ \ /.-- ',- K
Page 102 and 103:
Flared-type dress The skirt widens
Page 104 and 105:
Bride's hood on her coiffure 7( TI
Page 106 and 107:
ll' A be about the same height as t
Page 108:
\ i---=.22 L"y /--: /1', ) 6 - \.-,
Page 111 and 112:
Chopter 3 Techniques of Mongs Ailis
Page 113 and 114:
**i -.t f it:tlt:::ii'li.::ill::::i
Page 115 and 116:
7 (,,
Page 117 and 118:
\ A,A dc Am
Page 119 and 120:
{ ; ilir ':; ,/ r$ ;,ili. l '-7 7 -
Page 121 and 122:
\, // / ,'."";t"{'
Page 124 and 125:
y Tomo Ohtake The mood of the chara
Page 126:
The texture of the black cloth is c
Page 129 and 130:
( o - 6 ) \ _/ l, r, G wa )t l( VZ-
Page 131:
,ffi[l[ffi||ilililil]ll tililillJll
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How to draw manga - Couples

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