SPA234_Strings_2018_2019_web_mit_Links
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violoncello<br />
Lalo, Édouard<br />
(1823–1892)<br />
Concerto in D min for<br />
Violoncello and Orchestra<br />
“Best Edition 2007”<br />
Urtext / Ed. H. Macdonald<br />
Piano reduction by the<br />
composer<br />
BA 6999-90 °<br />
The autograph score of Lalo’s<br />
much played concerto is lost;<br />
the editor Hugh Macdonald<br />
has discovered that Lalo’s<br />
piano reduction was used as<br />
a working score by Lalo<br />
himself. He continued to make<br />
alterations to the work in the<br />
reduction even after the work<br />
was officially published. These<br />
changes provide for many<br />
corrections in the solo part as<br />
we know it, but also call for<br />
some orchestral passages to be<br />
re-orchestrated to match up<br />
with Lalo’s final alterations.<br />
First ever critical edition<br />
Martinů, Bohuslav<br />
(1890–1959)<br />
Sonata da camera H 283<br />
for violoncello and chamber<br />
orchestra<br />
BA 4319-90 Piano reduction<br />
BA 4319 • Study score<br />
Sonata No. 3 H 340<br />
for violoncello and piano<br />
Ed. A. Březina<br />
Cello part revised by M. Sedlák<br />
H 7893 Score with part<br />
Variations on a Slovakian<br />
Theme H 378<br />
for violoncello and piano<br />
BA 3969 Score with part<br />
Mendelssohn Bartholdy, Felix<br />
(1809–1847)<br />
Complete Works<br />
for Violoncello and Piano<br />
Urtext / Ed. R. L. Todd<br />
BA 9096 Vol. 1 Score with part<br />
BA 9097 Vol. 2 Score with part<br />
Special set price<br />
for both volumes<br />
BA 9098<br />
NEW 2017<br />
Felix Mendelssohn Bartholdy’s<br />
works for violoncello and piano<br />
occupy a special place within<br />
the repertoire of cellists and<br />
chamber musicians.<br />
The lyrical “Song without Words”<br />
(Romance sans paroles) is among<br />
the most popular of all teaching<br />
pieces.<br />
Mendelssohn was inspired by his<br />
contacts with the leading cellists<br />
of his day to write for this<br />
instrument. This unique<br />
Urtext edition contains all of<br />
Mendelssohn’s finished works<br />
for violoncello and piano as well<br />
as reconstructions and<br />
completions of his unfinished<br />
works for the same scoring.<br />
The editor R. Larry Todd has<br />
composed the cello part for the<br />
variations and has completed<br />
the graceful Assai tranquillo.<br />
Also includes reconstructions<br />
or completions of<br />
Mendelssohn’s unfinished<br />
works for violoncello and<br />
piano<br />
Informative Foreword (Eng/<br />
Ger) and Critical Commentary<br />
(Eng) with facsimile pages<br />
“… a unique text that all<br />
cellists will want to own.”<br />
(<strong>Strings</strong>)<br />
° = Performance material<br />
available on sale<br />
• = Performance material<br />
available on hire<br />
From: Mendelssohn, Complete Works for Violoncello and Piano · BA 9096<br />
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