SPA234_Strings_2018_2019_web_mit_Links

violoncello
Beethoven, Ludwig van
(1770–1827)
Sonatas for Piano and
Violoncello op. 5, Nos. 1 and 2,
op. 69, op. 102, Nos. 1 and 2
“Best Edition 2005”
Urtext / Ed. J. Del Mar
BA 9012 Score with part and
Critical Commentary
“… five huge sonatas,
important works, thoroughly
researched, impeccably edited,
re-explored and re-examined
by Jonathan Del Mar, and
beautifully printed with even
the page turns taken account
of, …”
(Piano, GB)
“Jonathan Del Mar has
laboured heroically to present
Bärenreiter’s new edition of the
complete sonatas for cello and
piano by Beethoven – and no
praise can do justice to this
towering achievement.”
(Music Teacher)
“Anyone who is serious
about performing the
Beethoven Sonatas will want
this new edition.” (Strings)
“Cellists, pianists, and
Beethoven-lovers everywhere
have been eagerly awaiting an
authoritative version of these
sonatas for far too long; now
we will have an edition that
promises to remain THE
standard text for the
foreseeable future.”
(Steven Isserlis)
Beethoven, Ludwig van
(1770–1827)
Variations for Pianoforte and
Violoncello WoO 45, Op. 66,
WoO 46
Urtext / Ed. J. Del Mar
BA 9028 Score with part
Beethoven’s three sets of cello
variations comprise the
“Twelve Variations on a Theme
from Händel’s Oratorio Judas
Maccabeus” (WoO 45), the
“Twelve Variations on the
theme Ein Mädchen oder
Weibchen” (op.66) from
Mozart’s opera Die Zauberflöte
and the “Seven Variations on
the duet Bei Männern, welche
Liebe fühlen” (WoO 46), also
from Die Zauberflöte.
These works have existed in
many different editions.
This Bärenreiter Urtext
edition, however, is the first to
give all Beethoven’s rhythms in
the violoncello part correctly.
Beethoven’s autograph
manuscript of op. 66 is lost;
the Critical Commentary
(English) includes a complete
facsimile of the violoncello
part from the only surviving
source (the first edition),
illustrating the various
problems encountered in
determining the best musical
text.
With numerous corrections
in the violoncello part
Boismortier, Joseph Bodin de
(1689–1755)
Sonata in D maj op. 50/3
for violoncello (bassoon or
viola da gamba) and bc
Ed. H. Ruf
BA 3963 Score with part
Brahms, Johannes
(1833–1897)
Works for Violoncello and
Piano
Urtext / Eds. C. Brown, N. Peres
Da Costa, K. Bennett Wadsworth
Sonata in E min op. 38
BA 9429 Score with parts
Sonata in F maj op. 99
BA 9430 Score with parts
Bärenreiter’s pioneering
editions offer today’s
musicians a comprehensive
approach to the works, which
aims to place them in their
historical context and to
elucidate the complex of
meanings that the composer
expected his notation to
convey to performers.
The editions come not only
with an Urtext part freed
from all editorial emendations,
but also with an additional
part including fingering and
bowing drawing on
performance markings by
musicians close to Brahms'
circle.
C. Brown, N. Peres Da Costa,
K. Bennett Wadsworth
Performing Practices in
Johannes Brahms’
Chamber Music
Text booklet in English/German
BA 9600
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